You seldom get that in film where you're lucky if you get any say at all in the final cut.
I came to Ireland 20 years ago as a student, hitch-hiking round for a week and staying in Dublin.
On the stage, you alone hold the key, and on the night you have to trust that the director has inspired you enough to take the material and run with it.
I look for people who're passionate, dedicated to the text, and in whom I trust completely.
In many ways, when you're young and sexy, it's very annoying to be whistled at and to have someone always trying to attract your attention, but now when it happens I find myself registering the fact almost warmly.
I have done everything I can to make sure my daughter knows her father because you form your own identity by rebelling against your parents - but first you have to know them.
A relationship requires a lot of work and commitment.
I had the conviction that lovemaking fools you. The overpowering emotions it induces make you think you're sharing the same feelings as the other person and that they're imagining the same as you.
The only work I did for the next five years after splitting from Vincent was work I'd already lined up.
With a theatre audience there's always the additional sense of a sustained challenge of which I'm acutely aware and for which you need to have the tools ready - your voice, physicality, brain.
Last Update: 11 May 2021
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