There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.
Everywhere you go you hear things that are untrue.
You've just got to learn that if I don't say it, physically out of my mouth, on camera, it's not true.
When I have a camera in my hand, I know no fear.
We can't have cellphones, TV, radio or the Internet.
If the president died, we'd have no idea. There's no normalcy. It's just like prison, with cameras.
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The world just does not fit conveniently into the format of a 35mm camera.
No photographer is as good as the simplest camera.
Friendship isn't about whom you have known the longest. It's about who came, and never left your side.
The most difficult thing for me is a portrait.
You have to try and put your camera between the skin of a person and his shirt.
If you have what you want to say inside, and if you are crying for something that is true inside, it doesn't matter. The camera always sees it.
Both camels are dead and our provisions are done.
And the camera position, the organization, looking for repeating forms, shapes, trying to set up a visual rhythm seemed to come very natural. All of a sudden I was in a forest of aluminum and steel rather than a forest that we might think of in a traditional sense.
If I could live my life all over I'd do everything the same;
the film in my camera would remain the same; there's no way lord, to leave this love behind.
I was instructed by people in higher rank to stand there and hold this leash and look at the camera. We were doing what we were told.
Life is like a camera focus on whats important and youll capture it perfectly.
Cameron and I actually do wear the same size. It made it very easy for the wardrobe department.
After the war, there was no industry.
We lost the war. We had our whole city destroyed. No money. No studio. No film. No camera. No equipment. We would shoot in the street. We had no actors. Nothing. But we wanted to do movies. And we did the best movies in the world.
And I'm sure after Facebook it will be the little cameras that we have implanted into the palms of our hands and we'll be debating whether we should get them, and then we'll all get them.
I do music because I can just pick up my guitar and sing, and completely satisfy, instant gratification. I don't need a script, I don't people, I don't need anything, cameras, I just have myself and my guitar, or keyboard.
I tell you the truth, it is hard for a rich man to enter the kingdom of heaven.
Again I tell you, it is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of heaven.
I'm one of the few directors that actually shoots a lot in camera.
Life is like a camera. Focus on what is important, capture the good times, develop from the negatives and if thing don't work out, take another shot.
I think that I need to work on being comfortable at being normal, everyday-ish on camera. Unlike a lot of actors, I think that's the thing that I'm not so comfortable with.
I love the work, I love being in front of the camera and working with actors and directors and creating something. For me, it's like learning everyday.
There's a certain way people are used to seeing nude women, and that's in a submissive, coy pose, not looking at the camera. And in this poster, I'm looking dead into the camera with no expression on my face. I think it freaks a lot of people out.
It's taken me 15 years to step behind a camera and make something everyone agrees looks like a movie.
No one was jumping up and saying, 'Yeah, let me give you money.
' I had never held a camera in my hand - a home video camera, nothing. I had not directed.
If you can remain true to the people who know you the best and not be sidetracked by the flashing lights and glimmering of the cameras, it's like, just being down-to-earth and just kind of staying real.
No matter how sophisticated the camera, the photographer is still the one that makes the picture.
Well, getting behind the camera is something I've always wanted to get involved with. Ever since I was doing movies like 'Zathura' I was very interested in all the different jobs on set and kind of soaking all the information up like a sponge.
My relationship with the journalists who covered the campaign was complicated.
I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation.
It turns out umpires and judges are not robots or traffic cameras, inertly monitoring deviations from a fixed zone of the permissible. They are humans.
I never go to a gym unless I have to for a role, a contract.
I try to take care of myself as a human being, not because I have to be in front of the camera.
I've learned to hate it when the cameras are pointed at me.
'House of Style' changed my life. I literally had no experience in front of a TV camera before, and there I was taking over for Rebecca Romijn. My exposure heightened instantly.
You'll never see a good performance out of me, in terms of a character, when the camera isn't rolling.
I've been in front of a camera since I was a little girl, and that's the medium I understand.
I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
I was very new to working in front of the camera when I started shooting 'Gatsby,' so I set myself the mission of gleaning as much information as possible out of the much more experienced actors. The cast was astoundingly talented.
I want to be in 'Glee,' but I'm told I'm not famous enough to be a cameo yet.
When Jimmie Johnson goes out early and finishes 35th, as he did Sunday, he can look at the cameras, lament about it being a tough day, and then say, 'We'll just try to get them next week at Darlington.'
I have a wild game camera.
When you put a camera in front of me, I'm home.
I am the same on camera as I am off. I can't imagine being any other way.
I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
It's usually when the cameras leave that the support leaves as well.
You can take 100 penalties in training, but when you go out on that pitch in front of all those people and the television cameras, it's completely different.
Nobody who cooks does it with full hair and makeup in front of a TV camera.
It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.
Sometimes cameras and television are good to people and sometimes they aren't.
I don't know if its the way you say it, or how you look.
You are a pest, by the very nature of that camera in your hand.
I am a camera with its shutter open, quite passive, recording, not thinking.
A camel makes an elephant feel like a jet plane.
The camera makes everyone a tourist in other people's reality, and eventually in one's own.