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I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.
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Too much negotiating and not enough work on the court - that's what happened to me during the lockout. Too much talking and not enough training. I couldn't put in my usual offseason work routine. I think that all caught up to me, with my Achilles problems.
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I think the real reason for my improvement is because I had such a long period in the off-season just working as hard as I could on all my new dives; making sure I did lots of repetition to get them consistent.
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Nobody wants to see teams out of contention showcased in December and January.
I'm sure this is something that will be discussed again this off-season.
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I was doing Hamlet in the off-season, and I had a specific idea in my mind about what I wanted that character to look like, and because it's going to lead into the next year, I knew that it was going to have to be established somewhere in the show.
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Every year I try to keep in excellent shape and improve some part of my game.
I play in the offseason overseas to keep my game tuned up and hopefully improve a little in some area.
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No, one of the great things about my three-year deal is that it's year-round.
They've offered me an opportunity to cover a lot of things in the offseason, too.
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I just think overall a lot of it has to do with conditioning and players putting in the time and the effort in the off-season to keep themselves in condition for 12 months a year.
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It's an offseason. These days are valuable for everybody.