quote by Michael Chekhov

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

— Michael Chekhov

Jittery Actors And Audience quotations

Actors and audience quote People who complain in private want an answer. People who complain in public wan

People who complain in private want an answer. People who complain in public want an audience.

This whole creation is essentially subjective, and the dream is the theater where the dreamer is at once: scene, actor, prompter, stage manager, author, audience, and critic.

Actors should be overheard, not listened to, and the audience is 50 percent of the performance.

Actors and audience quote When an actor marries an actress they both fight for the mirror.

When an actor marries an actress they both fight for the mirror.

You need three things in the theatre - the play, the actors and the audience, and each must give something.

To me if there's an achievement to lighting and photography in a film it's because nothing stands out, it all works as a piece. And you feel that these actors are in this situation and the audience is not thrown by a pretty picture or by bad lighting.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

Actors and audience quote Always make the audience suffer as much as possible.

Always make the audience suffer as much as possible.

If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable.

An actor knows two important things - to be honest in what he is doing and to be in touch with the audience. That's not bad advice for a politician either.

There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that.

Actors and audience quote It's about posting it forward. All digital leaders have mastered the art of post

It's about posting it forward. All digital leaders have mastered the art of posting-it-forward. Digital hugs" are crucial in a world with decreased face time. You may feel pretty confident in your face-to-face skills, but have you mastered digital messaging? The power of posting-it-forward is monumental. In fact, you will attract more followers digitally in two days than you will in two months if you show interest in your audience versus trying to get them interested in you.

If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.

An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.

Any good director creates a playground.

That's what they do. They hire the right actor, open the door and let them play because stuff will happen, right then and there. The audience wants to believe that what's going on is happening for the first time, ever. That's what acting is. That's what good scene writing is.

If the scene bores you when you read it, rest assured it WILL bore the actors, and will then bore the audience, and we're all going to be back in the breadline.

As an audience member and as an actor I much prefer to find ambiguity.

That's why so many people want to play Hamlet: because it's a completely demarked role, and the actor playing it has to be prepared, through the language, to allow the audience to see into who he is.

Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.

I hate the actor and audience business.

An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.

I noticed while working on Green Lantern that the actor - albeit forefront in the film, obviously, and the key focus for the audience - is kind of the smallest cog in the machine when you're shooting.

Film gives me live actors, editing, music, sound, a huge and powerful toolbox to play with. If there is a problem for me, it is that film gives me too much. There is less room for the audience to add their side of the conversation.

[To actors on opening night:] You have had good equipment to work with.

You've had a theater with everything you needed, and you are involved with the play; but all the way through you have been handicapped. One essential has been denied you. Tonight the audience is there; now they are sitting out front; you have everything you need.

Whether you are a writer, or an actor, or a stage manager, you are trying to express the complications of life through a shared enterprise. That's what theatre was, always. And live performance shares that with an audience in a specific compact: the play is unfinished unless it has an audience, and they are as important as everyone else.

You want to try and bring a character to life in an honest a way as you possibly can. It doesn't matter whether he's a doctor, an actor, a car salesman or a captain of a starship. If you can bring truth and honesty to that character, then your audience will believe you.

Compare the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.

Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character he's playing.

The energy released by it is enormous and it becomes quite addictive, the power between the audience and the actor.

You can't plan your character arc - you have a vague idea, maybe, but I'm constantly surprised. Sometimes actors in films will play the ending of the movie, or even the middle, and you know where it's going - as an audience member you can read the actor.

I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.

One of the biggest misconceptions about me is that I'm a comedian, which I'm not. A comedian is someone who can stand up in front of an audience and make you laugh. I've never done stand-up and I never will. I'm a comic actor. My comedy comes through my characters.

I want everyone to feel as much as possible as if they inhabit the same space.

They more fluid the relationship between actor and audience, the better.

Supporting characters add depth to a story, and great actors leave their imprint with the audience.

The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.

The true meaning of an artist/actor is opening my heart to the audience and at the same time opening their heart. Through sharing my pain I can possibly heal your pain, there is no other feeling like it, money doesn't compare. This is the true meaning of Art. I will attempt to do it till my dying day.

There's music in my films but you seldom hear it.

Very early I got the idea that the important things in films were people - the actors. They are the intermediary between the director and the audience. They make direct contact. People to people communication.

In my collection, to me at least, the theatre of the past lives again and those long-dead playwrights and actors have in me an enthralled audience of one, and I applaud them across the centuries.

Most actors spend a lot of time training themselves to be an actor.

And I kind of didn't do that. I just started doin' it in front of an audience and had to deliver.

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