Nothing can duplicate the sheer power and feeling you get from standing in front of your amp and bashing on your guitar.— James Hetfield
Astounding marshall amp quotes that are about dr amp
Your sound is in your hands as much as anything.
It's the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.
It's not about how loud you turn the amp up.
That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
I think I could walk into any music shop anywhere and with a guitar off the rack, a couple of basic pedals and an amp I could sound just like me. There's no devices, customized or otherwise, that give me my sound.
The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful.
I've always played every amp I've ever had full up, because rock and roll is supposed to be played loud. Also, that's how you get your sustain.
Every game's a championship game. When we focus that way, get prepared that way-that this is it, you know, this is the last one, the biggest one-you get ready, you get amped up, you get that laser focus and you're ready to play.
I went to my friend's house one day, and he had an electric guitar he had just bought with a tiny little amp. I turned the volume up to 10 and I hit one chord, and I said, I'm in love.
Some bands blow it before they even play.
The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.
I remember one of the first gigs I played with that amp was at a local church.
They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'
Music is life. Music defines peoples' experience on this planet. Name one time in your life that wasn't punctuated by the music you listened to at the time. When people are down, they listen to music that commiserates that emotion. When people are amped up, they listen to more upbeat, loud songs.
I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.
In the crazy world of touring, if something gets stuck at customs, I can do a show with just my amp!
The older I get, the more I just like plugging directly into my amp.
I'm tired of trying to impress myself with weird sounds. It's about the notes more.
The C+ amps is vintage at this point, and it definitely has a certain sound to it. I wanted something that was going to keep Dream Theater in more of a current musical landscape, as far as being the producer and producing the type of album I wanted to hear.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
I have tried every amp, distortion box, gadget etc.
that has ever been made since 1967 to present and nothing has sounded like the Tonebone. It has become an incredible asset to my sound and I recommend this to anyone who is looking for that NATURAL warm sound with sustain for days and days! Buy this now!
I like the guitar better these days. I like the bass, too, but it's hard to fit a bass amp in a small car.
Mogami cable is durable and flexible enough to practically build a suspension bridge with but I'll settle for using it for my guitars and amps!
There was mass hysteria in the Chess Recording Studio when I did the "Shapes of Things" solo ... they weren't expecting it, and it was just some weird mist coming from the East out of an amp.
I ended up gettin' a little Gibson amp and a bass, because of Gene Simmons of Kiss. Myself and three other kids would pretend to be Kiss - I liked Gene the best.
The Bollywood distribution system is so corrupt that they have trouble making money off movies. So they sell shoes that an actress stepped in. If they turned up the amps some, maybe they could sell the actresses.
It's funny, though, because when I first started going to races after we met, I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone, so I was really hesitant.
The hedonistic lifestyle is difficult to achieve when you're still carrying your own gear. Trust me that you don't feel glamorous with a 60-pound amp in your arms; it's a lot less sexy than toting a vodka gimlet and impossible to do in heels.
So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.
I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.
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Everything officers go through in any chase anywhere in the country, but amped up 100 times! I'm right in the thick of things in a car going like 80 miles an hour, and doing 360s in the middle of the road. It was a wild ride.
Alice Cullen had more vampire interaction, for sure, than human interaction.
I think she was kind of amped to finally get to play a vampire, so she was good to go.
I was working at eBay, so I would just troll the vintage categories, find old amps and what have you. I was buying a fair amount of stuff and playing with it and then selling it back.
For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perfection of some Renaissance polyphony, but equally I can feel emotion in the expectant hum of a big old guitar amp just before the strings are hit.
My first job was in a Bohemian polka band, the Rejcek family polka band in Abbott. The old man in the band had another blacksmith shop in Abbott, but he liked me. All he had was horns and drums, and I was set up over there with my little guitar with no amps or nothing. I would play as loud as I wanted to, and nobody could hear me.
If you guys throw one more shoe or one more coin, I'm just going to leave my guitar next to my amp and there's going to be massive feed back for an hour.
Big Star invented a vision of bohemian rock & roll cool that had nothing to do with New York, Los Angeles or London, which made them completely out of style in the 1970s, but also made them an inspiration to generations of weird Southern kids.
Innovation has nothing to do with how many R amp&;
D dollars you have. When Apple came up with the Mac, IBM was spending at least 100 times more on R & D. It's not about money. It's about the people you have, how you're led, and how much you get it.
I suppose I am a frustrated musician so I annoy my family by playing guitar in the house. I used to be into acoustic stuff but my son Joseph is learning drums, so now I have an electric guitar and we play Metallica. We have an amp and a PA in the garage with his drum kit.