The greatest menace to freedom is an inert people.— Louis D. Brandeis
Empowering Anti Hero quotations
I think, generally, the flawed anti-hero is much more interesting than the normal hero, and that's really what we're talking about here as it relates to outlaws or renegades.
I like underdogs, I like anti-heroes - people that have a hard time overcoming things in life.
The great thing about Burgess's work is the dichotomy of making the hero or anti-hero an immoral man. And that's what makes it interesting. Because, you know, you are sucked into kind of like this guy.
I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.
Be not dumb, obedient slaves in an army of destruction. Be heroes in an army of construction.
If the reader cares, I dont think it matters so much whether your hero is in fact an anti-hero.
Look, we're in the time of the anti-hero.
I think empowerment of women is exactly what's happening now, with women being portrayed as human beings, and not just black and white. Men can be the anti-hero all the time, and it's cool, but when women are, they're twisted or messed up or something is wrong with them. I think it's just about portraying women in the world as equals to men, and vice versa.
A lot of characters now on TV have moved into being anti-heroes, but I wanted to be the hero.
The rise of the anti-hero can be traced to a litany of social reasons.
Post World War I, for instance, saw the blooming of some pretty dark stuff - I'm thinking of Dashiell Hammett's Red Harvest, for instance, when "The Continental Op" shows up in Poisonville to clean up the town...and proceeds to kill something like thirty people.
Paul Newman would have been a much more important star if he hadn't always tried to be an anti-hero, to show the human feet of clay.
Teachers have been heroes to me, as well as artists and writers, and I'm honored to be among their ranks. There is always a lot of grousing about the academy. I suppose it comes from our all-American anti-authoritarianism.
I don't know why I'm drawn to anti-heroes, but I certainly am.
Good guy' or 'bad guy', hero or anti hero;
doesn't matter to me, what role I play, only the character have something magical.
A lot of my characters are anti-heroes that became heroes.
I am really interested in who owns ideas of religion.
What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox.
I think it's doubly important, now that we see so many people failing.
When the norm is an anti-hero, there's a serious loss when you cannot portray a decent person on screen without it becoming slightly sentimental or feeling like it's unrealistic.
We lost faith in authority in the '50s, up to a point, and we spawned a lot of anti-heroes in movies, which were refreshing and open. But at this point, with the distrust that's there and the disillusionment with leadership that is so acute, we need some kind of a focus on taking the irony out and taking the anti-hero element away.
Even the Westerns that I grew up with, the Sergio Leone's and all that, there was always a sort of anti-hero, a guy reluctant to shame even, to pick up the gun again because he wants to help other people, and he does, he uses his skills for that.
The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.
Perhaps some of the appeal of the dangerous-but-yummy paranormal anti-hero lies in his scorn for societal expectations. Yes, women have come a long way, but there are still some cultural stigmas more associated with women than men.
A propagandized population has a hard time choosing worthy heroes.
It is high time Americans celebrate the Anti-Federalists, for they were correct in predicting the fate of freedom after Philadelphia.
My first recollection of hearing Wendell Phillips is from my college days, though of course he was always one of my heroes, and I may have heard him before, for we were an anti-slavery family.
On that day, we couldn't reach the conclusion whose hero is the strongest.
And today when we are 41 years old, we can protect neither the Earth nor the women we love. We are now just the anti-heroic men, struggling with everyday life. Those boys wo wanted to become heroes... where did they all go? Whose heroes can we become at the end?