quote by Ken Kesey

Marvelous wonders don't have to happen of a sudden, the way they do in the Arabian Nights. They can also take a long time, like crystals growing, or minds changing, or leaves turning. The trick is to keep an eye peeled, so they don't slip by unappreciated.

— Ken Kesey

Revolutionary Arabian Nights quotations

Arabian nights quote I've loved the stars too fondly to be fearful of the night.

I've loved the stars too fondly to be fearful of the night.

India was China's teacher in religion and imaginative literature, and the world's teacher in trignometry, quandratic equations, grammar, phonetics, Arabian Nights, animal fables, chess, as well as in philosophy, and that she inspired Boccaccio, Goethe, Herder, Schopenhauer, Emerson, and probably also old Aesop.

I go back to the reading room, where I sink down in the sofa and into the world of The Arabian Nights. Slowly, like a movie fadeout, the real world evaporates. I'm alone, inside the world of the story. My favourite feeling in the world.

Arabian nights quote The people that are there for you on your darkest nights are the ones worth spen

The people that are there for you on your darkest nights are the ones worth spending your brightest days with.

Sometimes great, banned works defy the censor's description and impose themselves on the world - 'Ulysses,' 'Lolita,' the 'Arabian Nights.'

Scheherazade, of course, was always in the back of my mind, because she's also a storyteller identified as female who tells a lot of anti-female stories. There's a parade in The Arabian Nights of sorceresses, adulteresses, ghouls, sirens, harridans.

Shams and delusions are esteemed for soundest truths, while reality is fabulous.

If men would steadily observe realities only, and not allow themselves to be deluded, life ... would be like a fairy tale and the Arabian Nights' Entertainments.

Arabian nights quote I do not dream at night, I dream all day, I dream for a living.

I do not dream at night, I dream all day, I dream for a living.

When we come back to fantasy, I think we're actually coming back to the real bedrock of storytelling. Our national or international genre really is fantasy, if you think about the worldwide myths and legends and stories that we all know, whether we're talking about Little Red Riding Hood or the Arabian Nights or Noah's Ark or Hercules. These are stories that cross many cultures in much the same way that dragons cross many cultures.

There's a whole slew of wonderful speculation of flying in a fanciful way.

Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.

Our traditional stories are based on an aristocratic model without a middle class, whereas The Arabian Nights reflect people living in cities, traders, merchants, travelers, with a wide range of personalities.

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