Quotations list about auditorium, amphitheatre and audience captions for Instagram citing Robert Frost, Rod Serling and Minnie Maddern Fiske foyer sayings.
What are the best auditorium quotes?
We've gathered this hand-picked list of quotes to show you what is auditorium!
Whether a inspirational quote from your favorite celebrity Robert Frost, Rod Serling or an motivational message about giving it your best from a successful business person, we can all benefit from a famous auditorium quote.
Hell is a half-filled auditorium. — Robert Frost
Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull. — Rod Serling
I suppose that Paderewski can play superbly, if not quite at his best, while his thoughts wander to the other end of the world, or possibly busy themselves with a computation of the receipts as he gazes out across the auditorium. I know a great actor, a master technician, can let his thoughts play truant from the scene... — Minnie Maddern Fiske
I've always been fascinated by the difference between the jokes you can tell your friends but you can't tell to an audience. There's a fine line you have to tread because you don't know who is out there in the auditorium. A lot of people are too easily offended. — Billy Connolly
Acting must be scaled down for the screen. A drawing room is a lot smaller than a theatre auditorium. — Arthur Lowe
I used to go down every year for the remembrance of Elvis' birthday. Memphis State College invited me to sit in the auditorium and speak to the people for one of those Elvis days. — Otis Blackwell
It makes no sense to pack an auditorium with 5,000 people and then tell them to keep quiet. — Tony Snow
What people want is not what some would call imaginative and often austere productions but very lavish productions which cast back into the auditorium an image of their affluence. — Jonathan Miller
I understand the worries of many - not only here in this auditorium -, and some have already written to me to say that technical progress has lowered the threshold that stops people from helping themselves to protected works without the slightest embarrassment.
I feel the acting conservatory taught me how to be a working actor in the 1700s.
We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.
Sandra Day O'Connor - once she said that there are - there were no public schools in America until the 18th century, and she overlooked my alma mater because we started - I say we - in 1635. And among the people who went there - and they're on - the walls in the auditorium, the names are: Ralph Waldo Emerson and Cotton Mather, Benjamin Franklin, except he split when he was 10 years old to go to work.
My first ones were The Young Rascals.
I made out with Dino Danelli, the drummer, in the alley behind the City Auditorium. Then I met Crosby, Stills, Nash & Young. Mitch Ryder & The Detroit Wheels. This is all way, way back in the day. Later I got in the big leagues, like chasing around The Rolling Stones. And I hid in the bus for Paul Revere & The Raiders. And The Zombies.
I was probably about 13 or 14, and I went by myself to the City Auditorium in Colorado Springs and saw the guy who wrote and sang "Itsy Bitsy Teenie Weenie Yellow Polkadot Bikini." Brian something. And I got to meet him and he signed an autograph for me, a little piece of paper. Brian Hyland! It was so bizarre.
I never met Barry Crump, but I was in an audience once for a play once.
There was a drunken man at the back of the auditorium that was shouting during a performance of a one man play, and it turned out later on that was Barry Crump and he was in a state of inebriation.
The aeroplane. . . is not capable of unlimited magnification. It is not likely that it will ever carry more than five or seven passengers. High speed monoplanes will carry even less. . . . Over cities, the aerial sentry or policeman will be found. A thousand aeroplanes flying to the opera must be kept in line and each allowed to alight upon the roof of the auditorium, in its proper turn.
Every band sells t-shirts and plays certain auditoriums, but I'm sick of being like everyone else, because I'm not.
Or, if I take that same auditorium and I make it much bigger and put more space between seats, it'll be quieter because it's much harder when you're not in physical contact with people to spread a virus from person-to-person, right? There are all sorts of patterns that we see in epidemiology that help us understand why something spreads.
You know, if I look at an auditorium full of high school students and the big man on campus and his girlfriend are busy talking while the lecture's going on, the rest of the room is going to do it because they're powerful sneezers. They have influence. They reach out to a whole bunch of people in a way that makes the idea of being disrespectful spread.
I remember my first moment onstage was at a 4-H contest at the Pratville Junior High School cafeteria auditorium around 1965. I had my first electric, a Silvertone with the amp built into the case, and I won first prize.
My memory of 3D movies is Fernando Lamas in a swashbuckling movie.
And I suppose it had been the fifties, in which swords came out at you, bullets came out at you, things were thrown into the auditorium, apparently. All that sort of cheap, "Oh, look at us, we've got 3D" isn't in the film.
It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium. To me, though, I'm just me. An ordinary kid.