Baddies always do get the best lines, that's the honest truth.— James D'arcy
Profound Baddie quotations
The only thing that stops a bad guy with a gun is a good guy with a gun.
It's weird, because usually if you're British and you go to America you play baddies; but I play naughty people here and goodies in America.
Mr. President, the only thing that stops a bad guy with a nuke is a good guy with a nuke.
I don't know if I am cut out to playing a bad character or not - I really should give it a shot. I would like to play the voice of a baddie, but that's really just a cop-out!
All the best of the monsters played for sympathy.
That goes for my father, Karloff, myself and all the others. They all won the audience's sympathy. The Wolf Man didn't want to do all those bad things. He was forced into them.
The Prime Minister seems now to be basing his re-election campaign on this plot line. He is saying to the Australian people, look out, the baddies behind you - hiss, boo and whatever you do, don't vote Labor. This political parody of pantomime is looking and sounding desperate.
We often get pigeon-holed as a tough guy, or whatever else.
I've been pigeon-holed as a heavy and serious, and almost a baddy, but not quite a baddy, over the years of my work in television, particularly.
If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.
My ideal role would be a baddie in a James Bond film.
I think the wheelchair and the computer voice would fit the part.
Audiences always love the baddies. Especially these ones that are so witty and charming and outrageously devious - everything you're not supposed to be. I think it speaks to the basic, primal nature in us.
There is of course a dark side to panto because there are always baddies and you can't have a baddie without a dark side. But most of the time the baddies become good.
I continue to explain that plot inconsistencies in B movies are consistent, and should not be allowed to undermine one's enjoyment of the action, nor the fundamental credibility of the storyline: the good & bad guys are clearly delineated & easily recognizable, the hero duffs over the baddies, things blow up loudly & spectacularly, the good guy wins. Entirely credible.
Middle-aged women on telly is a bit of a hot topic - before, we were 27 to 37, and now we're 40 to 50. You do notice as you get older... you go past 35, and suddenly you're playing baddies.
In film as a medium, you're often given a baddie and a goodie and told what to think about them; it's usually a very definite point of view.
I don't write huge books any more. I used to write 1,000 printed pages, but now I write short books. I did one on Napoleon, 50,000 words - enjoyed doing that. He was a baddie. I did one on Churchill, which was a bestseller in New York, I'm glad to say. 50,000 words. He was a goodie.
The idea of goodies and baddies has always fascinated me, and what people consider to be a goodie or a baddie, because I've never seen any of my characters as baddies.
There's this thing that you're not meant to have too many children - for global warming, it's bad. But I know lots of crappy people, and I would rather that good people have lots of kids and outnumber the baddies.
I'm hungry for a cold and mean character - I'd love it if someone thought I could play gritty. I want to play a baddie, someone really scary.
I'll tell you, there's no goodies and baddies in the world, there's just people with intentions that sometimes clash.
So often in TV, when you have an antagonist who's supposed to be the 'big baddie,' it's so easy for them to become cliched.
I don't mind being cast as some kind of a pantomime baddie, but I am very fair in business. I always have been. I pride myself on being fair.
It's a cliche, but it's true that all the fun lies in baddies, grotesques and comic roles.
I would always play the baddie, incidentally.
I've been very lucky at what's happened in my career to date, but playing something as far from me as possible is an ambition of mine - anything from a mutated baddy in a comic book action thriller, to a detective. If anything, I'd like Gary Oldman's career: he's the perfect example of it. I've love to have a really broad sweep of characters - to be able to do something edgy, surprising and unfashionable.