Beauty Is Relative Quotes Page 2

For a long time I thought-'I've got to buck up and be strong.

I've got to put on a brave face-and get through this near burn-out or that discouraging time in my life,'" "God has really seriously changed my thinking on this. When you take off the mask, you relate at a base level to everyone else who has been through pain-and everyone has. Honesty promotes intimacy and promotes us together relying on God. True honesty is beautiful.

Comedy is the drug, when they laugh it's like I'm a jazz musician and they hear it, and they get it. It's power to take the crowd wherever I want them to go. I love it when they laugh, especially when they relate through laughter. It's a beautiful thing. It also means I'm going to get paid, which is nice.

I would define, in brief, the Poetry of words as the Rhythmical Creation of Beauty. Its sole arbiter is taste. With the intellect or with the conscience, it has only collateral relations. Unless incidentally, it has no concern whatever either with duty or with truth.

I find the surface of a photograph a thing of beauty in and of itself, and it is this surface that makes a photograph unique relative to other two-dimensional media.

I know, that Rilke quote - "Beauty is the beginning of terror" - I think about that a lot. It's that realization that we are so small, and yet we are so large in our capacity to relate to the beauty of things.

Women stand related to beautiful nature around us, and the enamoured youth mixes their form with moon and stars, with woods and waters, and the pomp of summer. They heal us of awkwardness by their words and looks. We observe their intellectual influence on the most serious student. They refine and clear his mind: teach him to put a pleasing method into what is dry and difficult.

The secret of culture is to learn, that a few great points steadily reappear, alike in the poverty of the obscurest farm, and in the miscellany of metropolitan life, and that these few are alone to be regarded,--the escape from all false ties; courage to be what we are; and love what is simple and beautiful; independence and cheerful relation, these are the essentials,--these, and the wish to serve,--to add somewhat to the well-being of men.

Maleficent has suffered abuse in the past, and there's a reason why she is now as furious as she is. And I think that children who have been outcast and abused in any way will relate to her. There's a beautiful side to her; she's not just a dark person. She has all these facets. And that is interesting.

How wonderfully beautiful is the delineation of the characters of the three patriarchs in Genesis! To be sure if ever man could, without impropriety, be called, or supposed to be, "the friend of God," Abraham was that man. We are not surprised that Abimelech and Ephron seem to reverence him so profoundly. He was peaceful, because of his conscious relation to God.

Vividly imagined, beautifully written, at times almost unbearably suspenseful-the stories in Kristiana Kahakauwila's debut collection, This Is Paradise, are boldly inventive in their exploration of the tenuous nature of human relations. These are poignant stories of 'paradise'-Hawai'i-with all that 'paradise' entails of the transience of sensuous beauty.

Beauty adds to goodness a relation to the cognitive faculty: so that "good" means that which simply pleases the appetite; while the "beautiful" is something pleasant to apprehend.

Beauty, like all other qualities presented to human experience, is relative;

and the definition of it becomes unmeaning and useless in proportion to its abstractness. To define beauty not in the most abstract, but in the most concrete terms possible, not to find a universal formula for it, but the formula which expresses most adequately this or that special manifestation of it, is the aim of the true student of aesthetics.

Human nature has its fatal weaknesses, but 'love' means embracing the whole of human nature, the bad within the good, the benign within the malicious, the beautiful within the tragic. 'Love' is the experience of this whole, its unfinished parts, including those of one's own in relation to those of the other.

Art is both the taking and giving of beauty;

the turning out to the light the inner folds of the awareness of the spirit. It is the recreation on another plane of the realities of the world; the tragic and wonderful realities of earth and men, and of all the inter-relations of these.

At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky.

The word relationship is beautiful. The original meaning of the root from which the word to relate comes is exactly the same as to respond. Relationship comes from that word respond. If you have any image of your wife or husband, you cannot respond, and hence relate, to the truth of the person. And we all go on carrying images.

The beauty of a face is not a separate quality but a relation or proportion of qualities to each other.

The best everyday example of relativity, the finest symptom of human intelligence, is humor. (...) Design without humor is not human. The word 'beautiful' does not mean anything. Only coherence counts. An object, design or not, is primarily an object that meets the parameters of human intelligence, which reconciles opposites. The lack of humor is the definition of vulgarity.

Music, and art for that matter, to me is not about true meaning to anyone else but yourself. If I told you the meaning of it all from my point of view it would erase the intimacy of art. I feel like art is up for interpretation, so if I told you my meaning, how could you truly relate it to anything that “you” personally are going through?? That is the beauty of art and music in particular

Failure is relative. Life is adventure. Everything has beauty.

Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it.

Fantastically, Australia is still the lucky country.

We have the flawed but necessary gift of democracy. Currently there is a debate about whether there is racism in Australia. There is racism in every country in the world. Relatively speaking, we are tolerant of one another. We have a large and giving land and, if you haven't seen its beauty, you haven't seen a beauty precious to the earth.

I'm Italian and Spanish and Jewish. I'm 100 different things meshed into one. I think that shows girls that uniqueness is beautiful. They can look at me on a magazine cover and see me in a movie and say that they have someone they can relate to.

Those who are acquainted with the literature of India will remember a beautiful old story about this extreme charity, how a whole family, as related in the Mahâbhârata, starved themselves to death and gave their last meal to a beggar. This is not an exaggeration, for such things still happen.

It was our belief that the love of possessions is a weakness to be overcome.

. . . Children must early learn the beauty of generosity. They are taught to give what they prize most, that they may taste the happiness of giving. . . . The Indians in their simplicity literally give away all that they have—to relatives, to guests of other tribes or clans, but above all to the poor and the aged, from whom they can hope for no return.

The escape from all false ties; courage to be what we are; and love of what is simple and beautiful; independence, and cheerful relation, these are the essentials.

When we are mired in the relative world, never lifting our gaze to the mystery, our life is stunted, incomplete; we are filled with yearning for that paradise that is lost when, as young children, we replace it with words and ideas and abstractions - such as merit, such as past, present, and future - our direct, spontaneous experience of the thing itself, in the beauty and precision of this present moment.

Eden is a conversation. It is the conversation of the human with the Divine. And it is the reverberations of that conversation that create a sense of place. It is not a thing, Eden, but a pattern of relationships, made visible in conversation. To live in Eden is to live in the midst of good relations, of just relations scrupulously attended to, imaginatively maintained through time. Altogether we call this beauty.