Quotations list about bergman, berg and impostors captions for Instagram citing Julie Delpy, Tim Roth and Bille August premiered sayings.
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Whether a inspirational quote from your favorite celebrity Julie Delpy, Tim Roth or an motivational message about giving it your best from a successful business person, we can all benefit from a famous bergman quote.
I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen. — Julie Delpy
I will watch everything that Cary Grant did, or Kubrick made or Bergman. — Tim Roth
I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time. — Bille August
Bergman has a very special eye for people. His background taught him to listen and to feel. — Max von Sydow
I remember those days with Bergman with great nostalgia. We were aware that the films were going to be quite important, and the work felt meaningful. — Max von Sydow
I think Ingmar Bergman, Francoise Truffaut - all these people created images in my mind, beautiful pictures, I loved what was known at that time as the foreign film. — Jackie DeShannon
I've been very lucky and fortunate to meet people that are very inspirational in their spirits, too, and not just as filmmakers - in their personal life. I mean, Steven Spielberg is very inspirational just to sit down and talk for an hour, like Ingmar Bergman was. They know so much about life and, you know, movie-making, so it's just wonderful to be around those people. — Peter Stormare
Ingmar Bergman is a long way from me, but I admire him. He, too, concentrates a great deal on individuals; and although the individual is what interests him most, we are very far apart. His individuals are very different from mine; his problems are different from mine - but he's a great director. So is Fellini, for that matter. — Michelangelo Antonioni
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
Most screenplays, most motion pictures, owe much more to the screenplay.
Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique.
An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.
The vengeful hag is played by Ingrid Bergman, which is like casting Eleanor Roosevelt as Lizzie Borden.
(On Ingrid Bergman) "I didn't do anything I've never done before, but when the camera moves in on that Bergman face, and she's saying she loves you, it would make anybody feel romantic."
I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.