quote by Robert De Niro

I certainly know the difference between right and wrong.

— Robert De Niro

Grateful Blue Velvet quotations

Although Dorothy in Blue Velvet was humiliated and hurt by men, basically I could react to how she felt.


Blue velvet quote If i don't have red, I use blue.
If i don't have red, I use blue.

She wore blue velvet Bluer than velvet was the night Softer than satin was the light From the stars She wore blue velvet Bluer than velvet were her eyes Warmer than May her tender sighs

Blue velvet quote There is a big blue sky waiting just behind the clouds.
There is a big blue sky waiting just behind the clouds.
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David Lynch came out of it a genius, and I came out of it a fat girl.

I'm sorry that the only comment I get about the part is the way I look. Commenting on the critics' response to her performance in Blue Velvet

I was a schooled musician. When I made 'Blue Velvet', I told everyone what to do. I was an arranger. I learned music in school I told the band to play this. I told the guitar to do that.

Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.


The digital sunset always looks better than the real thing, always.

Because a sunset generated by the basic package of yellow sun and blue sky is unreliable. Today it may be stunning, hypnotic. Tomorrow it may be lifeless and dull, a white sky scorched with yellow. Tomorrow the sky will be velvet.

When I took my clothes off in Blue Velvet, I wanted to convey the brutality of sex abuse. I wanted to look like a quartered cow hanging in a butcher shop as well as disturbingly appealing.

I'm inspired heavily by film influences - David Lynch's Blue Velvet, Federico Fellini, Alfred Hitchcock, Pedro Almodóvar, and what I see in the cinema - so there is a linking, an interweaving between memory, cinema and contemporary life, which the women in my pictures encapsulate.

Brandy is so attractive you could chop her head off and put it on blue velvet in the window at Tiffany's and somebody would buy it for a million dollars.

I wore my first pair of Louboutins during this press tour.

It was absolutely amazing, they weren't heels, they were little shoes, but they were velvet and they were blue.


He domesticated and developed the native wild flowers.

He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.

I questioned everything. I didn't see a character developed in Platoon at all. The character in Blue Velvet was much more fascinating to me.

The movie that made me want to make movies was "Blue Velvet."

My favourite film-maker west of the English Channel is not English - but to me doesn't seem American either - David Lynch - a curious American-European film-maker. He has - against odds - achieved what we want to achieve here. He takes great risks with a strong personal voice and adequate funds and space to exercise it. I thought Blue Velvet was a masterpiece.

I wore my first pair of Louboutins during this press tour.

It was absolutely amazing, they weren't heels, they were little shoes, but they were velvet and they were blue.


Felicity ignores us. She walks out to them, an apparition in white and blue velvet, her head held high as they stare in awe at her, the goddess. I don't know yet what power feels like. But this is surely what it looks like, and I think I'm beginning to understand why those ancient women had to hide in caves. Why our parents and suitors want us to behave properly and predictably. It's not that they want to protect us; it's that they fear us.