quote by John Cleese

The trouble with the British is that they are not interested in ideas. If Jesus came back today and offered to speak for an hour on British television, they would say, "What! Another talking head?

— John Cleese

Pleasurable British Television quotations

Is it a particularly British trait to so utterly adore truly appalling men, from Tony Hancock through to Steptoe and Alf Garnett, Captain Mainwaring, Rigsby, Del Boy, Victor Meldrew and on to David Brent from The Office. The most deeply adored characters are all simply vile.

Much of what passes for quality on British television is no more than a reflection of the narrow elite which controls it and has always thought that its tastes were synonymous with quality.

You can say "ass," but you can't say "asshole.

" That's why I always cringe when a character in a TV show refers to someone as an "ass." Unless you're British, calling someone an ass really doesn't work. But those are the rules of television. You can be a dirtbag, but not a scumbag.

I came to Los Angeles and did auditions for television.

I made a terrible mess of most of them and I was quite intimidated. I felt very embarrassed and went back to London. I got British television jobs intermittently between the ages of 23 and 27, but it was very patchy.

And I grew up watching all the British ones so when you hear that from an early age, it makes it much easier than you guys who don't grow up with Australian television or British television.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

I grew up watching British television because I lived so close to Canada.

[British television series] Hammer House of Horror.

I used to really enjoy these one-off stories where often there would be an incredibly cruel twist. A good example is the episode with Burgess Meredith and there's a nuclear war and he drops his glasses. To this day, you can show that to anyone and they'll go "Bwrrrrrrrr!" You know, sort of wander away shuddering.

I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.

Everybody was in tears. You turned on the radio or the television, and it was nothing but Gainsbourg. With typical British music journalist disdain, I just figured it was a testament to how poor French pop was if there was this much fuss about a guy who had one hit record, 'Je T'Aime (Moi Non Plus)'.

After college I funded my short films with acting roles in film and TV.

I learned my craft through the great opportunities British television gave me as a director.

To this day it cracks me up to think that my debut on national British television as a reporter ends with me turning a trick.

As a black actress, all I was offered in British film was the best friend role, whereas in television, I was offered a whole spectrum of parts.

The BBC's television, radio and online services remain an important part of British culture and the fact the BBC continues to thrive amongst audiences at home and abroad is testament to a professional and dedicated management team who are committed to providing a quality public service.

American television constantly tries to co-op British comedy and create their own version of it. Most of the time it doesn't work; obviously, in the case of 'The Office,' it did. But a lot of times, it doesn't really work.

I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.

Astonishing times. Who would have imagined that the Crazy Gang would yield a Hollywood film star (Vinny Jones), a British television ever-present (John Fashanu) and now a televised African dance champion?

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.

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