Serene was a word you could put to Brooklyn New York. Especially in the summer of 1912. Somber as a word was better. But it did not apply to Williamsburg Brooklyn. Prairie was lovely and Shenandoah had a beautiful sound but you couldn't fit those words into Brooklyn. Serene was the only word for it especially on a Saturday afternoon in summer.— Betty Smith
Fascinating Brooklyn New York quotations
I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York.
It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.
My brother played the game with his friends, so I thought I was a pretty smart kid and I played this friend of mine and he just crushed me and this was Brooklyn Tech High School in Brooklyn where I still live, in Brooklyn, New York and this guy beat me so bad it wasn't even funny. I couldn't understand why he beat me.
When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
I remember perfectly my first trip to New York, when I was on the bridge between Brooklyn and Manhattan, when I saw the skyscrapers. It was like an incredible dream.
I'm a Brooklyn boy. I was born in Brooklyn, New York, and raised there, and spent most of my childhood there.
And so there I was living in California from Brooklyn, New York, and it was this whole new world for me and I was meeting vegetarians. I thought, let me try this vegetarian thing. I got really into that.
New York is Babylon : Brooklyn is the truly Holy City.
New York is the city of envy, office work, and hustle; Brooklyn is the region of homes and happiness.... There is no hope for New Yorkers, for their glory in Their skyscraping sins; but in Brooklyn there is the wisdom of the lowly.
I started off in Brooklyn, New York, with a small loan and built a business that today is worth well over $10 billion.
I represent Staten Island and Brooklyn, and not just that the financial services industry is important to the U.S., but is disproportionately important to New York City.
Brooklyn, it's a great town, a great city. It's New York.
I went to an art school in Brooklyn and painted Fine Art, if that's what you'd call it for eight years in New York, until I saw the first underground comics in the East Village Other.
A lot of people who are passionate about digital or publishing, they either want to be in New York or Brooklyn.
The New York Times will tell you what is going on in Afghanistan or the Horn of Africa. But it is no exaggeration that The New York Times has more people in India than they have in Brooklyn. Brooklyn is a borough of two million people. They're not a Bloomingdale's people, not trendy, sophisticated, the quiche and Volvo set. The New York Times does not serve those people.
I tend not to think that anything I happen to be reporting on in my films is special. Meaning that people are always saying to me, 'you must love New York, you have it in all your films.' But mostly it's because I know New York, and I know Brooklyn at this time. I know the lives there, because I have lived in them.
I was born the day before the March on Washington.
I grew up in Brooklyn, New York. Everybody in my neighborhood was a Democrat. We just didn't have any Republicans, because anyone running as a Republican was very out of touch with what our community needed.
New York was always more expensive than any other place in the United States, but you could live in New York - and by New York, I mean Manhattan. Brooklyn was the borough of grandparents. We didn't live well. We lived in these horrible places. But you could live in New York. And you didn't have to think about money every second.
I started in theater when I was 14 in the Henry Street Playhouse on the Lower East Side in New York. You hustle, you beat the sidewalk, the pavement - audition, audition. I just started working around town everywhere. I mean everywhere - the Village, Harlem, you know. Brooklyn Academy Of Music. Just job after job.
I live in Brooklyn, New York. It is a melting pot of cultures and people. I walk down the street, and there is art on the buildings and people congregating who have been neighbors for years and events and music and freedom.
A lot of writers choose to live in New York, partly because of the literary culture here, and partly because Brooklyn's a pretty nice place to live. And a lot of writers who might not geographically reside in New York still point their ambitions towards New York in some sense.
As far as my New York influence, one thing I'm proud of in my career is, I rep Brooklyn, New York all day. But people don't look at my music as New York music. People consider my music underground music.
My parents are my biggest influences.
My parents and my city. Brooklyn, New York, New York City, the community I grew up. I don't feel like I'm special in that. I feel like that's everybody.
In later years, holding forth to an interviewer or to an audience of aging fans at a comic book convention, Sam Clay liked to declare, apropos of his and Joe Kavalier's greatest creation, that back when he was a boy, sealed and hog-tied inside the airtight vessel known as Brooklyn, New York, he had been haunted by dreams of Harry Houdini.
When I came to New York, to Brooklyn, I met Alvin Ailey and Stanley Crouch and August Wilson. They were always putting things in a philosophical context. All the great jazz musicians did, too. There was always a sub-context to what they were saying about music even though they would be very down home and earthy. So I started to develop, in addition to my power and ability to simply hear, a way to place myself in a time.
I grew up in northern New Jersey - the banlieue of New York - and I now live in Brooklyn. I am separated from my parents by about 50 miles, but really there is almost no distance between us. I speak to them nearly every day.
I come from nowhere Brooklyn, New York.
Williamsburg, Brooklyn. These days Williamsburg is kind of a hip area, but when I grew up there, the taxi drivers wouldn't even go over the bridge, it was so dangerous.
I wish that food trucks could exist here in Chicago like they do in Brooklyn and in New York, where you're actually cooking off the truck.
I started performing music about the age of 16.
I lived in Brooklyn, New York, and this thing called the Flatbush Fair comes once a year. That was my first time on stage.
It's much easier to hire really great people like that in New York and in Brooklyn in particular, than it is in Washington.
Brooklyn Heights itself is a window on the port.
Here, where the perspective is fixed by the towers of Manhattan and the hills of New Jersey and Staten Island, the channels running between seem fingers of the world ocean. Here one can easily embrace the suggestion, which Whitman felt so easily, that the whole American world opens out from here, north and west.
I was born on the other side of the tracks, in public housing in Brooklyn, New York. My dad never made more than $20,000 a year, and I grew up in a family that lost health insurance. So I was scarred at a young age with understanding what it was like to watch my parents lose access to the American dream.