Within a few years the name 'Maria Sharapova' will be a brand as universally recognized as Calvin Klein, BMW and Rolex.— Maria Sharapova
Most Powerful Calvin Klein quotations
I love Calvin Klein underwear. That's the only kind of underwear I wear.
I'm usually the sparkle in a closet full of conservative clothes.
Either that or my customer has a closet full of my clothes and a few conservative suits from Calvin Klein. I think you've got to give a girl what's missing from her closet. If something jazzy, tacky or sexy is what's missing, I provide it.
I pledge to support the American workforce by wearing only American designers: Calvin Klein between Memorial Day and Labor Day, Donna Karan the rest of the year. Unless I wake up and the day is screaming for me to put on a bikini for my fellow Americans. Country first.
Just the other day, my assistant was on the line with Calvin Klein. Golly, I usually shop at Sears.
I spent two weeks prancing around a studio in Queens in my underwear with nine other guys. They were long days. But what the hell, it was Calvin Klein.
I don't know if I've got swept up. It's so shocking when you hear that Calvin Klein wants you for their new campaign. You're like "who me?". I guess you have to decide where you draw the line between you saying, this is fun, pretty and fabulous, and being over-exposed.
I think Calvin [Klein] is a minimalist.
I really like Calvin Klein for his classic simplicity.
I also think Prabal Gurung designs some great pieces that work well for me. My mom has such great style she's my biggest influence.
I wanted to design a line based on Hollywood's Golden Era.
I talked with Stephen Burrows and with Willi Smith and with one or two other people, but it just seems like such a hard field to break into. I need someone like Calvin Klein's manager to get behind me!
I love the focus and bravery of European designers, but I love the nonchalance and throwaway aspect of America that has made Ralph Lauren and Calvin Klein two of the greatest icons. I try to bridge those two worlds in my work. The clothes may be couture on the runway but there's an attitude that's very street and that comes from America.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
I always like to make sense of things that, in theory, would not make any sense together. It's true that the core of Calvin Klein has been . . . I don't want to say conservative, but real clothes that are worn by everybody.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I only do what I do. For me, it is a craft. It's got to be my own thing - otherwise, I would never be successful. I could easily go to the archives and pull 1987 or 1991 collection by Calvin Klein. But when you look in there, you realize that it was never about one piece. It was about the collections as bodies of work.
You think of luxury when you think of Calvin Klein.
He created this lifestyle that's really desirable, so our whole project has that quality of being lasting.
It's so hard to actually find that niche for yourself.
It's like when Nicolas Ghesquiére found Balenciaga. I hate to sound esoteric, but there is something about a house that leads you to that one chair, that one corner, where you just sit and feel comfortable. I feel very comfortable at Calvin Klein. My name is associated with it enough, and we have a fantastic team here.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I didn't know who Calvin Klein was, really.
But Brooke Shields, we knew her from those incredible commercials - "There's nothing between me and my Calvins." I knew very little about American fashion then. I had no money, and Charivari was very educational to me. And Parachute. I was fascinated by those stores. I couldn't buy anything; I just went through the clothes.
What I learned from being around great icons like Calvin Klein is that the great fashion trendsetters don't change their look every season. They have a look, and they update maybe a piece per season.
At the time it really was the social women, the society ladies.
There were the cool girls, like Aerin Lauder - everyone loved to see what Aerin was wearing. Carolyn Bessette was very much in that time period. Calvin [Kleine] was very influential in the '90s.
Calvin Klein and Donna Karan were the big American names at that point in time, Helmut [Lung] was the cool kid on the block and you had Marc Jacobs and John Galliano who starting the revival of the old fashion houses.
I never looked at magazines before I started modeling.
I was 13 or 14 and none of my friends were into magazines. We were into the fashion of the day, though. Designer jeans were really popular - Sasson, Gloria Vanderbilt, Calvin Klein, Jordache. Once I started modeling, I began to learn about these things, and magazines helped me to understand who was who.
I see the Calvin Klein girl as strong, fun, and confident.
I hate dentists. That's why my tooth fell out. I was in the middle of a root canal and wouldn't go back, so it just dropped out when I was in the middle of Fifth Avenue. I had to do the Calvin Klein show without the tooth.
I hated suits until I wore a Calvin Klein; they just fit me.
If anything, Calvin Klein is the iconic company in terms of fashion.
They do have iconic images for their campaigns.
I did some great work with my Calvin Klein ads on the motorcycle.
It was really groundbreaking because people hadn't seen a woman actually riding a motorcycle before.
Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model
Quietly scuttling Columbus Day sales doesn't mean they are opposed to 15th century Iberian seafarers; it just means They don't want protestors on the sales floor throwing blood on the Calvin Klein hosiery in the name of the anti-imperialistic cause.
When I was the first time for a job in New York, I saw Natalia Vodianova on an oversized billboard in Times Square on a Calvin Klein billboard.
If I ever modelled for Calvin Klein I'd give myself to a flock of fans to beat me silly with a baseball bat.
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
Calvin Klein and Gloria Vanderbilt don't wear clothes with your name on it, so why should you wear their name?
When I see guys in bars wearing the real fitted kind of Calvin Klein v-neck t-shirts I just want to go up to them and be like, 'Oh, do you work out? Your tricep looks so great - thank you.'