When I was banned for nine months I had an opportunity to focus on something else and I needed to focus on something else. It's who I am. I admire Miles Davis and Chet Baker a lot and I like this instrument, so I tried and I learned and practised for two months. But I stopped after that.— Eric Cantona
Unforgettable Chet quotations
There only have been two people on this earth that I was nervous around: Chet Atkins and Mickey Mantle. It's because of the respect I have for them.
I only wish Chet Atkins could be here for this joyous occasion.
Now, I was on drugs, and that didn't help a whole lot.
He hated that. That was part of where Chet and I had problems, so I take complete blame for that.
Gerry Mulligan and Chet Baker seemed so sophisticated and bad. I wanted to be like that.
My job - and it's really true - is that it's constantly evolving and changing.
When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
I have been fortunate enough to record several singles and a whole album with Chet Atkins.
Meeting Chet was a life changing moment for me.
Chet Atkins... is probably the best guitar player who ever lived.
On my Instagram, lots of people tag me in photos of just dudes with beards and they're like, "Oh my god, I met Chet Faker" and I'm like, "That doesn't even look like me." I feel like I'm experiencing beardism or something.
Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert Budreau was going to really let me be creative inside this part.
Have this Chet Baker movie coming out and in that situation, I went down the rabbit hole studying Chet Baker and being obsessed with the period and the music and the relationships and the dynamic, and everything, drug addiction. There was so much I wanted to get at to kind of get at the truth. With Regression, I was certainly in Alejandro's [Amenabar] hands.
I did this movie right after it about the life of Chet Baker.
It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.
There's no great guitarist that doesn't sit down and listen to Chet Atkins and Eddie Van Halen, and all these other great players.
I listen to music mostly in the evening.
I've come to love what is called world music, like the Zimbabwean Oliver Mtukudzi and the Colombian singer Marta Gomez. I also love the Irish folk singer Mary Black. Other favorites include Chet Baker, Eva Cassidy, and Billie Holiday.
You know, in the days when I started, if you had Chet Atkins' name on your record as a producer and it was on RCA, you could work the road. It didn't have to be a big hit record, it just had to have that on it.