Quotations list about choreographed captions for Instagram citing Miley Cyrus, Rihanna and Trey Anastasio sayings.
What are the best choreographed quotes?
We've gathered this hand-picked list of quotes to show you what is choreographed!
Whether a inspirational quote from your favorite celebrity Miley Cyrus, Rihanna or an motivational message about giving it your best from a successful business person, we can all benefit from a famous choreographed quote.
When preparing for a concert, I do lots of training. I work with a choreographer to create great moves and then I have to keep my voice strong with lessons. — Miley Cyrus
Dancing was always part of my culture growing up in Barbados. When I shot my 1st video I worked really hard with my choreographer to perfect the routines. — Rihanna
Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything. — Trey Anastasio
I'm not a good choreographer: I can't remember what I put down. — Donald O'Connor
I would say that if you don't feel like talking to the crowd something is wrong and if you force yourself to talk to them things will happen and to that extent things aren't choreographed. — Leo Kottke
That piece has been choreographed so badly so many times. I'm loathe to do it but I may eventually because it is one of the seminal art works of the twentieth century. — Mark Morris
I have ballet class every other day for two hours. And for "Six Feet Under", last week there was a sequence where I had to do a whole choreographed dance number, so I had four hours of dance practice every day. — Michelle Trachtenberg
From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker. — Donnie Yen
I never danced a step in my life so naturally.
My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.
When we did concerts, we wanted them to be theatrical events - collaborations with designers, choreographers, and directors - because we thought traditional rock concerts were boring.
A director is a choreographer, both politically and creatively.
I thought I had to make an impact on history.
I had to become the greatest choreographer of my time. That was my mission. Posterity deals with us however it sees fit. But I gave it 20 years of my best shot.
The rewards of dancing are very different from choreographing.
He allowed us to choreograph the sex scenes.
I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
The choreographer for the Milton Berle show wanted me to audition. I walked away from that.
You get used to working with one choreographer.
You kind of get stuck in that vein and you work your way out of it, picking up someone else's style, their flavor. It takes a bit of time.
It's funny, when people want things to be very truthful and you're dealing with an inexperienced actor. I'm of the school that believes things like that have to be very carefully choreographed. You need people there to say, "It's going to happen like this."
Just too much fast thinking all the time.
I think of so many things all at once, it gets exhausting. You start seeing all of these connections around you . . . Everything is connected, composed, coordinated, choreographed. If you start paying attention to these connections, it can drive you insane. And that's why making work is so good, because that's when I'm not thinking, just making.
I get a lot of credit for Tron. They called us scene choreographers back then because the animation unit wouldn't let us be called animators because we were working on computers. And we were some of the first people ever to make 3-D computer animation.
I'm at the point now where I don't really have an agenda.
I kind of let things flow, and there's not a narrative. On the set it's usually one or two people, and I'm not trying to choreograph them as I did in the past. I'm really just trying to see what's going on in their minds and in their faces.