quote by Ron Atkinson

Well, Clive, it's all about the two Ms - movement and positioning.

— Ron Atkinson

Unusual Clive quotations

Between Clive Owen winning at the Golden Globes and the British Academy announcing its nominations, of which Sideways received only one, I'm feeling pretty humbled these days.

Ten years ago in Antarctica shooting "Encounters at the End of the World," I met a very fine volcanologist from Cambridge University [Clive Oppenheimer] and we kept talking about doing a film and all of a sudden it became serious when he hinted at the possibility to film in North Korea.

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Alan: Conning people out of their savings.

Forgery. Blackmail. Selling real estate on Mars. We could have it all. You with me, Bambi?" Sin: "Clive, I was with you from 'I'm a social worker.

I remember how inspiring it was to meet players like Bobby Charlton or Bryan Robson when I was a kid. I still remember Clive Allen showing up when I received a trophy for my Sunday league team.

We expected to have a good time with Clive Anderson 'cause I've always liked him, his shows.

This climate surrounding me has reached Clive Oppenheimer.

In practical terms he sees that I'm not interested in any sort of daredevil stunts, I'm just interested in the work. And he's convinced that I'm clinically sane.

We are just a blip. I found it very interesting when Clive [Oppenheimer] interviewed the Ethiopian scientists and asked them, "Do we have another 100,000 years?" In their calculation, mankind will be entering a very critical phrase a thousand years from now.

I always felt completely confident - it's like in a feature film, knowing your principle character is extremely well-cast. I had that same confidence in Clive [Oppenheimer].

The volcano itself wasn't that interesting, but the man who refused to be evacuated - the only one of 75,000 people - was what set the tone for the film ["Encounters at the End of the World"] that we made together [with Clive Oppenheimer] ten years later.

The wonderful thing is that Clive [Oppenheimer ] insisted on training his camera - his private camera - on me at one point. We were discussing things such as how to avoid certain dangers, while reflecting on a volcano that had threatened to explode 40 years ago.

Clive [Oppenheimer] and I figured out that I'm the only one probably in the film industry who is clinically sane. I say that as a joke, but there's a grain of truth to it. I'm not a stupid daredevil who jumps into the crater of the volcano to get the closest close-up, I'm not one of those. And you have to be aware that you have a crew with you and you are responsible.

As for geoengineering, there have been serious general critiques that I think cannot be ignored, like Clive Hamilton's, along with many positive assessments. It is not a matter for subjective judgment based on guesswork and intuition. Rather, these are matters that have to be considered seriously, relying on the best scientific understanding available, without abandoning sensible precautionary principles.

In junior high I read a lot of Stephen King, whose Americana approach to writing was often about "the terror next door" and at the same time I was reading a lot of Clive Barker, who was on the other end of the horror pendulum: insidious and disturbingly psychological. I found it fascinating how these two authors came at horror from two totally different perspectives.

I'm gonna go down in history as being one of the best music men and businessmen in entertainment ... The people that I'm going to be greater than are Steven Spielberg, David Geffen and Clive Davis.

I'm not religious. I love what Clive James said the other day. James is a brilliant writer, but he keeps on writing poems on stuff. And he said, "God doesn't have a leg to stand on."

Clive Davis told me that "Since U Been Gone" would be on the radio in April.

It came out in October. I remember counting the months. I remember thinking he was crazy, that he was out of his mind. But he was right. Never doubt Clive Davis.

I had invited 50 or 60 peers and friends, most of whom were parents, to see the film [Trust], and I asked about the last scene. It was interesting because it was split right down the middle, 50/50. About half the audience wanted it to end with the very emotional scene between Clive and Liana, and that feeling of realization and catharsis. And, the other half were adamant about keeping that last scene.

King Arthur is profoundly stupid and inept.

. then there's Clive Owen, rising above it all. Aloof yet watchful, the actor cultivates an inner stillness that is perfect for faintly ironic brooders. He neither distances himself from this risible material nor pulls out the stops and opens himself to ridicule. His King Arthur tells us little about Arthur, but much about protecting one's flank. The mark of a box-office king?

The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.

I have had a lot of your countrymen as co-stars, that's true.

I quite like them both. It depends on the person. I don't think English makes the man nor does American, but I like this guy right here [Clive]. He's nice and tall, which means I never have a double chin - there's lots of shots of me looking up, and I'm a swan. Well, we all laugh but it's so true.

My dad was undeniably famous when I was a kid - he was on Wogan and Clive James and the radio every week, but as far as I was concerned he wasn't famous enough. My best friend was Ben Brooke-Taylor. His dad Tim was in The Goodies - that was famous.

In 1999, I just came out of putting out the song 'Vivrant Thing' and 'Breathe and Stop' off the 'Amplified' album. Clive Davis signed me to Arista.

I must confess that I'm not a great reader.

At the moment I'm reading my son's 'Stig of the Dump' by Clive King and I've got a plant catalogue on the go.

The two real leads in 'Children of Men' are Clive Owen and the social environment. You know, this same movie without the social environment maybe is just like a generic chase movie.

This is me, Clive Anderson, saying good night. Good night.

To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.

I went to Clive Davis' Grammy party, and I nearly spontaneously combusted because everyone on my iPod was there!

Clive [Davis] tried to tell me that saying certain words in a song - or as he says, 'putting some balls into it' - isn't bad, it's just strong emotion. Well, there are certain words and emotions I don't want kids hearing, and I'm not changing because they think it's going to sell better. This is going to sound horrible, but I got 12 million votes doing what I did.

I want to be remembered as an imaginer, someone who used his imagination as a way to journey beyond the limits of self, beyond the limits of flesh and blood, beyond the limits of even perhaps life itself, in order to discover some sense of order in what appears to be a disordered universe. I'm using my imagination to find meaning, both for myself and, I hope, for my readers."-Clive Barker

believe me. Sometimes when life looks to be at its grimmest, there's a light hidden at the heart of things. Clive Barker, Abarat