quote by Jackie Weaver

Everything the Coen brothers do is brilliant.

— Jackie Weaver

Stunning Coen Brothers quotations

Coen brothers quote We must learn to live together as brothers or we will perish together as fools.

We must learn to live together as brothers or we will perish together as fools.

Nobody knows anybody. Not that well.

Coen brothers movies are not always what life looks like but it's definitely what life feels like.

I always wished there was somebody like the Coen Brothers and they appeared.

And so yeah, my favorite role that I've ever done was in The Man Who Wasn't There. That's my very favorite character I've ever played.

Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.

Everyone that works under the Coen brothers , in every department - makeup, hair, production design, wardrobe, so on and so forth, grip, lighting, tech, everything - they're the best. So to be on a set when you're working with the very best in the industry was a real privilege.

Anything that is absurd I see as a Coen brothers' influence! The Coen brothers are my favorite people period.

Obviously I would love to work with all these great directors like the Coen Brothers, Tarantino. Robert Rodriguez is a dream director of mine.

I'm not a very efficient filmmaker. There's a lot of guys, filmmakers like the Coen Brothers who shoot a whole movie and maybe don't use 12 setups. I'm in awe of people like that; I'm just not that guy.

Their way of working [the Coen brothers] is always kept pretty mysterious.

I was so curious to see how they make these movies. It was just such a joy - they seem to have so much fun making their movies.

You can do weird things on TV - there are happy stories, sad stories, dark stories. But with a movie, it always has to end satisfying. Unless you're the Coen brothers, and it ends with somebody getting shot in the head.

It was easy and fun [filming in Hail, Caesar!], and I think it's easy to be intimidated by the Coen brothers, because they're quiet. They don't heap praise, especially upon themselves. It's not like they're walking around thinking they're the greatest thing on Earth.

The Coen brothers said something that helped me, "When you put the book down, you have a certain feeling, a certain understanding. That's what they need to feel when they walk out of the theater. That's your job, to literally put this book on film, you won't make a good movie, you'll do no service to anyone.

I don't believe in director's cuts where you make things longer.

The coolest thing was when the Coen brothers did a director's cut of 'Blood Simple,' and they made it shorter.

I always say, I'm certain I changed 'Watchmen' less than the Coen brothers changed 'No Country for Old Men.' I'm certain of it. But you don't hear the Cormac McCarthy fans, like, up in arms about it. They should be. It's like an amazing Pulitzer Prize-winning book.

I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod Browning, and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.

As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.

I never heard Coen brothers get defensive, ever.

You get with these filmmakers doing the hardest work in the world, and they're not defensive. They're happy together, they crack jokes together, they have different opinions - and it doesn't bother them that they have different opinions. So no wonder their work is so good, because you're getting two for the price of one.

I love Fargo, I love all of them, but Miller's Crossing just happens to be my favorite. When I heard Coen brothers were doing No Country For Old Men, I thought, "This is it. This is their masterpiece. This is going to be the one, because it's going to bring every element together." I just had a feeling about it.

The Coen brothers: Of all the directors I've worked with, they're the only ones who have given me the storyboards attached to the script. It was very cool for me, because I knew when I was in close-up or if it was far away, and it also made me know that anything that happened in the edit wasn't personal. Because they edit their own movies, so they were editing it as they went.

It feels like you're being invited into a kind of community [working with the Coen brothers].

[The Coen brothers] hire the same people over and over again, so there's a shorthand between all of the people they're working with.

Same with the Coen brothers and Warren [Beatty].

And then slowly you get to know each one of them as a person, and that becomes a kind of separate entity, where you just know the human being.

That experience [in Hail, Caesar! ] ruined me for all future experiences, because the Coen brothers are the best. They're arguably the greatest of all time, if there is such a thing.

I am a big fan of the Coen Brothers; I like their kind of absurd, dark approach.

I don't know of an actor that the Coen brothers would come to and say, "Hey, I've got a movie for you to be in, if you want to do it," that would say, "No." That's the truth.

Making movies is never going to get better than working on a Coen brothers project.

I don't think every movie should be in 3D.

I hope the Coen brothers don't do their next movie in 3D. I don't think they have any plans to.

In America, even the critics - which is a pity - tend to genre-ize things.

They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.

The Coen Brothers, Peter Jackson, and Guillermo del Toro have really made something of themselves and impacted people. I'd love to work with them sometime, too.

There are movies that I love tonally, that I would love to emulate.

Anything from Wes Anderson or the Coen brothers is right in my wheelhouse, as something that I would aspire to. I love that kind of indie, fun, colorful, funny, sweet, heartfelt but dark film.

As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.

And they're [Coen brothers] so smart, they're so witty, they have such an extraordinary way of communicating with an audience in a such a clean way - with just a few lines or just a gesture from a character, they say so much.

I'm crazy about the Coen brothers, I'm crazy about Sean Penn.

I love the usual suspects like Susan Sarandon, Meryl Streep and people like that.

Everything the Coen brothers do is brilliant.

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