Colloquial poetry is to the real art as the barber's wax dummy is to sculpture.— Ezra Pound
Most Powerful Colloquialism quotations
Known colloquially as 'winter,' 'golden needle,' and 'velvet foot' mushrooms, enoki mushrooms grow across much of the world, inhabiting dead conifer trees and stumps, and generally appearing throughout the late fall and winter months.
Did you ever meet someone named Caleb?" I say.
'Caleb," Fernando says. "Yes, there was a Caleb in my initiate class. Brilliant, but he was... what's the colloquial term for it? A suck-up." he smirks.
I tended to emphasize the secular, the casual, the colloquial, the vernacular against the sacred.
If you use a colloquialism or a slang word or phrase, simply use it;
do not draw attention to it by enclosing it in quotation marks. To do so is to put on airs, as though you were inviting the reader to join you in a select society of those who know better.
I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classics - and artistic integrity is unsurpassed.
Learn Languages the Right Way. Language acquisition games and abstract communicative method are bullshit. The second-best way to learn a foreign language is alone in a room doing skull-numbing rote memorization of vocabulary, grammar, key phrases, and colloquialisms. The best way is in bed.
I was in love with New York. I do not mean 'love' in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and never love anyone quite that way again.
Many great writers have been extraordinarily awkward in daily exchange, but the greatest give the impression that their style was nursed by the closest attention to colloquial speech.
In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.
Our language, once homely and colloquial, seeks to aggrandize our meanest activities with polysyllabic terms or it retreats from frankness into a stammering verbosity.
Want to talk about Shakespeare's sonnets? asked Orphu of Io.
Are you shitting me? The moravecs loved the ancient human colloquial phrases, the more scatological the better. Yes, said Orphu. I am most definitely shitting you, my friend.
'Recreative' is a word that I invented because in urban culture, with colloquialism, we invent so many slangs. I don't like the way that 'recreational' sounds - I don't like to say I do a lot of 'recreational' reading. I like to say that I read 'recreatively.' I do a lot of 'recreative' reading.
For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
There are a lot of colloquialisms in the Cantonese language that can never be represented aptly in Mandarin.
You learn something from the classics but your feelings and your imagination operate in the domain of the colloquial. We need to think seriously about reforming the Arabic that we use today.
English has a better way with colloquialisms.
It has colloquialisms that are colorful and expressive but not too heavy or distracting. In German, if you use colloquialisms, it quickly descends into some kind of dialect literature.
I do notice that my songs fit all over the map, even in terms of the colloquialisms in them. The songs come out with their references intact, almost unheeded by me. It's like they existed somehow before they met me with their relationship to the tradition, and then they just end up coming through me at that moment because of my relationship to some certain kind of music that I've listened to in my life. I know that sounds a little bit woooey.
People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate.
What happens when you speak colloquial Hebrew is you switch between registers all the time. So in a typical sentence, three words are biblical, one word is Russian, and one word is Yiddish. This kind of connection between very high language and very low language is very natural, people use it all the time.
I was lucky in that I had a mother that was full of this colloquial wisdom and she used to say to me 'You know, failure is not the opposite of success, it's the stepping stone to success. There is nobody who has not failed along the way.' So I think its very important for young women, especially as they are starting in life, to recognize that because otherwise, they only see people's success. So, when I speak, I speak of my failures.
Colloquialism is the toughest part of what we do, as foreign actors, because there are certain sayings that you guys have that absolutely don't make any sense.
I don't believe, in the end, that there is any such thing as no style.
Even a very neutral, plain style, one that doesn't use colloquialisms, lyrical flourishes, heavy supplies of metaphor, etc., is a style, and it becomes a writer's characteristic style just as much as a thicker, richer deployment of idiom and vocabulary.
America is deeply rooted in Negro culture: its colloquialisms; its humor; its music.
When I started writing seriously in high school, English was the language I had at my disposal - my Spanish was domestic, colloquial, and not particularly literary or sophisticated.
I believe I'm very conscious of exactly what I'm doing.
I'm auditioning lines of dialogue, and I'm interrogating whether the lines would translate from Russian into English the right way. The English that results can perhaps seem somewhat more formal than colloquial, but not so formal as to feel academic.
Where penury is felt the thought is chain'd, And sweet colloquial pleasures are but few.
When I was in college, I did do some writing of poetry, somewhat inspired, I think at that time, by Carl Sandburg, because English was still relatively new to me, and Sandburg, of course, wrote in a very easy-to-understand, very colloquial and informal manner.
Country music originates with the colloquial, rural aspects of white America.
It's really, truly, rural white America's blues.
I write in a slangy colloquial speech that has not been common in the Israeli tradition of writing, and that is one of the things that gets lost a little in translation.
You have to be careful not to use anything too colloquial or you date the book.
Written things are not for speech; their form is literary; they are stiff, inflexible, and will not lend themselves to happy and effective delivery with the tongue-where their purpose is to merely entertain, not instruct; they have to be limbered up, broken up, colloquialized and turned into common forms of premeditated talk-otherwise they will bore the house and not entertain it.
A trite popular saying, or proverb. (Figurative and colloquial.) So called because it makes its way into a wooden head. Following are examples of old saws fitted with new teeth.
There is a theorem that colloquially translates, You cannot comb the hair on a bowling ball. ... Clearly, none of these mathematicians had Afros, because to comb an Afro is to pick it straight away from the scalp. If bowling balls had Afros, then yes, they could be combed without violation of mathematical theorems.
There's a great freedom of forms and intonations in Luigi Fontanella's poetry.
He doesn't take a strong formal stand; his poetry entertains moments of nearly proselike colloquial narrative along with moments of powerful lyrical tension. There is a movement of extremes, from powerful tonality to near atonality, and I like this a great deal; it's a stance that very effectively catches the spirit that makes work in poetry possible nowadays.