Color Television Quotes

Now the freaks are on television, the freaks are in the movies.

And it's no longer the sideshow, it's the whole show. The colorful circus and the clowns and the elephants, for all intents and purposes, are gone, and we're dealing only with the freaks.

The sky above the port was the color of television, tuned to a dead station.

My philosophy, like color television, is all there in black and white.

Color television! Bah, I won't believe it until I see it in black and white.

There aren't very many women of color in positions of power, period. Much less on television.

One of the problems with episodic television of any color is that everything has got to be okay at the end of the episode so it can start again next week. So the events that occur are rarely life-changing. But with film, you can say that this thing only happened once; this is a major thing that happened to these people.

I wondered how television worked. I thought about how an interior decorator decided on colors and styles. I wondered, when babies tarted learning how to walk, if they didn't know that that couldn't walk.

There are large numbers of people in India below the poverty line, there are large numbers of people who lead a meager existence. They want to find a little escape from the hardships of life, and come and watch something colorful and exciting and musical. Indian cinema provides that. So yes, the content of our television and our cinema is escapist in nature because we are there to provide entertainment.

The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn't there something reassuring about it! -- that human beings were in fact merely images of a kind registered in one another's eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms -- nothing more. A quick switch of the dial and they disappeared and who could lament the loss?

The sky above the port was the color of television, tuned to a dead channel.

We're in the second golden age of television, and to me, one of the most profound things that's happening in TV is just that by default that opened the door to more women, more people of color, more outliers. It's one of the greatest side effects of the digital revolution.

My fan interactions are really, really special.

They're one of the highlights of this job for me, because I go out and do these conventions all across the world and meet all of these young girls - girls that look like me, and girls that look nothing like me, that are excited and empowered to see a woman of color on television. I'm really grateful for the fans that I have.

Another reason for switching to color is world television.

In a few years, it will all be in color, and you can't compete against that with black-and-white films.

Let's start with the black glove. We felt it necessary being the fact that the Olympic Games, for the first time ever [in 1968], had been televised worldwide. The second thing is the fact that it was in Technicolor. Never had the games been shown in color before.We wanted it to be understood that we were representing America, but we were representing Black America in particular, so that's why we put the black glove on.

My favorite part about costume designing is the artistry of the job.

You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.

I mean, a lot of people don't realize it, but fashion is one of the most racial industries left out there now. Radio and music aren't. Television and movies aren't. Even commercials now are showing interracial couples. You see a lot of diversity in TV shows, but you don't see that in fashion. You think there would be some, because the consumer is of all colors and all shades. But you don't see that in fashion.

I'd like to start off this show by asking you all a question, cause I don't know the answer. Uh, I lost my sunglasses and yesterday I went to the Sunglass Hut. Here's the question: Why does a pair of sunglasses cost more than a 25-inch color television set? I go to the Sunglass Hut. I see a pair that I like. I don't love them. I don't. I like 'em. $309.

Well, I don't know anything about television.

I'd never done it before. Initially, it was quite daunting to take on so much challenge and so much time with it. I think it is a great outlet for an actress because you really have 13 hours to bring a character to life, which is so much more than with film, and you have the luxury of time to tell a story and to really color a character.

I think television is one of the last real bastions of the white beauty standard, but still in many industries the workers can be replaced by someone who's willing to play the game or who looks like the person in charge. And this is a problem for all women, not just women of color.

Everything is about color. If you look at magazines and advertising and television, the thing you remember is the color.

Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.

Cultural expectations shade and color the images that parents-to-be form.

The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.

I think it's a great time to be a person of color and with talent.

And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.

WE DIE. You will never hear those words spoken in a television ad. Yet this central fact of human existence colors our world and how we perceive ourselves within it.

Teach people to play new chess, right away.

Why do you offer them a black and white television set, when there is a set in color?

There are some instances where you may be ahead of us, for example, in the development of the thrust of your rockets for the investigation of outer space; there may be some instances in which we are ahead of you--in color television, for instance.

Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'

Charred bits of black silk swirl into the air, and pearls clatter to the stage… I’m in a dress of the exact design of my wedding dress, only it’s the color of coal and made of tiny feathers. Wonderingly, I lift my long, flowing sleeves into the air, and that’s when I see myself on the television screen. Clothed in black except for the white patches on my sleeves. Or should I say my wings. Because Cinna had turned me into a mockingjay.

The mountain trembled like an earthquake.

Dust flew into the sky. And the rock turned dark red, like the color of blood'. 'How would you know?' Asks Sindhi cap. 'You only have a black and white television'. 'But it's a very good one. You can almost see colours.

Entertainment came out of this thing called a television, and it was gray.

Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.