quote by Claude Debussy

When Claude Debussy studied at the Paris Conservatory from age ten to age twenty-two, many considered him a rebel because of his treatment of dissonance and his disdain for the established forms. He reputedly turned to a fellow student during a performance of Beethoven with the words, "Let's go. He's starting to develop.

— Claude Debussy

Mind-blowing Conservatory quotations

My conservatory is in the streets. My intelligence is instinct.

Now, as for this new breed of musicians with their 'ultrasonic' conservatory technique, I say: So What. Tell me a story from the heart of your soul and what your existence in this Universe is all about!

Every body we know surrounds himself with a fine house, fine books, conservatory, gardens, equipage, and all manner of toys, as screens to interpose between himself and his guest. Does it not seem as if man was of a very sly, elusive nature, and dreaded nothing so much as a full rencontre front to front with his fellow?

Thus having been undeservedly accepted at the Conservatory as a professor, I soon became one of its best and possibly its very best pupil, judging by the quantity and value of the information it gave me!

I got private lessons in keyboard at Julliard, before New England Conservatory of Music in Boston.

I have a sister who is a dancer and dance teacher.

We grew up dancing together. I wanted to become a ballerina when I was a kid, so she and I were always at ballet conservatories and going to school with our hair in buns.

I had been doing summer stock every summer while I was in college.

We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.

I find acting conservatories really important.

I've gone to four different ones, and all of them provided totally different tools for me.

Education rears disciples, imitators, and routinists, not pioneers of new ideas and creative geniuses. The schools are not nurseries of progress and improvement, but conservatories of tradition and unvarying modes of thought.

In 1948 the first severe crash occurred in my life when Stalin put out his decree on formalism. There was a bulletin board in the Moscow Conservatory. They posted the decree, which said Shostakovichs compositions and Prokofievs were no longer to be played.

I ended up turning down a full scholarship of music at the conservatory to pay to go to cooking school.

I started in high school with a teacher there.

I also took lessons at the Conservatory of Music in Detroit. Detroit was very motivating. There were a lot of local people who inspired me like Kenny Burrell, Paul Chambers, Roy Brooks, Donald Byrd, etc.

Classical musicians go to the conservatories, rock´n roll musicians go to the garages.

There's like a special group of people that come from different parts of the planet to study with me. It's nice. I just gave a workshop in Boston at the New England Conservatory, which was really nice.

I attended less than two years of Conservatory in Mexico City.

I loved Queen, Journey, Fleetwood Mac, and people like Barbara Streisand.

The thing with me is that classical music was also an inspiration. I took piano lessons at the Royal Conservatory of Brussels for 10 years.

Going to college helped me, because I had four years in the conservatory program, which is close as you can get to a professional environment. It's like all day.

I was trained at a conservatory school, and they usher you into the business by giving you a showcase. I was so lucky that I met with an agent, and he sent me on an audition for a TV pilot, and I happened to book it. It was like complete luck that it happened.

Literally, walking down that path. I was walking to work and I passed by A.C.T. (American Conservatory Theater) in San Francisco, and they had night education classes for adults. I said, "Yeah, why not?," and walked in, just for the fun of it, to see what it was like.

My dad studied at the American Conservatory in Chicago, so he lived on all those streets. He said the war probably saved his life because he'd have ended up a dead musician, with all the crazy stuff they did on Rush Street back in the day.

Because I had been in conservatory for so long, I was jealous of my friends in bands.

I went to the Conservatory of Music in school in Rome.

After a couple years of occasional lessons with Pass I moved to Boston to attend the New England Conservatory.

My mum and dad used to make me stand up at dinner parties and sing to their friends. I had this conservatory in my house - three steps went to up to kind of a raised part of our kitchen. I used it as the stage. Every night after school I used to download backing tracks of songs I loved and perform to myself. My mum was trying to cook and I was pretending I was at the O2 arena.

I feel the acting conservatory taught me how to be a working actor in the 1700s.

We learned stuff like 'to the back of the auditorium, to the back of the auditorium' and the liquid "u." 'The payment is duuue on Tuuuesday.' I also learned how to fence. If anything, when I moved to Los Angeles, I didn't fit in, in any way. I had to do comedy, because I was talking so pretentiously.

I got into [acting] so late because of sports.

And then when I was in grad school, I sort of got lulled into basically forgetting I was black, in - meaning that everyone you play at a conservatory, 95 percent of the characters are non-black.

In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist.

There's nothing like a good conservatory drama school to really get you ready for the work force.

I went to the University of California, Santa Cruz for a year, which turned out to be a really vibrant, very intensive intellectual atmosphere where you could do a lot of aspect of music without it being a conservatory. And that's why I went there.

The operas that I do are more in the operetta world, but I've gotten to do them in all of these major opera companies so it's been really wild. And I feel comfortable in that world because I went Cincinnati Conservatory and I hung out with all those kinds of people, I love hanging out with them and I understand them and their "diva-osity."

I often say of my background: "That and a Metrocard will get me downtown.

" Honestly, I think the upshot of my training in acting and writing is that I've been trained to be adventurous. There are so many moments in conservatory where I was encouraged to push the envelope and color outside the lines. I think that sense of bravery flavors what I do. It allows me to take chances that I might not otherwise take.

I studied opera, and when I left conservatory I told myself I would never sing in public again.

My life has had a lot of fits and starts: before I studied literature at all I was a musician, and began undergrad as a conservatory student. I started studying literature in my third year of college, when I took a poetry course with James Longenbach that was pretty extraordinary. It changed my life.

I started to write before I went to SUNY Purchase music conservatory.

As an audition I submitted what I now think are really awful songs, but I guess they saw something in them.