The danger that may really threaten (crime fiction) is that soon there will be more writers than readers— Jacques Barzun
Interesting Crime Fiction quotations
A woman must have money and a room of her own if she is to write fiction.
Crime fiction makes money. It may be harder for writers to get published, but crime is doing better than most of what we like to call CanLit. It's elementary, plot-driven, character-rich story-telling at its best.
Scandinavian crime fiction has become a great success all across the world and rightfully so. Sjowall and Wahloo ushered in a whole generation of Swedish crime writers, many of whom are now available in English.
Fiction is the truth inside the lie.
Many Scandinavian writers who had made their name in literary fiction felt they wanted to have a go at the crime novel to show they could compete with the best. If Salman Rushdie had been Norwegian, he would definitely have written at least one thriller.
A lot of crime fiction writing is also lazy.
Personality is supposed to be shown by the protagonists taste in music, or were told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.
I usually get up not before 9. I have a huge library - I'm a big fan of Scandinavian crime fiction - so I'll usually take a book and go off to one of my favorite bistros for a cappuccino or espresso or maybe I'll have some lovely smoked salmon for breakfast.
Success consecrates the most offensive crimes.
People are interested in crime fiction when they're quite distanced from crime.
People in Darfur are not reading murder mysteries.
The built-in form is a window frame. You can use this genre [crime fiction] to go where you want to go, and explore what you want to explore. In some ways it gives you a lot of freedom because you have a framework readers are looking for.
The criminal is the creative artist; the detective only the critic.
Poverty is the parent of revolution and crime.
I think I'm out of crime fiction now, and I think the dividing line is American Tabloid.
Tony Black is the Tom Waits of Crime Fiction, yes, that good.
Delaying and withholding tactics, red herrings, partial and doubtful outcomes are stock in trade for fiction writers, especially crime writers.
A cat is more intelligent than people believe, and can be taught any crime.
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
The crime fiction genre offers the writer infinite diversity of theme and treatment.
For those who resist the notion that the mainstream is a genre, we recommend that they browse the shelves of their local bookstore. For if the mainstream is not a genre, then it must necessarily embrace all kinds of writing: romance, adventure, horror, thriller, crime, and, yes, science fiction.
The universe wrote fiction is us. Its called Fear.
Most crime fiction plots are not ambitious enough for me.
I want something really labyrinthine with clues and puzzles that will reward careful attention.
In crime fiction, I just don't write the parts that aren't a thriller and it's exactly the same in my TV reporting - I distill the essence of the story until it's only the jewels of the tale - and leave in only the most compelling and exciting parts.
I'd read so much right-wing crime fiction where they find the evidence and shoot the bad guy - I thought there must be another approach.
When a nation becomes devoid of art and learning, it invites poverty. And when poverty comes it brings in its wake of thousands of crimes.
Crime fiction is the fiction of social history. Societies get the crimes they deserve.
They've also asked me now to start on another series that we're gonna do after this Frontier Earth. But it's not science fiction, it's more in the Mystery and Crime division and that's another area I'm very interested in.
Reading my way all the way through Sherlock Holmes gave me a lifelong love for crime and detective fiction.
I grew up reading crime fiction and, especially in the '80s, women were just there to be saved or screwed.
I read the paper every day. There are certain subjects that will catch my attention. I have an entire file of articles. Of course I make up the story, especially since most criminals are not very smart and fictional crime must be clever. I have to make sure the story I am telling is interesting and realistic. In this book I went on line and found out the manners of codes. I thought it interesting to use them as a jumping off point.
For a long time, I missed being in the courtroom every day.
I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years I did find the opportunity to realize my childhood dream of writing crime fiction.
I'm sold as a literary writer in Holland;
I'm sold as crime fiction in England. I think of it as just literature.
I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.
I was reading Raymond Chandler very much with the feminist eye.
In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.
And there are rules for crime fiction.
Or if not rules, at least expectations and you have to give the audience what it wants.
Arabs don't do crime fiction. I read crime fiction and I read Arabic literature, and I wish this was a novel I could have read in Arabic.
Imagine a crime series in which, every week, there is a white suspect and a black suspect. And every week, lo and behold, the black one turns out to have done it. Unpardonable, of course. And my point is that you could not defend it by saying: "But it's only fiction, only entertainment."
The competition for the future of crime fiction is fierce, as it should be, but don't take your eyes off Craig McDonald. He's wily, talented and-rarest of the rare-a true original. He writes melancholy poetry that actually has melancholy poets wandering around, but don't turn your backs on them, either. I am always eager to see what he's going to do next.
Reading Tomato Red-the first Daniel Woodrell novel I came upon-was a transformative experience. It expanded my sense of the possibilities not only of crime fiction, but of fiction itself-of language, of storytelling. Time and again, his work just dazzles and humbles me. God bless Busted Flush for these glorious reissues. It's a service to readers everywhere, and a great gift.
I've read crime fiction all my life. A thing that's bothered me about crime fiction is that it's generally about one or two people, but there's not much about society. I want to get away from that particular pattern: a lead, a supporting role and backdrop characters.
The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.
When I was a teenager, I was a voracious reader of crime fiction, but only contemporary books.