I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs.— Taylor Swift
Informative product demo quotes that are about tf2 demo
I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test.
I was producing demos for a band that was called Physical Ed.
Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
We changed the name from Sex Gang Children to Culture Club because Jon Moss, our drummer, went to L.A. on holiday and took some demo tapes with him. -Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, "I don't think America's ready for the Sex Gang Children."
It's taken a long time but eventually when I had the songs in place and demos right and I found myself a manager, that's when everything started happening quickly but I think that's always the way it is.
I like to record with people. I don't particularly enjoy standing alone and recording my own voice or my own stuff. It's sometimes fun to do for demos and stuff, but I really enjoy the social act of recording records, because writing it is so lonely. And it has to be.
Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.
I never record anything like a demo, I just go for it.
Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too.
When an Occupy demo in the centre of Frankfurt makes world news, I shall hurry to join in.
The nuclear approach I'm involved in is called a traveling-wave reactor, which uses waste uranium for fuel. There's a lot of things that have to go right for that dream to come true - many decades of building demo plants, proving the economics are right. But if it does, you could have cheaper energy with no CO2 emissions.
I was 12 or 13, and I had seen a demo about origami at the Brooklyn Botanic Garden. My dad, my step-mom, and I were at the Japan pavilion of Epcot, and my dad was going to get me an origami book. They had these really sick origami books with an overleaf, but those packs can sometimes blow, because they give you, like, eight sheets.
I don't make demos. I don't have the interest or the energy or the time.
Opinions are like demo tapes. I don't want to hear yours
If you want to measure social media ROI, stop wasting your time doing software demos and attending webinars. Just figure out what you want to track, where you can track it, think about both current customers and new customers, and go do it.
...Had dreams of fancy cars and limos, And all I wanted was somebody to listen to my demo.
At fourteen, I started sending out demo tapes.
At the time, I was making good money doing background work and demos.
Also I played on a lot of demos in the early days of the Stones.
I listen to everything that comes in.
I'm not real worried about demo sound quality. I can hear through that sort of thing. If a band can play, then they can play.
If people are really excited about their music, and that's their primary motivation, then that comes through in demo tapes. That's the most important ingredient.
I thought eventually I'd have a family and I really didn't want to be a loser like that guy in his 40s still shopping his band's shitty demo tapes around.
I am right at the bottom compared to everybody else with press kits and demos and trying to get meetings. That's what I love about music and hate about it. That's why I respect people that are successful in the music business because you really have to build it from the ground up.
I actually produced other people's vocals for a long time when I first signed my publishing deal and I had just sort of decided that I only wanted to be a writer. I would be in all of these writing sessions, and a lot of times my publisher would say, "You should get a demo singer to sing it because then it doesn't identify as a Solange song."
DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.
Mutineer is the first album of mine without a demo stage.
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But I like to listen to demos. I like to hear the finished product. It's like listening to a song - I mean, a story. If you're going to sit here and tell me a story, I just like to listen. I don't want to make them up.
We always started these albums as making demos, that went right on until Scary Monsters.
No matter how slick the demo is in rehearsal, when you do it in front of a live audience the probability of a flawless presentation is inversely proportional to the number of people watching, raised to the power of the amount of money involved.
I started out in a heavy metal band with a guy who could really play guitar, and I thought the only thing missing from Guided By Voices was a lead guitarist. In the early days, I would bring people in just to play leads, like Greg Demos and Steve Wilbur.
For a business plan written when the hardware was a wire-wrapped board and the software was three demos on a graphics substrate, it was pretty close.
At that time, I was signed to Columbia Records as an Independent Producer.
I spent many weeks forming, auditioning, rehearsing and recording demos for Kenny, who was finally signed to Columbia Records.
Demo: presentation of a specific set of capabilities needed to solve the customer's critical business issue.
Some people remaster their records six, seven times, remix it three, four times, spend a million hours, then they always go back and hear a demo of it and they'll say, 'Aw that sounds so much better than the final mix.'
I know I can't do everything myself. So I know I specialize in my melodies and I do some of my demo work. I pass it on to my producers who are much better at the production level.