quote by William Gibson

I had a list of things that science fiction, particularly American science fiction, to me seemed to do with tedious regularity. One was to not have strong female protagonists. One was to envision the future, whatever it was, as America.

— William Gibson

Impressive Female Protagonists quotations

My female protagonist will not be this promiscuous, beautiful, dark-haired, thin lady. It will be a plump, blond, healer and so forth.

I really get fired up with female protagonists.

I can really feel the difference in myself when I am writing a script that has a woman at the center.

We "chicks" have munched our popcorn while romantic comedies became just comedies, and then each female protagonist got recast for Mathew McConaughey or Seth Rogan.

Crime is a very hard genre to feminise.

If you have a female protagonist she is going to be looking after her mum when she gets older; she is going to be worried about her brother and sister; she will be making a living while bringing up kids.

I'm not interested in making movies only with female protagonists.

I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.

Anytime you have a female protagonist, it's going to turn into some feminist angle, and it's not a conscious thing on my part. It's only recently that that's been pointed out by the media . . . or pointed out by fans. I also find complicated, flawed characters interesting. What's the opposite? To play one-dimensional, boring failures?

We've all seen lots of stories about a young protagonist having adventures, and usually they're all boys, [and] there is sometimes a token female, or two.

I think boys don't always like to read books with female protagonist - I don't even know what to say about this.

You know, you're not aware of it, but you're following the action of the film through the body of the protagonist, you know? You feel what he feels when he jumps, when he leaps, when he wins, when he loses. And I think I just took it for granted that, you know, we can all do that, but it became obvious to me that men don't live through the female characters.

Films with female protagonists don't attract many eyeballs.

Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.

For the blockbusters, people were always telling me that if you write female protagonists, the boys won't go, so you have to put the boys' stuff in it to get everybody. I write for people from 8 to 80, and that's not easy.

It's not my business to remedy deaths! It's my business to tell stories.

Lyra and the other heroines didn't come with placards saying, "Make this a feminist story!" I'm glad people enjoy seeing a female protagonist in a big adventure story, but I didn't do it for political reasons.

My protagonists, male and female, are me.

In general, I've found female protagonists more intriguing to work with than males. I cherish women and have always preferred their company, reveling in their perfumes, their contours, their finer-grained sensibilities, lunar intuitions, nurturing instincts and relatively unfettered emotions--although I'm certainly not unaware that there are plenty of neurotic, uptight, stupid women in the world.

Each of my novels features a protagonist undertaking a difficult personal journey. On the way, each of these characters - mostly female - discovers something about herself and at the same time makes an impact on other people's lives.

Show me a novelist – or, indeed, a reader – who wasn’t a socially awkward, self-conscious adolescent, prone to clumsiness and excessive reading and I’ll… well, I’ll probably bang my shoulder on the door frame as I storm out. Many of the most unforgettable female fictional protagonists are gauche, self-doubting, plain and think too much.

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