quote by Dakota Johnson

When I did 'The Social Network,' David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.

— Dakota Johnson

Attractive Fincher quotations

I was very fortunate in having David Fincher, the director come to me.

Now I've seen the finished product, I feel that every bit of the nine months we spent on the film was worth it.

There were two auditions for The Social Network, one with Aaron Sorkin and one with David Fincher. I was a nervous wreck. I was like, Okay, how do I hold the paper without my hands making it shake?

David Fincher is one of the best directors I know, so I'm really curious to see it. Really curious, and I want to hear Daniel have the Swedish accent.

I'm not doing a Mulder, there was no character reference-point.

I think Mark Buchman shot it very David Fincher, but we did not know what the [X-Files] show was going to be.

I've recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.

It's interesting because when David Fincher was making "Fight Club," he said, "It's a romance." And it really is. Almost everything I ever write is just a romance. And that needed to be sort of pointed up at the end of "Fight Club." The film has a very different ending than the book does.

David Fincher is a longtime friend. As a director, my wife had worked with him as a makeup artist when he would do Madonna videos years before, and his child and my oldest child were in preschool together, so we're kind of dad-friends through that, too.

The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.

When I look at that now, all I think about is what a master [David Fincher] I was working with, and all of the things I could have watched and learned - and I didn't. And how, now, in my career, how I would love to have a ton of takes.

I think I'm generally - fear, fear is very still, so in terms of that kind of fear - there's so many different kinds of fear, but fear is something, particularly in movies, that's interesting, because it's created by the film maker, that was created by David Fincher, that's why he's brilliant.

I'm friends with [David] Fincher. [James] Cameron gives me advice. I know a fair amount of directors who have been through it, and they all felt pretty confident that I would be fine when I got my shot. So their confidence made me feel confident.

To me, Fight Club was a comedy. When [David] Fincher sent me the book and I read it, the first thing I asked him was, "This is a comedy, right?" he said, "Yeah, that's the whole point," and I said, "Okay, I'm in." I certainly wasn't imagining myself as a dramatic actor when I was running around in my underwear in that film.

When I think about directing a film, the thing that stops me short is wondering if I'm a natural at it the way I think you, and PTA, and Fincher are born directors. Maybe some people's talent is in understanding the ways that film communicates, without dialogue, without plot.

[I watch] Fincher, Spielberg, Cameron, McTiernan.

Just people who are good at staging action. I like to know where I am. I don't like the kind of cutting where you don't know where you are.

I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.

I adapt to directors, I don't like making directors adapt to me.

If I'm with Clint Eastwood then I'll do two takes, if I'm with Fincher I'll do 50 - though the thought of that sounds horrible.

I've always been a huge fan of thrillers like David Fincher's 'Se7en.

' I am fascinated by the disturbing, dark underbelly of life. I find such films deeply engrossing. They delve deep into the human psyche, and that's a place worth exploring.

Whatever field you can do that, that's where you want to do it, and I think that's why people like David Fincher and Ridley Scott are interested in it, too, because when you sit down on a meeting in HBO and they're like, "More, more." You're just like, "Oh yeah, I love this." Sometimes it's a little harder in film. I think also it's a great audience, take advantage of it. It's a great audience.

The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.

I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet.

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