quote by Ben Burtt

I've always found that when you're trying to create illusions with sound, especially in a science fiction or fantasy movie, that pulling sounds from the world around us is a great way to cement that illusion because you can go out and record an elevator in George Lucas's house or something, and it will have that motor sound.

— Ben Burtt

Most Powerful George Lucas quotations

But George Lucas is carrying about Black actors, about Black men, about Black history, which really incorporates and tells all of history. You can't take one race out without eliminating every other race if you're going to tell the story of the human race.

George Lucas doesn't have the most physical stamina.

He was so unhappy making Star Wars that he just vowed he'd never do it again.

George Lucas puts those types of characters in for the kids. Same with Jar Jar.

George Lucas was casting about and had heard favourable things about my work in Clockwork Orange and asked me to come in, which of course I did even though no one knew what the film was about!

To say that George Lucas cannot write a love scene is an understatement;

greeting cards have expressed more passion.

I think that George Lucas' 'Star Wars' films are fantastic.

What he's done, which I admire, is he has taken all the money and profit from those films and poured it into developing digital sound and surround sound, which we are using today.

I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.

The only one who didn't know was George Lucas.

We kept it from him, because we wanted to see what his face looked like when it changed expression--and he fooled us even then. He got Industrial Light and Magic to change his facial expressions for him and THX sound to make the noise of a face-changing expression.

That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show. It may not look pretty, but it gets the job done.

I have a sneaking suspicion that if there were a way to make movies without actors, George Lucas would do it.

My agent set up a meeting with George Lucas. They were casting in England.

Most games put the player in the role of Luke Skywalker, this protagonist playing through this story. Really, this is more about putting the player in the role of George Lucas.

George Lucas wanted this moving camera for all of the photography in Star Wars.

He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.

You're in a profession in which absolutely everybody is telling you their opinion, which is different. That's one of the reasons George Lucas never directed again.

My strength, if it's anything, is that I can lure some big-name actors in.

That's probably the strength of almost any director now. On your own, as a director, you've only got so much weight. James Cameron, George Lucas, Steven Spielberg, Michael Bay... that's about it. Everybody else depends on the star power that they can draw.

It's about respecting what I think people like about the original music.

I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.

I talked to George Lucas once, not about Star Wars.

Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.

There is a chapter in my book that is dedicated to the whole Comic-Con world, dedicated to the fans, and it features all the biggest names from the con world out there saying the most outrageous stuff you can imagine. If you want to see the entire cast of "The Avengers" going off, you gotta read it. It's super fun. Even George Lucas is there, and he's filthy!

If you go into a comic book store, there are tons of Star Wars stories on the stand. There are lots of different stories to tell. Maybe George [Lucas] won't tell them. Maybe some kid, who's a Star Wars fan that's planning to go to film school, will call Lucas and say, 'I'd like to make a Star Wars film.' Then, they'll make one.

Sitting in the movie theater watching "Star Wars," I've never had an experience with any form of entertainment that was like that. It was almost spiritual. I couldn't believe that someone's mind created that. And, right, it felt like George Lucas had a piano that was playing my emotions, and he could go ahead and do whatever he wanted and make me lean forward if he wanted, or he could make me go oh, or he could make me hide my face.

George Lucas is the reason that we got to make this movie, you know, he was the man that created this whole galaxy, and I am incredibly grateful to him. He's an artist and he's a grown-up. And I take him at his word, and it doesn't mean I agree with everything he says, but I respect, you know, his right to his opinion.

Every time I sit down with him, I know why he is who he is, and that's really cool. It's a great feeling. It sucks because I'm so not an ass-kisser, but he's George Lucas.

As a matter of fact, that was a bit of a problem for me at the beginning of my career - the problem of identification. In The Conversation I played a character who was gay, so nobody recognised me from American Graffiti. When I did Apocalypse Now, after Star Wars, I played an intelligence officer of the American army. George Lucas saw the footage I had done and didn't recognise me until halfway through the scene.

The person I enjoy working for more than anyone else is George Lucas.

He's the best boss I ever had because he's the most talented boss I ever had.

I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.

Digital also had this evolution that came out of post-production.

And George Lucas did it because he wanted to make a big movie with special effects. Sort of the opposite of what you'd think is an indie film. So it's coming from both these angles.

I've always loved fantasy. I've always loved sci-fi. It's not like I can list off my favorite sci-fi shows or movies, but I just love being taken into a different world. I'm a huge fan of Steven Spielberg. I'm a huge fan of George Lucas. I've always loved it.

I was a great admirer of George Lucas' work.

I don't want to be George Lucas and go back after the fact.

I can't remember ever feeling so glad that a movie was finally over.

[Director George] Lucas may have held my imagination hostage for two hours, but reclaiming it afterward wasn't hard at all.

I've always dreamed that George Lucas would call me one day and ask me to be in one of the 'Star Wars' films.

Do or do not. There is no try," says Yoda, the bewitching philosopher warrior created by George Lucas in Star Wars. Yoda is quoted at least as often as the founding fathers on this topic.

The 3-D effects in "Star Wars" are so realistic, you can actually see George Lucas reaching from the screen and taking the money from your wallet.

George [Lucas] wanted to know whether we'd be interested.

He did say that if we didn't want to do it, they wouldn't cast another actor in our parts - they would write us out.