quote by Lee Konitz

Benny Goodman was one of the big influences as a clarinet player. That's why I wanted the clarinet.

— Lee Konitz

Romantic Goodman quotations

My real name's McGill. The Jew thing I just do for the homeboys. They all want a pipe-hitting member of the tribe, so to speak.

We are told that people stay in love because of chemistry, or because they remain intrigued with each other, because of many kindnesses, because of luck. But part of it has got to be forgiveness and gratefulness.

The first funeral for Andrew Goodman was at night and it was a lot of work.

To begin with they had to kill him.

Men and women in my lifetime have died fighting for the right to vote: people like James Chaney, Andrew Goodman and Michael Schwerner, who were murdered while registering black voters in Mississippi in 1964, and Viola Liuzzo, who was murdered by the Ku Klux Klan in 1965 during the Selma march for voting rights.

When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'

These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.

I got my training here in Chicago at the Goodman School Of Drama, and a lot of my personal work is usually internal work and stuff. Everything else that goes on is icing on the cake - your wardrobe, your makeup, whatever else you have to do.

My idols are Richard Dreyfuss, Michael Keaton, John Goodman. Maybe that's what I want for me.

Listening to Benny [Goodman] talk about the clarinet was like listening to a surgeon get hung up on a scalpel.

If you're committed enough, you can make any story work.

I once told a woman I was Kevin Costner, and it worked because I believed it.

I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.

In journalism, there has always been a tension between getting it first and getting it right.

Benny Goodman's band was integrated before baseball.

Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.

Some people are immune to good advice.

John Goodman is more that just a big guy, he's a wonderful actor.

I went to Bergdorf Goodman as an assistant in the fashion office and that was really my first exposure into the world of retail. Dawn Mello was president at the time and she had just left Gucci where she found Tom Ford.

I started getting orders from some of the leading stores Fred Segal, Bergdorf Goodman. I realized then that my bags were being noticed by the fashion world.

It’s fun to watch someone like John Goodman, and yet it takes work.

People say ‘he’s not acting, he’s being himself.’ Well it’s hard to be yourself, it’s the hardest job there is.

John Goodman isn't fat. He's in a category beyond fat. What does one call it? Whalelike.

I was once asked to do my Tarzan yell at Bergdorf Goodman, and a guard burst in with a gun! Now I only do it under controlled circumstances.

I went to the Goodman School of Drama in Chicago.

The distance between me and Benny [Goodman], was that I was trying to play a musical thing, and Benny was trying to swing. Benny had great fingers; I'd never deny that. But listen to our two versions of 'Star Dust.' I was playing; he was swinging.

I started off playing the clarinet, after I was inspired by listening to my dad's Benny Goodman records.

Benny Goodman plays the clarinet. I play music.

Benny [Goodman] used to practice 15 times more than the whole band combined.

Paul Goodman was not ahead of his time but IN his time.

Everybody in Germany was for the -German cause.

But then, after the war ended, when I heard the first Glenn Miller sound on the radio and these fantastic American music makers, I turned into a jazz fanatic. They called me Benny, after Benny Goodman. So, all of a sudden, the eyes of young Germans were opened to America - everything American was absolutely at the top of the list.

Like Lucas [Goodman] has said, between the people we've met, and the experiences we've had, it's just our growth. It's just something that represents all of what Lion Babe started as and where we're going.

I think also, obviously, having someone like Lucas [Goodman], and the people around me are very, not gender-driven or any of that, so when we come in as thing, that's what it is. You can work with us or not work with us and I think that has been helpful. I don't try to put myself in a vulnerable position in that way. I won't just sit quietly.

We had spent a lot of time in London [with Lucas Goodman], which has been amazing, but also it was kind of a homecoming and we felt so surrounded by a specific community of people who are just so New York, so unapologetically themselves and so creative.

There's been so many, I think [Lucas Goodman and I] share this, but for us, Afropunk was a really big moment just because it was in New York.

I think my life dramatically shifted when I met Lucas [Goodman] and it wasn't even planned. I had a very clear vision of what I was going to do.

I'm a Gemini and Lucas Goodman is a Leo, so we definitely wanted some duality.

We definitely balance each other out in a lot of ways, but we're also very different.

I was very excited to hone in on John Goodman.

Casting John first really set the tone. He's very good at being terrifying and being hilarious, and I loved the idea of that character not being merely 'moustache-twirly'. I enjoyed being scared by him.

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