quote by Lenny Bruce

If you're from New York and you're Catholic, you're still Jewish. If you're from Butte Montana and you're Jewish, you're still goyisch. The Air Force is Jewish, the Marine Corps dangerous goyisch. Rye Bread is Jewish, instant potatoes, scary goyisch. Eddie Cantor is goyisch, George Jessel is goyisch-Coleman Hawkins is Jewish.

— Lenny Bruce

Uplifting Hawkins quotations

Long before there was Marilyn Manson, long before there was Alice Cooper, way before Ozzy Osbourne, there was Screamin' Jay Hawkins

I saw Ronnie Hawkins play near my hometown, Port Dover, Ontario, and I saw him play there on New Year's Eve and the following spring I booked myself to be his opening act on maybe five shows, and he hired me after the first night.

Tramaine Hawkins has been a mentor, a confidante and an example of greatness.

She has been through a lot in her life, and her career has spanned over 50 years. To me, that's what you call a legend.

If I could play drums like Patrick Carney or Taylor Hawkins, I'd be a really happy person.

I appreciate men like Ben Webster and Coleman Hawkins very much.

When I began listening to saxophones, I was first attracted to Coleman Hawkins.

[Eddie Locke] had a huge impact in my life.

He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.

When I heard the truth about my name was not Cassius Clay, like I knew a black man in America named John Hawkins. Now, you know who John Hawkins was.He was a slave trader from England. But the white people of that time, if one had five slaves and his name was Jones, they would be called Jones' property. [...] Now that I'm free, now that I'm no longer a slave, then I want a name of my ancestors.

As much as I think John Coltrane belongs on the list, I think without Coleman Hawkins and Lester Young, both of whom defined improvising on the tenor sax, there would not have been the evolution of the craft by John Coltrane.

I made the transition to directing documentaries with the great help of my Co-Director on The World According to Sesame Street, Linda Hawkins Costigan. She was a gracious teacher, and a wonderful collaborator.

I was in Hollis' band for eight years, playing drums.

At one time we had Barry Beckett, Jimmy Johnson, David Hood - everybody but Roger Hawkins. We had a hell of a band.

Listen to this, Nimit. Follow Coleman Hawkins' improvised lines very carefully. He is using them to tell us something. Pay very close attention. He is telling us the story of the free spirit that is doing everything it can to escape from within him. That same kind of spirit is inside me, inside you. There-you can hear it, I'm sure: the hot breath, the shivering heart. (Thailand)

Chano Pozo created the role of the conga soloist in the modern band, somewhat th way Coleman Hawkins created the solo tenor sax.

One of the great things about Taylor Hawkins is his…shirtless body, really.

I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.

A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!

When I heard Coleman Hawkins, I learned to play ballads

Come awake, Tom. Fathers can willfully hurt their children. They can be addicts too weak to give up their vices, no matter the pain it causes. Mothers can turn you invisible with neglect. They can erase you with a denial, a refusal to see. Friends can deceive you. People lie. It is a cold, hard world. I do not blame Nell Hawkins for retreating from it into a madness of her own choosing.

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