I Like It Rough Quotes

A common misperception of me is... that I am a tough, rough northerner, which I suppose I am really. But I'm pretty mild-mannered most of the time. It's the parts that you play I guess. I don't mind it. I'm not a tough guy. I'd like to act as a fair, easy-going, kind man at some point.

I like to take the time out to listen to the trees, much in the same way that I listen to a sea shell, holding my ear against the rough bark of the trunk, hearing the inner singing of the sap. It's a lovely sound, the beating of the heart of the tree.

Mr. Lely, I desire you would use all your skill to paint my picture truly like me, and not flatter me at all; but remark all these roughnesses, pimples, warts, and everything as you see me, otherwise I will never pay a farthing for it.

I should like a great lake of ale, for the King of Kings.

I should like the family of heaven to be drinking it through time eternal.

Music is like a river or stream that has come down to us through time, bringing nurture to man's soul. From the past masters, this music flowed to my father and through him to me. I want to keep this stream flowing. I don't want it to die. It must spread all over the world.

There's something retro about your persona.

It's like the pre-World War II generation of reporters - those unpretentious, working-class guys who hung around saloons and used rough language. Now they've all been replaced with these effete Ivy League elitists who swarm over the current media. Nerds - utterly dull and insipid.

If you're sloppy, that's just fine. If you're moody, I won't mind. If you're fat, that's fine with me. If you're skinny, let it be. If you're bossy, that's all right. if you're nasty, I won't fight. If you're rough, well that's just you. If you're mean, that's all right too. Whatever you are is all okay. I don't like you anyway.

Real, rough and rugged, shine like a gold nugget, Every time I pick up the microphone, I drug it.

The men whom I have seen succeed best in life always have been cheerful and hopeful men; who went about their business with a smile on their faces; and took the changes and chances of this mortal life like men; facing rough and smooth alike as it came.

When I saw Jimi Hendrix I knew immediately that this guy was the real thing .

.. and when he played it was like a rough sketch of what he was going to become ... this guy was our generation, and he wasn't in a suit .. he played a Howlin' Wolf song 'Killing Floor', and then we (The Cream) had to carry on the set. It was pretty hard to follow.

Sometimes on a film you just become taken with the fact that, all right this is as rough as it gets, but I'm going to support my general and I'm going to do the very best I can for him because he's a good general and I like him.

I grew up on the rough side of the tracks.

If you looked like you were soft, you would be fodder for the wolves. I came up in my neighbourhood like, 'I'm just gonna be me,' and all the thugs just said, 'It's OK, he's special.' They knew I had the talent with the rhymes, so they kept me around.

I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.

There's a look of mischief in his eyes.

'Smilla. Why is it that such an elegant and petite girl like you has such a rough voice.' I'm sorry,' I say, 'if I give you the impression that it is only my mouth that's rough. I do my best to be rough all over.

Having done television for almost 20 years now, a pilot is kind of like a rough draft. It's like bringing people into your ultrasound and hooking up to the monitor and going, "Isn't my baby beautiful?" "Yeah. I can only see the outline of it, but it looks like it might be."

When you become a mom you just learn how to function sleep deprived and you do get used to it. I came back to work when Finley was three months old and the first few months were rough. Then somehow you learn to exist on no sleep and now when he does upon occasion sleep through the night, which is like a full six hours, you're pretty sure he's suffocating. So you don't sleep anyway.

The biggest thing that I don't like about L.

A. is the sort of 2 a.m. shutdown of everything. It really kind of stagnates the nightlife. It's very hard to casually have fun in Los Angeles. If you want to go out and have fun it's like a full-time job, you have to really prepare, and call ahead, and get on a list, and know somebody... It's really rough to relax here.

If you don't enjoy making work, then it's bad.

It's rough. Artwork is brutal for so many people. They let it happen to them, but it's brutal. I like the idea of an artist as somebody who works. A lot of the artists I like share this understanding.

You know it's going to be difficult because you're working with friends, but at the same it's like, well, they're your friends and everybody's cool, so even if there are rough spots we'll get through it. And I'm happy to say we did.

The early 2000s for me were a very emotional time, politically.

I'd been through Reagan and been through first Bush and Clinton, and it's not like I had an easy time through those years. But I just thought it was particularly rough. I have to say the World Trade Center attack was very weird for me. The events that followed were worse. It was a really long swath of time.

I am somebody who usually writes out the rough draft in longhand.

Then I type it into the computer, and that is where I do my editing. I find that if I write it on the computer, I go too quick. So I like getting that first draft out and then typing it in; you are less self-conscious about it.

I did grow up in a rough neighborhood in Portland, which is an abstract concept for anybody who's rolled through Portland because now it looks like a TV set, literally.

I have had a few rough patches in my life, but these last few years have been among the roughest. A few years ago, I left my job as host of the television show Extra. Our parting of ways was completely amicable; they were amazing to me. I had spent over a quarter of my life at that job, and without it, I felt like I had lost my compass. People didn't know how to introduce me anymore, because in L.A., you are your job.

You know, when you see a haircut of yourself from around 12 or 13, it's rough.

I also had really bad acne. Where I had to take this medicine - serious medicine - with warning on the label, like, "Do NOT take this if you are pregnant." Thank God I wasn't pregnant at the time. But yeah, I just had bad haircuts, bad acne, and bad clothes for a long time. And probably still right now.

I never had good hair growing up - just had the worst nothing hair - and until I started being rough with it, even 'til this day I'm actually pretty rough with it, and ever since I've been like that it's been pretty darn good to me.

I learned to share work with people even when it was in its rough stages without worrying that they'd be filled with scorn and hatred. After all, I can read their rough work without turning on them like a wildebeest.

Wherever inspiration comes from, it's like I'll hear a melody and chords, almost a rough structure of the whole thing [song]. I'll just hear it and chase what's in my head. The rest comes from jamming with band, improvising, seeing what comes up as well. I'll come up with it off the top of my head, catch it, sing and hum, and if something is missing, just jam, and that's the [songwriting] process.

If I may throw out a word of counsel to beginners, it is: Treasure your exceptions! When there are none, the work gets so dull that no one cares to carry it further. Keep them always uncovered and in sight. Exceptions are like the rough brickwork of a growing building which tells that there is more to come and shows where the next construction is to be.

I went through a really good-looking phase from birth to 9.

And then things went crazy. I don't know what happened, but between 9 and 14 it was really, really rough. I didn't have a lot of friends. The only ones who were nice to me were the theater kids. And they were like, 'You can come and join us. No one likes us.

It's my belief that you should never show your work to anyone in the publishing world until it shines like a diamond. Rough drafts don't shine, as a rule. Mine certainly didn't. That's why I was rejected for years and years.

I felt it was necessary. I never ever paid attention to any election. Not really [into] politics or anything like that. It never benefited us. This time around, it's not a black-or-white thing — you got somebody in there for us that's well-spoken and gonna handle their business. I just wanted to do my part and let them know we need change, we need help, it's rough out there.

When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.

I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.

I encountered a large temporary sign declaring Rough Road Ahead, and indeed it was. Had I not been warned, that experience would have been disastrous. Life is like that. It's full of rough spots. Some are tests to make us stronger. Others result from our own disobedience.... Each one of us encounters unique challenges meant for growth.