As far back as I can remember, I always wanted to be a gangster.
— Ray Liotta
Thrilling Iconic Movie quotations
Get busy livin' or get busy dyin'.

Come with me if you want to live!

What we got here is a failure to communicate.
My momma always said, "Life was like a box of chocolates. You never know what you're gonna get."
Fasten your seat belts, it's going to be a bumpy night!

In 1994, nobody could have predicted 'Shawshank' would one day be an iconic movie - and believe me, that would never have happened if Danny Glover had been Red instead of Morgan Freeman.
During the golden age of movie stars, there were plenty of actresses who were deemed unattractive at the start of their careers, but struggled and finally appeared more beautiful and more iconic. Sometimes that idea of being truly iconic has something to do with not necessarily being beautiful and thus trying harder.
Heavy role in the movies that I've done that I have loved and fit my soul;
A Simple Plan, Monster's Ball, Sling Blade, One False Move, Bad Santa even. I mean Bad Santa is a comedy, and it's a very dark comedy, and it's become like iconic, you know.

The first rule of Fight Club is you don't talk about Fight Club.
I saw how you could get away with such a free-spirited, naturalistic sensibility in a mainstream Hollywood movie, and you could apply a lot of the skills of the '70s icons that I really admire to a contemporary, commercial movie.
I think what sets this one apart is that there are two horror movie icons finally battling each other. You actually see them beat the crap out of each other instead of just terrorizing the kids in the movie.

It's a huge challenge, a huge responsibility.
Bond is a huge iconic figure in movie history. These opportunities don't come along very often so I thought, 'Why not?'
Here's the thing: celebrities understand the power of original ideas because often that's why they act. They want to be in movies that tell a story. They know the power of iconic imagery. Often, you find that people really want to participate.
I was a terrible actor. But John Hughes liked me, and he encouraged me. I made him laugh, I guess is the bottom line, and then he gave me that part in Ferris Bueller's Day Off as the flower man. It's just a nothing part in one sense, but it's such an iconic movie that people will ask me from time to time, "Are you in Ferris Bueller's Day Off?" "Yeah."

My mom brought me up on old Hollywood.
I had been living in Los Angeles. Respecting old movies and growing up with people that were icons that I got to speak to.
How do things, whether they are movies, or plays, Hamilton, or people, ideas - how do they become transformative or iconic? That is in some ways what the actual Star Wars saga gets at, with the tale of the rise and the fall of the empire and the rise and the fall of Republics.
"You're a sex icon." Why? Because I played a vampire in a movie? It's all very unearned. If I had the best freaking abs in the world or if I looked like Brad Pitt does in Fight Club, then cool, but I'm not starving myself.
The world has obviously changed in terms of the way filmmakers and actors and writers often look at their own careers. They all seem to want to include in their own process - along with some of their iconic and franchise-driven movies.
I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way.
When it comes to the iconic moments, you sort of have to take all of those things and distill them the same way the costumers do and everybod Distill them and then find your own. The most iconic moment in the movie is, assuming they do, when they assemble.
An icon means nothing to me. I don't understand what it means to anybody actually. It seems like a word of convenience. It seems to attend to the huge success of certain kinds of movies that I did, but there's no personal utility in being an icon. I don't know what an icon does, except stand in a corner quietly accepting everyone's attention. I like to work, so there's no utility in being an icon.
One thing I've found that's really helpful in our relationship is that she's [Anna Faris] very normal. And I don't mean ordinary - I mean, she doesn't act like a big star or a comic icon or anything like that. She's really down-to-earth and sweet, and we do talk about comedy, about movies, about our careers and possible projects.
I dream of working with iconic directors such as Tim Burton, Baz Luhrmann, Terry Gilliam and Wes Anderson - so I'm setting my sights pretty high! My perfect role would be in a fairy-tale period piece, and I'm quite upset all the Harry Potter movies have been made as I'd love to have been in those.
I can't think of another actor who acquired stardom so quickly, who held it for such a short time, and then kept it for such a long time. James Dean became a star in one calendar year, and then he left us. But he's still being talked about, he's still being revered, he's still being iconized forty years later. I don't think there's another example like it in the entire history of movies.