quote by Roddy Doyle

If there is a heaven, Jane Austen is sitting in a small room with Mother Teresa and Princess Diana, listening to Duran Duran, forever. If there's a hell, she's standing.

— Roddy Doyle

Most Powerful Jane Austen quotations

Jane Austen is the pinnacle to which all other authors aspire.

I would be curious about one of those Jane Austen women - you know - long-suffering, dutiful - but all right in the end - a plump 19th century type, five foot four, ringlets, brown eyes, long fingers.

Every housemaid expects at least once a week as much excitement as would have lasted a Jane Austen heroine throughout a whole novel.

I write about violence as naturally as Jane Austen wrote about manners.

Violence shapes and obsesses our society, and if we do not stop being violent we have no future.

[On Jane Austen:] To believe her limited in range because she was harmonious in method is as sensible as to imagine that when the Atlantic Ocean is as smooth as a mill-pond it shrinks to the size of a mill-pond.

She is never alone when she has Her Books.

Books, to her, are Friends. Give her Shakespeare or Jane Austen, Meredith or Hardy, and she is Lost - lost in a world of her own. She sleeps so little that most of her nights are spent reading.

Jane Austen, much in advance of her day, was a mistress of the use of the dialogue. She used it as dialogue should be used-to advance the story; not only to show the characters, but to advance.

The art and passion of reading well and deeply is waning, but [Jane] Austen still inspires people to become fanatical readers.

I always advise children who ask me for tips on being a writer to read as much as they possibly can. Jane Austen gave a young friend the same advice, so I'm in good company there.

When I came to England it wasn't what it is now, then the black people were very rarely strong. I had a personal shock because England wasn't what I expected it to be... where people lived like Jane Austen.

Jane Austen: Getting into her books is like getting in bed with a cadaver.

Something vital is lacking; namely, life.

But some characters in books are really real--Jane Austen's are;

and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage.

I imagined being a famous writer would be like being like Jane Austen.

I'm a Jewish Jane Austen.

To paraphrase Jane Austen, it is a truth universally acknowledged that a married man in possession of a vast fortune must be in want of a newer, younger wife.

There's a history of English literature where the best boils to the top, and Jane Austen stands right at the top of that.

Every time I read a Jane Austen novel, I feel like a bartender at the gates of heaven.

[Art] would have helped us survive in the Pleistocene - in the period, say, 1.

6 million years ago until fairly recently. The kind of imaginative abilities that artists have and that we all have in the appreciation of art - to appreciate Jane Austen, the late quartets of Beethoven.

As blue chips turn into penny stocks, Wall Street seems less like a symbol of America's macho capitalism and more like that famous Jane Austen character Mrs. Bennet, a flibbertigibbet always anxious about getting richer and her 'poor nerves.'

Jane Austen wrote six of the most beloved novels in the English language, we are informed at the end of Becoming Jane, and so she did. The key word is beloved. Her admirers do not analyze her books so much as they just plain love them to pieces.

The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous. You know, my fantasy of being a famous writer, and again there's a slight disconnect with reality which happens a lot with me. I imagined being a famous writer would be like being like Jane Austen.

As Jane Austen might have put it: It is a truth universally acknowledged that young protagonists in search of adventure must ditch their parents.

For [Jane Austen and the readers of Pride and Prejudice], as for Mr.

Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.

Jane Austen was an extraordinary woman;

to actually be able to survive as a novelist in those days - unmarried - was just unheard of.

Jane Austen is the feminine Peter Pan of letters. She never grew up.

I read "Pride and Prejudice" [by Jane Austen].

I was gobsmacked by it - it's so funny and so modern. Unbelievable. You don't expect funny to come through after 200 years - humor doesn't transcend decades, let alone centuries.

There are some writers who wrote too much.

There are others who wrote enough. There are yet others who wrote nothing like enough to satisfy their admirers, and Jane Austen is certainly one of these.

Think of anybody - Dostoevsky or Jane Austen - [their work] was always something that now we would call political. So I don't see those separations too much, between what is artistic and what is political. Maybe in painting... no, I don't even believe that.

[Henry] James is much more complex than Jane Austen.

That's why it's not so easy to adapt him. People expect a nice period piece, but that's not always the case. There's a deep human mystery in his work.

The system -- the American one, at least -- is a vast and noble experiment.

It has been polestar and exemplar for other nations. But from kindergarten until she graduates from college the girl is treated in it exactly like her brothers. She studies the same subjects, becomes proficient at the same sports. Oh, it is a magnificent lore she learns, education for the mind beyond anything Jane Austen or Saint Theresa or even Mrs. Pankhurst ever dreamed. It is truly Utopian. But Utopia was never meant to exist on this disheveled planet.

I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.

I haven't any right to criticize books, and I don't do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone.

Just the omission of Jane Austen's books alone would make a fairly good library out of a library that hadn't a book in it.

I remain loyal to Bach, Mozart, Beethoven and Schubert in music and to Shakespeare and Jane Austen in literature.