quote by Joan Crawford

I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door.

— Joan Crawford

Most Powerful Joan Crawford quotations

Joan Crawford is doubtless the best example of the flapper, the girl you see in smart night clubs, gowned to the apex of sophistication, toying iced glasses with a remote, faintly bitter expression, dancing deliciously, laughing a great deal, with wide, hurt eyes. Young things with a talent for living.

The best time I ever had with Joan Crawford was when I pushed her down the stairs in Whatever Happened to Baby Jane?

If you've earned a position, be proud of it.

Don't hide it. I want to be recognized. When I hear people say, 'There's Joan Crawford!' I turn around and say, 'Hi! How are you!'

There was a saying around MGM: "Norma Shearer got the productions, Greta Garbo supplied the art, and Joan Crawford made the money to pay for both".

I loved all those classic figures from the '30s and '40s.

.. Bette Davis, Joan Crawford, Humphrey Bogart, Rita Hayworth. They had such glamour and style. I loved the movies of those times too - so much attention paid to details, lights, clothing, the way the studios would develop talent.

To become a big movie star like Joan Crawford you need to wear blinders and pay single-minded attention to your career. Nobody paid attention to me, including me. I was the original Cinderella girl, looking for the happy ending in the fairy story. But my fantasy prince never came.

We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.

I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.

I, Joan Crawford, I believe in the dollar. Everything I earn, I spend.

Joan Crawford is a movie queen. I had never met one before. I know now what I don't want to be.

I don't have a long, drawn-out Joan Crawford beauty routine.

I'm not like, "Yes, I wake up and first I put ice on my face." I do it in a taxi on my way to a meeting. Traveling is my makeup routine. I do it in a car ride, and I'm that asshole on the road who's doing her mascara in the mirror.

When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.

Los Angeles is Hollywood and Hollywood is Hollywood Blvd.

It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.

As a human being, Joan Crawford is a great actress.

I watch an awful lot of old Hollywood movies - Ill devour anything with Bette Davis or Joan Crawford. My absolute favourite is Sunset Boulevard starring Gloria Swanson.

I wouldn't piss on Joan Crawford if she were on fire.

People talk about the golden age of Hollywood because of how women were lit then. You could be Joan Crawford and Bette Davis and work well into your 50s, because you were lit and made into a goddess. Now, with everything being sort of gritty, women have this sense of their use-by date.

Joan Crawford is a movie star. I am an actress.

I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.

I want people to say at the end of my day, you know, like I used to say about Sidney Poitier and James Cagney and Joan Crawford and Red Skelton and those guys and Bill Cosby. They did quality and substance. You always remember them.

If you really want to know someone, you must see their emotions off guard.

That's how I know Joan Crawford could never have been cruel to her children. I really knew her, when she was still Billie, as she liked to be called in the early days. In a relationship as close as ours, I had the chance to see her in every kind of personal situation.

The Joan Crawford that I've heard about in 'Mommie Dearest' is not the Joan Crawford I knew back when.

I get up at seven for the make-up, Rita Hayworth at six, Joan Crawford and Bette Davis at five. I don’t want to know the time when I’ll have to come to the studio even earlier.

In the far upper corner of my altar is a photo of Joan Crawford in her most fierce Mommy Dearest mode, just to remind me of some of the cost of everyone's hard-earned sweetness and light.

Being pulled that long and that hard for a 12-hour day gave me migraines.

It's what they used to do before there were facelifts for actresses – you know, Joan Crawford's whole career was this. Then the makeup is like Earl Scheib auto body paint sprayed on my face.

There's is not enough money in Hollywood to lure me into making another picture with Joan Crawford. And I like money.

There may be a heaven, but if Joan Crawford is there, I'm not going.

You should never say bad things about the dead, you should only say good .

. . Joan Crawford is dead. Good.

The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).