quote by Ronnie Corbett

A cement mixer collided with a prison van on the Kingston Pass. Motorists are asked to be on the lookout for 16 hardened criminals.

— Ronnie Corbett

Dreamy Kingston quotations

I prefer the country life. I live in Kingston, but there is lots of trees.

King Kofi Kingston. The initials are horrible but the name sounds great.

I describe me sound as international: reggae, pop, rap, R&B all in one.

I think I have my own style. I can't really even describe it. People say, "What type of genre is your music?" It's Sean Kingston genre. I have my own genre. No disrespect to no artist or dudes out there. I feel like I am my own person. I am doing my own thing.

When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.

When I was about 13 or 14. I was in a Kingston Trio type group. We evolved into the New Breed. Our first song on the radio was "Green Eyed Woman," not to be confused with "Green Eyed Lady".

I was born in St. Andrew's and raised in Kingston then I attended the Alpha Boy's school.

The actress I had the most fun working with was Alex Kingston.

It was a fun relationship to play because it was a combination of occasional sexual harrassment with genuine affection. She's such a terrific actress and such a lovely person.

The 1960s were big for folk music, and the Kingston Trio led the way.

They were the ones who started it all. The music was fresh and alive. College kids loved it and their parents did, too.

And there was huge numbers of UFOs around my parents home in Kingston.

If you go to Jamaica, you're going to these all-inclusive resorts where they're playing calypso and a bit of reggae or whatever. But if you go to Kingston, it's run-and-gun battles in the streets, it's abject poverty, it's incredible violence - and then also the best parties in the world. But if you're white, you can't really go. I'd rather know the real deal than be playing in the sand.

After twenty years and thirty stories, thirteen pieces were finally selected and the collection was born. So far, the blurbs from [authors] Maxine Hong Kingston, Gish Jen, Robert Olen Butler, Oscar Hijuelos and others, have been most encouraging.

"I want to be always happy," Maxine Hong Kingston announces .

But, as this interview makes clear, for me, it was the desire to write poetry that kept me discontented, if not depressed and unhappy, through what many casual biographers have characterized as successful and productive decades.

According to [Maxine Hong] Kingston, the prose writer is "a workhorse."

The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.

[Kingston, Jamaica] is the city, it's not a beautiful beach.

But at the same time when I go to Jamaica, that's the only place I want to go. It's where the culture is its richest. Or if you have the opportunity, you can go to the North Coast and go to Montego Bay. That's where you get the beauty of the miles of beaches and beautiful resorts.

When I lived in Jamaican I lived in Kingston, in Spanish Town, and when I go there the only place I want to go is Kingston because that's where the culture is the richest.

My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.

I was raised with opera and very white-bread folk music like The Kingston Trio.

That was about as daring as it got. So when I discovered hip-hop as a teenager, at first it made no sense to me at all.

I think a lot of the most interesting immigrant writing involves stepping outside of that old, dreary binary. Chang-rae Lee's Native Speaker is a great example. Same goes for Maxine Hong Kingston's The Woman Warrior.

King Kofi Kingston, that does have a nice ring to it. But not so much the initials, though.

In those sticky summer nights in South London our windows stay open and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.

Kingston is so chill. He goes with me everywhere. He's been to every studio in L.A., New York, London. He lives up to his name - total Rasta boy. He gives me a real balance. You can go 100 miles an hour, but you still have to stop to hang out with him.

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