quote by John Mulaney

I plan to join the 'SNL' band as a maraca player and stand behind saxophonist Lenny Pickett. That way they will at least cut to me before commercial breaks. I'll be sure to look right into camera.

— John Mulaney

Unpopular Lenny quotations

Lenny Breau dazzled me with his extraordinary guitar playing.

.. I wish the world had the opportunity to experience his artistry.

I've always had to deal with being biracial, even in music.

When I came on the scene, I'd go to these record labels, and they'd say things like, "Lenny Kravitz. That's a weird name." I'm brown-skinned and I've got these dreadlocks and I've got this Jewish last name.

But then I think about my sister and what a shell-less turtle she was and how she wanted me to be one too. C'mon, Lennie, she used to say to me at least ten times a day. C'mon Len. And that makes me feel better, like it's her life rather than her death that is now teaching me how to be, who to be.

I'm not a comedian. I'm Lenny Bruce.

Memories are meant to fade, Lenny. They're designed that way for a reason.

I believe myself to be a worthwhile and inventive performer in my own right.

But I'm not in a league with Lenny [Bruce], certainly not in terms of social commentary.

Guys like us, that work on ranches, are the loneliest guys in the world

Trying to imagine E. M. Forster, who found Ulysses indecorous, at a London performance of Lenny Bruce—to which in fact he was once taken. Trying to imagine the same for a time-transported Nathaniel Hawthorne—who during his first visit to Europe was even shocked by the profusion of naked statues.

The real story of our times is seldom told in the horse-puckey-filled memoirs of dopey, self-serving presidents or generals, but in the outrageous, demented lives of guys like Lenny Bruce, Giordano Bruno, Scott Fitzgerald - and Paul Krassner. The burrs under society's saddle. The pains in the ass.

Lenny Breau is one of the true geniuses of the guitar.

I suppose he is a musician's musician. His knowledge of the instrument and the music is so vast, and I think that's what knocks people out about him. But he's such a tasty player too. I think if Chopin had played guitar, he would have sounded like Lenny Breau.

I set out to be a cross between Lenny Bruce and Robert the Bruce.

We went to see Lenny Kravitz last summer in Austin and he was awesome.

His show was just awesome. I mean, like, when you see some of these great bands, you sit there and think, man, if only we were that tight, you know?

My big brother Lenny fought in Vietnam, only to be gunned down a few blocks from our home [in the South Bronx].

I set out to be a cross between Lenny Bruce and Robert the Bruce - my main thrust was the body and its functions and malfunctions - the absurdity of the thing.

My dad was a big fan of comedy. He wanted to be a stand-up. He loved Lenny [Bruce]. He also loved Lord Buckley and jazz and stuff. He was a hipster. My parents were kind of beatnik-y, you know, for Salt Lake City. But my humor, I think, came from wanting to disarm people before they hit me.

When I went out on tour as Bing Hitler I would hook up with Lenny and we'd get drunk together. He was always very supportive. He was a big star and a lot of what he said to me had power and impact. Apart from that, I just like him.

I was also a big Woody Allen fan. When I got into college I listened to Lenny Bruce but it's taken me years to put him into context historically and really get what he did.

In my opinion, Lenny Bruce was more of an influence on Zappa's satirical lyric's than anyone that I know of.

I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.

The signing of the Sex Pistols was a turning point for Virgin.

It put the company on the map and, over the years, attracted bands such as Genesis, the Rolling Stones, Lenny Kravitz, and Janet Jackson. It also attracted Culture Club, who were ground-breaking.

Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think.

I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.

My parents [father Lenny Kravitz and Bonet] did exactly what they wanted and didn't let anyone tell them not to. Now, as women, we need to continue to do that. Especially in the age of social media, when everyone has an opinion and it's so easy to be influenced.

Lenny Bruce genius was the unique ability to investigate hypocrisy and expose social inequities in a street rap that was really a form of poetry.

I'm trying to think if there was ever the Lenny Bruce-y, observational, George Carlin kind of magician: "You know what I hate is ..." I don't think that ever existed.

She let me in during her tour, in London.

Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].

You start out with Mad magazine, and you go right through the sort of black humor of Lenny Bruce, Lord Buckley, Mort Sahl, Paul Krassner... If you put Lenny together with Mad magazine and run it through the brain of a college student, you get National Lampoon.

[ Lenny Kravitz] is really handsome, and I know I should be objective and think about his music, but up close, he is a really good-looking guy. He was hugging me while I was trying to go to a video, and I completely... You turn into a giddy girl, and it was just horrifying, because he really smelled good, and just the whole package... It's just too much.

I feel like the only person who has a chance against Alejandro González Iñárritu is Lenny Abrahamson. [The Room] was very awkward, very odd, very uncomfortable as it should have been. And then it became very beautiful. It tugged all the emotional chords beautifully.

Lenny Abrahamson is really the only threat to [Alejandro González ] Iñárritu, simply because the entire act one of Room is amazing. I believe Brie Larson is absolutely deserving of her nomination [for Actress in a Leading Role]. I'm not sure if she's going to win, but I think this is a big moment for Brie Larson, I think her trajectory is going to go straight up.

I view my stories as sexual or personal.

Curiously, I don't. When I was writing those stories I thought of them as comedy pieces in the vein of performance monologue, such as you might get with Richard Pryor, or Lenny Bruce, or George Carlin. So I don't feel vulnerable because I know the line of demarcation between "Writer Kevin" and "Narrative Kevin."

I'd heard that Lenny Bruce used a lot of profanity and obscenities in his act, and I was curious.

I agree that comedy does a good job - and is often about - stepping over the line - Lenny Bruce, etc. - and that this is important for a lot of poets too. I guess I feel like there has to be depth.

When I was 16 or 17, I saw Lenny Bruce being taken to jail.

They took him off stage because he talked about race.

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