The problem is once you've written the opening paragraph and worked out how the rest of the story will go in your head, there's nothing in it for you. I write in longhand using disposable fountain pens on the right-hand side of the notebook for the first draft, then I rewrite some of the sentences and paragraphs on the left-hand side.— Colm Toibin
Most Powerful Longhand quotations
I write in longhand on yellow legal pads.
What happened to romance? Sappy, soppy longhand love letters.
I've been working on my autobiography, just pecking away in longhand.
The more you write, the more you remember. The more you remember, the more detail you recall. It's not all pleasant!
I'm not typing. I write only by longhand. I've always written first drafts by hand and then once I was into a second or third draft I wrote insert pages on a typewriter. But I got rid of all my typewriters about three or four novels ago and now I do everything by hand. I write by hand because it makes me go slow and going slow is what I like.
He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing.
I do not belong to this world. I continue to write everything in longhand. If I have to see something on the Internet, I ask my secretary or students. I am lucky, because I have people who do it for me.
The first draft of everything, I write longhand.
One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence. When you're handwriting, you really just have to move on.
I don't really sit at the computer from scratch.
I prefer to get my ideas in my fingers and I write longhand first.
I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That's so many pages longhand.
I am somebody who usually writes out the rough draft in longhand.
Then I type it into the computer, and that is where I do my editing. I find that if I write it on the computer, I go too quick. So I like getting that first draft out and then typing it in; you are less self-conscious about it.
I do first draft in longhand, which saves a lot of rewriting.
I try to get a certain amount done each day. Don't always, but I try. Then I clean up in the rewrites.
It all depends on what I'm working on and if there is a deadline involved.
Anything that's headed toward a magazine or newspaper is hacked out on the computer; that's a matter of efficiency. I write longer pieces of prose on a typewriter because the act of retyping it for the computer is a useful tactic for revision. Poems tend to be written longhand.
I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.
I don't have any particular rituals, I sometimes like to write in longhand when I'm searching for ideas but I do the vast majority by typing, I can't always keep up with my thoughts longhand. I'm not a coffee shop writer because I feel obliged to order more coffee and then I end up over-caffeinated.
I write my novels longhand. I love the feeling of writing; I love to see pen on paper. It feels more creative than typing, and it's a more visual process for me - I can picture the entire scene in my head and am merely writing what I see.
I usually begin a poem in longhand. I like to sit where I have a nice view, ideally, although I worked on haiku this weekend at an airport. I'm not one to romanticize inspiration. I try to get to the work.
I write fiction longhand. That's not so much about rejecting technology as being unable to write fiction on a computer for some reason. I don't think I would write it on a typewriter either. I write in a very blind gut instinctive way. It just doesn't feel right. There's a physical connection. And then in nonfiction that's not the case at all. I can't even imagine writing nonfiction by hand.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
I don't use a typewriter, I write longhand, with a pencil.
Essentially I'm a horizontal writer. I think better when I'm lying down.
I have dictated stories from an airport after writing the story out in longhand on the plane that I got from phone interviews and then was applauded by editors for 'working magic.
The only protection as a historian is to institute a process of research and writing that minimizes the possibility of error. And that I have tried to do, aided by modern technology, which enables me, having long since moved beyond longhand, to use a computer for both organizing and taking notes.
All novelists write in a different way, but I always write in longhand and then do two versions of typescript on a computer.
I write longhand and I type and I rewrite on the typed pages.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when I’m doing fiction.
Ideas come at any moment -- except when you demand them.
Most ideas come while I'm physically active, at the gym, with friends, gardening, so I always carry pen and paper. My first draft is always written in longhand. But once the first dozen chapters, more like short stories, are written, then momentum builds until I can't leave the project until it's done.
I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.
I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.