I don't think any studio - it was a long shot at the time - but I don't think any studio in a million years would make 'Thelma and Louise' right now. But there's so many other kinds of movies they won't make right now.— Callie Khouri
Most Powerful Louise quotations
There is no Garbo! There is no Dietrich! There is only Louise Brooks!
Well with girls I don't get no respect.
I had a blind date. I waited two hours on the corner. A girl walked by. I said Are you Louise? She said, Are you Rodney? I said, Yeah. She said, I'm not Louise.
Just Me, Just Me Sweet Marie, she loves just me (She also loves Maurice McGhee).
No she don't, she loves just me (She also loves Louise Dupree). No she don't, she loves just me (She also loves the willow tree). No she don't, she loves just me! (Poor, poor fool, why can't you see She can love others and still love thee.)
I am tired of the cult of youth. The cultural rejection of old age, the stigmatization of wrinkles, grey hair, of bodies furrowed by the years. I am fascinated by Diana Vreeland, Georgia O’Keeffe and Louise Bourgeois, women who have let time embrace them without ever cheating. Society today condemns this, me, I celebrate it.
I'm drawn to intergenerational tension, and it must have been strong in the 1920s: I wondered how Louise's [Brooks] generation of flappers appeared to the women who came of age at the beginning of the century - wearing corsets, long skirts, and high collars.
When people know I wrote 'Thelma and Louise,' they don't want to mess with me.
My favorite duo since Thelma and Louise. They got chops, heart, and soul stirring harmonies.
[Rosa Louise] Parks used to say, "Everybody looks at me because I sat down once in Montgomery, but the real hero is a woman named Septima Clark."She created the Citizenship Schools [where civil-rights activists taught basic literacy and political education classes].
I'm taking my rats. Those are my friends for the tour. Thelma and Louise. They're so cute.
Miss Jean Louise, stand up. Your father's passin'.
Something's like crossed over in me and I can't go back. I couldn't live.
The wedding ring on my left hand was bought by my grandfather, Samuel Miliband, in Brussels in 1920. I never knew him, as he died when I was one. But his ring was kept by my aunt until it was placed on my finger by my wife Louise 32 years later.
Anyway, madness and genius. They're the disturbed pals of the human condition. The Bonnie and Clyde, the Thelma and Louise, the baking soda and vinegar. Insanity just walks alongside the brilliant like some creepy, insistent shadow.
It's sad that women characters have lost so much ground in popular movies.
Didn't 'Thelma and Louise' prove that women want to see women doing things on film? Thelma and Louise were in a classic car; they were being chased by cops; they shot up a truck - and women loved it.
I would love to star in a remake of Thelma and Louise.
Yep, that's the one I'd be interested in redoing.
When I was probably in middle school I saw the mini series Angels in America for the first time and I think Mary Louise Parker's performance in that first of all sparked a deep obsession with Mary Louise Parker, but I also really love Amy Adams because she gets to do comedy and drama so consistently.
I'm obsessed with 'Thelma and Louise,' and therefore obsessed with Callie Khouri who wrote that movie.
Gypsy [Rose Lee], who was called Louise as a kid, gave her first performances here with her sister [June Hovac], playing for the local Masonic lodge halls. It was a tight-knit community, and the support and success the act enjoyed here enabled them to hit the road and make it in big-time vaudeville.
I always found Louise Brooks interesting.
She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.
Quite honestly, even as a woman dealer, I really wasn't interested in masculinity or femininity as such. What was important to me was the value of the work itself. If a woman had come along, somebody like Lee Bontecou or Louise Nevelson, and said, "I'm working on the land," I would have gone to see it.
Writers like Twain, Whitman, Dickinson, Melville, Louise Erdrich, Toni Morrison, Russell Banks, Carolyn Chute, Alice Walker, so many others that I read coming up as a writer, that helped form my ideas of what it means to be American - and an American writer. I'm always in conversation with them.
Louise Gluck, C.K. Williams, Thomas Lux. A lot of the poets that I like are the ones that influenced me as a writer.
Travel is best when it's as unplanned as possible so that you get that real sense of adventure. The film 'Thelma and Louise' really encapsulates that - their travels are unplanned and spontaneous and therefore full of excitement, escapism and optimism.
That's a funny thing, because it's 3 rivals who get a long great on the club that are friends [Neimar, Lionel Messi and Louise Alberto Suarez]. And it's something kinda impossible to imagine that it would happen. But it did and things have been working for us. Of course we mess with each other when someone goes to the national team, but we get a long great.
I was certainly seriously emotionally affected [ when Louise Hillary and Belinda Hillary died], but we were building the hospital at the time and I decided that the only thing to do was to carry on and complete the hospital - and it was a jolly good hospital too, I might say. So I really did it by working and working on the things that Louise and I had been working on.
I meet Susan [Saradon], and she was amazing.
We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.
When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."
There were these great women in Montgomery, [Rosa Louise] Parks was among them.
Jo Ann Robinson [who organized the bus boycott] was among them. It's always these ordinary women and men of grace who have been waiting and seething and planning to change things that are unjust that bring movement.
Basically [Louise] Brandeis was a Jeffersonian.
And you say the timing is great, and it is in a lot of senses, except not for [Tomas] Jefferson, because this is a Hamiltonian moment, and he's the rock star of the minute with a great musical.
When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".
Yes, Louise Brooks was beautiful and intelligent, and she could be very funny, but obviously there was a deep insecurity there, a real destructive rage and immaturity.
While I was writing the book, I went to see Louise Brooks's most famous film, Pandora's Box, at the Tivoli in Kansas City, and it was a lovely experience. You can watch old silent films on DVD or even on YouTube, but it was a different feeling watching her up on the big screen, seeing the film the way people saw it all those years ago.
I love you, Louise Downe McCord. You drive me absolutely crazy sometimes, and this is one of those times, but I love you.
Louise de Keroualle, being a Frenchwoman from the French court, was feared by most Englishmen for how she might influence their king, and that fear quickly turned to hatred.