Love Novels Quotes Page 2

In the West audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.

The rise of the dramas in the thirteenth century, and the rise of the great novels in a later period, together with their frank glorification of love and the joys of life, may be called the Third Renaissance.

A psychologically engrossing novel about the homes we make-in our houses, in our neighborhoods, and in the hearts of our loved ones. Laken takes on that great unspoken American subject-class-and does so with frankness, acuity and surpassing feeling. DREAM HOUSE is a memorable debut novel from a fully mature talent.

Jane Austen wrote six of the most beloved novels in the English language, we are informed at the end of Becoming Jane, and so she did. The key word is beloved. Her admirers do not analyze her books so much as they just plain love them to pieces.

My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.

I do see an interest in writing for Twitter.

While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.

Amaryllis in Blueberry is a rich, evocative story about an unusual family that will sweep readers away to another place and time. Amaryllis's voice is a spellbinding and unique blend of naivet and wisdom. A perfect melding of family saga, murder mystery and a meditation on faith, loyalty and love, this novel will both haunt and entertain you.

Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.

This was my one brush with love. Was it love? It felt awful enough. I spent another two years crawling around in the skin of it, smoking too much and growing too thin and having stray thoughts of jumping from my balcony like a tortured heroine in a Russian novel.

My guiltiest pleasure is reading a novel with a glass of wine.

I love to read voraciously. I always have. And I love to lose myself in a good book.

I think about some of the novels I love - The Stranger, Disgrace, Quicksand and Passing, Giovanni's Room, The Talented Mr. Ripley. I think I'm more intrigued by characters who don't do the right thing and where we are allowed to identify with their shame/dishonesty/envy... whatever.

Decline and Fall was a very depressing Evelyn Waugh novel, I think it was his first. I didn't get it at all, and then I got to love Waugh. And I think that maybe "Cosmopolitans" has a bit of an Evelyn Waugh vibe to it at some point.

A novel according to my taste, does not come into the moderately good class unless it contains some person whom one can thoroughly love - and if a pretty woman, all the better.

Thomas Hardy's Tess of the d'Urbervilles is a novel that I have read over and over and over again. Tess is a pure child who has an inner glow none of the others in the book possess. They reject her because she is different, and they try in every possible manner to destroy her, because they are jealous. It is an extraordinary love story.

I did not set out to write another novel.

One day I sat down with the thought of trying my hand at a piece of nonfiction, a personal memoir of youth, but over the next several weeks, without intending it, the work began evolving into what has become 'Tomcat in Love.

As a journalist, I would talk to writers, directors, creative people, and discover that for an awful lot of them, the moment they became successful, that was all they were allowed to do. So you end up talking to the bestselling science-fiction author who wrote a historical-fiction novel that everybody loved, but no one would publish.

R.G. Belsky's thought-provoking thriller, The Kennedy Connection, introduces us to a smart, witty, and human hero whose quest to find answers about two crimes - one famous, one all but unnoticed - is loaded with tension and full of unexpected twists and turns. I loved The Kennedy Connection, and can't wait for the next Gil Malloy novel.

I read what I like to write: romantic suspense.

I also love thrillers and novels of suspense, but I can't handle extreme violence and torture.

I have for the first time found what I can truly love- I have found you.

You are my sympathy-my better self-my good angel-I am bound to you with a strong attachment.

One of the less vaunted joys of Austen is that she is one of the greatest writers in the English language who also happened to write witty romance novels. Women enjoy the love stories in Austen the same way men read Hemingway for the hunting and fishing: it provides guiltless pleasure.

My heart was fashioned to be susceptible of love and sympathy, and when wrenched by misery to vice and hatred, it did not endure the violence of the change without torture such as you cannot even imagine.

People live for love. They kill for love. They die for love. They have songs, poems, novels, sculptures, paintings, myths, legends. It's one of the most powerful brain systems on Earth for both great joy and great sorrow.

I could read at a very early age and I loved stories, losing myself in stories, novels.

I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.

William Goldman's Marathon Man was a novel that taught me about suspense.

I was maybe 16 years old when I read it and I remember thinking, "You could put a gun to my head and I wouldn't put this book down." I loved that feeling - and want to give it others.

I was never a cool person; in fact, cool people have always made fun of me. That’s why I loved [the Robert Cormier YA novel] The Chocolate War - because the cool kids (not the establishment) were the villains. I totally identified with that.

Jonathan Coe's genial, likeable novel can only be described as a kind of lit-prog-rock concept album... Coe recreates the period with such loving accuracy that I frankly suspect him of having planted a secret microphone in the tin Oxford Mathematical Instruments box I carried around in my school days... As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read.

It's very bad to write a novel by act of will.

I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.

FOAM OF THE DAZE is a novel like no other, a sexy, innocent, smart and sweet cartoon of a world which then begins, little by little, to bleed real blood until, in the end, the blood turns out to be our own. I read it nearly thirty years ago in its previous incarnation as Mood Indigo and I loved it then; it's still one of my favorite books in the whole world

At last, after almost fifty years in the hopper, the most famous unpublished novel in America is in print. Who Shot the Water Buffalo? is a splendid story of comradeship in a time and place of constant peril, but it's Babbs's irrepressible exuberance and vast, affectionate good humor that make the story go. I love this novel.

There are a lot of snobs out there who disregard these books (romance novels), but they fulfil a need. I am happy and fulfilled in what I am doing and readers love them. And why not? They are harmless and they are fun.

Just when you thought the mafia novel was dead, Tod Goldberg breathes new life into it. Gangsterland, the best mafia novel in years, is a dark, funny, and smart page-turning crime story. It's also a moving, thoughtful meditation on ethics, religion, family, and a culture that eats itself. I loved this book.

John Green has written a powerful novel—one that plunges headlong into the labyrinth of life, love, and the mysteries of being human. This is a book that will touch your life, so don’t read it sitting down. Stand up, and take a step into the Great Perhaps.

I love a novel that’s funny, and The Taxman Cometh is very funny, delightfully well-written, yet with a serious message about how government bureaucracy affects us all. Read. Enjoy. And if a comparison to Catch 22 pops into your mind, that’s not surprising.

How we glow over these novels of passion, when the story is told with any spark of truth and nature! And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before and never shall meet them again. But we see them exchange a glance or betray a deep emotion, and we are no longer strangers. We understand them and take the warmest interest in the development of the romance. All mankind love a lover.