I haven't deliberately set out to play the blonde bombshell in my movies. In fact, it's probably been quite the opposite. After the success of The Mask, I wasn't offered all that many blonde bombshell parts, to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.— Cameron Diaz
Vibrant Movie Sets quotations
Do not set aside your happiness. Do not wait to be happy in the future. The best time to be happy is always now.
Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.
Life's like a movie, write your own ending.
Keep believing, keep pretending. We've done just what we set out to do. Thanks to the lovers, the dreamers and you.
Givers have to set limits because takers rarely do.
Being on a movie set is like one long financial crisis.
My mom and dad - they were always there.
They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.
I have a way of filming things and staging them and designing sets.
There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.
Fear can hold you prisoner. Hope can set you free.
What I'm doing is creating a game. I'm not making a movie. To make the game more enjoyable and captivating, and to make the player feel like he's present in that setting, we need the cinematic element.
The goals are not about the sweet smell of success as much as it's about enjoying a damn day on the movie set... I live in a complete state of grace.
When you direct is the only time you get to have the world exactly how you want it. My movies are very close to what I set out to do. And I'm super-opinionated about what I do and don't like.
Setting goals is the first step in turning the invisible into the visible.
One of the great things about being a director as a life choice is that it can never be mastered. Every story is its own kind of expedition, with its own set of challenges.
I'm having my platform run up by a movie set designer, so it will be very impressive from the front, but not too premanent. After all, there's no sense putting a lot of time and thought into something you'll have no use for after you're elected.
When I was in school, I dreamed about becoming a psychiatrist or a ballerina.
Like most girls I would dream about being a movie star too. But those dreams are the impossible kind, the kind you don't really set your heart on.
Set a goal so big that you can't achieve it until you grow into the person who can.
The only place where you can be a dictator and still be loved is on the movie set
Directing is like guitar playing. That's a unique mind-set and talent, unto itself. I like the idea of putting everything together to make a great movie.
Duets is about six people, so it's like three different movies - three different duets. I was on the set 18 days, spread out over three and a half or four weeks.
If you set out to be liked, you will accomplish nothing.
You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.
Movies are hard to make, and you have to work toward a common ethic and do your best. You don't want to work with people who don't care or who are acting out some neurotic, crazy thesis on the set.
I don't know who you are. I don't know what you want. If you are looking for ransom, I can tell you I don't have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you.
Be fearless in the pursuit of what sets your soul on fire.
I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
It's very liberating to be naked in front of a hundred people, but there's nothing sexual about lovemaking on a movie set.
I need a lot of alone time as a human.
And especially on a movie set when you're around people all day long. So it's actually kind of nice to go home to a hotel and be alone and unwind.
The only limitations one has are the ones they place on themselves.
You'll hunt me. You'll condemn me. Set the dogs on me. Because that's what needs to happen. Because sometimes truth isn't good enough. Sometimes people deserve more. Sometimes people deserve to have their faith rewarded.
There's something about taking a classic movie that people love and doing another version of that, you're setting yourself up for a mistake.
When you act obnoxious towards people, like on a movie set, they say "we're ready for you" and I say "oh, go to hell, my feet hurt and my head aches." You want to have a margarita for lunch, and people like these little ADs and production assistants are like, "well, he's drinking again."
You are never too old to set another goal, or to dream a new dream.
When you don't have much money, you get creative.
There's so much money that gets wasted on big movie sets. But when you don't have much money, you improvise.
It's always been my formula to get the next picture set up before anyone's seen the last one.
Christie Brinkley told me that I needed to become a movie star because I have that something, and then we actually just became friends on set. She has such a young spirit, and is so vivacious. It was such a fun, fun shoot.
Sometimes what you're most afraid of doing is the very thing that will set you free.
A movie set is like a petri dish for neuroses, you know? It's just, like, egos and weird personalities and, more than anything, fear.
The average movie set is the least political arena on Earth.
Nobody bothers talking about politics because, one, we all love the job so much. You don't talk about current events. You talk about old show business stories and whether or not there's gonna be French onion dip at the craft services table that day.
You only get one shot in your life and you might as well push yourself and try things. There's so many interesting aspects of making a movie; the costume department, the set design, the casting itself, the locations. It's a great, great thing to be involved in if you have the headspace for it, and I do. Try anything once.
The last of the human freedoms - to choose ones attitude in any given set of circumstances.
I've never set out to write a funny movie or be a funny comedian as a woman.
I am a woman. I don't really have a choice in the matter. My goal is just to be funny.
When you make a movie, everyone should leave their own personal problems at home. When they start bringing those to set, filming can be very difficult... You don't need any extra drama. Put the drama into the story, in the characters.
Eccentric behavior is not routinely noticed around a movie set.
The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.
A star on a movie set is like a time bomb.
That bomb has got to be defused so people can approach it without fear.