quote by Hugh Newell Jacobsen

Picasso said that no one has to explain a daffodil. Good design is understandable to virtually everybody. You never have to ask why.

— Hugh Newell Jacobsen

Genuine Picasso quotations

A German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist «chaos» of the painting, asked Picasso: «Did you do this?» Picasso calmly replied: «No, you did this!»

My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.

I was going to have cosmetic surgery until I noticed that the doctor's office was full of portraits by Picasso.

Symmetry is pleasing but not as sexy. Einstein is cool but Picasso knows what I'm talking about.

Most people don't do something seminal.

I've done it twice: with my tent and my bed. Picasso did it with Cubism.

You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.

When I think of competition it's like I try to create against the past.

I think about Michelangelo and Picasso, you know, the pyramids.

Every so often, a painter has to destroy painting.

Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again.

When I was a child, my mother said to me, 'If you become a soldier, you'll be a general. if you become a monk you'll end up as the pope.' Instead I became a painter and wound up as Picasso.

My goal, if I was going to do art, fine art, would have been to become Picasso or greater.

I didn't understand art, until one day Tom Brady took me to the museum, and we looked at the Picasso, and he said, 'Rob, that's a touchdown.' We looked at the Rembrandt and Tom said, 'Rob, that's another touchdown.' We looked at the Vermeer and Tom said, 'Rob, that's another touchdown.' And I said, 'No, Tom, that's just a field goal.'

You will be remembered, in the long haul, for the quality of your work, not the quantity of your work. No one evaluates Picasso based on the number of paintings he churned out.

Where Picasso paints cause, Repin paints effect.

Repin predigests art for the spectator and provides a short cut to the pleasure of art that is necessarily difficult in genuine art. Repin, or kitsch, is synthetic art.

Picasso had his pink period and his blue period. I am in my blonde period right now.

Everything will be all right - you know when? When people, just people, stop thinking of the United Nations as a weird Picasso abstraction and see it as a drawing they made themselves.

A high-brow is someone who looks at a sausage and thinks of Picasso.

If we had never met Picasso, would Cubism have been what it is? I think not.

The meeting with Picasso was a circumstance in our lives.

The greatest artists like Dylan, Picasso and Newton risked failure.

And if we want to be great, we've got to risk it, too.

My goal, if I was going to do art, fine art, would have been to become Picasso or greater. That always sounds so funny to people, comparing yourself to someone in the past that has done so much, and in your life you’re not even allowed to think that you can do as much. That’s a mentality that suppresses humanity.

That freedom that Picasso afforded himself, to be an artist in a huge number of ways, seems to be a huge psychological liberation.

I tried to find a language for the film - not just telling stories.

I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.

The Europeans who went to Africa came back with “modern' art. What is more African than a Picasso?

You don't impress the officials at NASA with a paper airplane.

You don't boast about your crayon sketches in the presence of Picasso. You don't claim equality with Einstein because you can write 'H20.' And you don't boast about your goodness in the presence of the Perfect.

A genial and cultured Arab, Ameen Rihani, whose English is perfect and whose eloquence is astounding. He will discuss with equal eagerness and knowledge the merits of Picasso or Van Gogh, or the Zionist question, or the British achievements in Arabia.

I am not an intellectual. An intellectual is someone who looks at a sausage and thinks of Picasso, whereas I just say 'pass the mustard'.

Picasso only registers the deformities which have not yet penetrated our consciousness. Art is a mirror which goes 'fast' like a watch - sometimes.

The unseen energy that was once in Shakespeare or Picasso or Galileo or any human form, is also available to all of us. That is because the spirit energy does not die, it simply changes form.

My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.

I think being an artist is having the courage to be original.

Many great artists, including Picasso, have all been influenced by the great master paintings... And then finally, they leap, they take off... they become themselves. Then it looks like they just came out of nowhere. Just like 'Pow!'

If Picasso drips, I drip... For a long while I was with Cezanne, and now I am with Picasso.

Picasso spent hundereds of hours carefully planning his masterpieces.

The sketchbooks were filled with ideas, bits and pieces, test runs, none of it meant to be seen by anyone. In a similar way, rowing practices are our sketchbooks, where we prepared our raceday masterpiece.

I met Picasso when I was a kid. I turned one of his drawings down which would be worth £37 million now. My dad wouldn't talk to me for a fortnight.

Hollywood is like Picasso's bathroom.

In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.

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