quote by Frederic Morton

Though they control scores of industrial, commercial, mining and tourist corporations, not one bears the name Rothschild. Being private partnerships, the family houses never need to, and never do, publish a single public balance sheet, or any other report of their financial condition.

— Frederic Morton

Sentimental Publishing Industry quotations

Publishing industry quote There is no such thing as public opinion. There is only published opinion.

There is no such thing as public opinion. There is only published opinion.

If it weren't for received ideas, the publishing industry wouldn't have any ideas at all.

A new regulation for the publishing industry: "The advance for a book must be larger than the check for the lunch at which it was discussed.

Hatori: "SHIGURE... I WILL TELL EVERYONE IN THE PUBLISHING INDUSTRY EVERYTHING I KNOW ABOUT YOU, STARTING FROM WHEN YOU WERE FOUR YEARS OLD..." Shigure: "Sorry, Tohru-kun. My lips are sealed!

'Harry Potter' opened so many doors for young adult literature.

It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.

I saw that publishing all over the world was deeply constrained by self-censorship, economics and political censorship, while the military-industrial complex was growing at a tremendous rate, and the amount of information that it was collecting about all of us vastly exceeded the public imagination.

New York is the Hollywood of the publishing industry, complete with stars, starlets, suicidal publishers/producers, intrigues, and a lot of money.

But the thought leaders on talk radio and Fox do more than shape opinion.

Backed by their own wing of the book-publishing industry and supported by think tanks that increasingly function as public-relations agencies, conservatives have built a whole alternative knowledge system, with its own facts, its own history, its own laws of economics.

Not only are unpaid internships exploitative, they're one of the main forces keeping publishing in this country a primary white middle-class industry, which has a direct knock-on effect on what gets published and how.

By preventing a free market in education, a handful of social engineers - backed by the industries that profit from compulsory schooling: teacher colleges, textbook publishers, materials suppliers, et al. - have ensured that most of our children will not have an education, even though they may be thoroughly schooled.

And to improve access to the UK publishing industry - I'm hoping to set up an internship or work experience for someone from a low-income background, as soon as we have the funds. While we don't have the funds, we won't have an intern.

All of us are engaged in a seismic, fundamental realignment of culture and communications, a realignment that is shaking and decimating the newspaper industry, the magazine industry, the book and publishing industry and more.

Being in the entertainment industry in L.

A. is the equivalent to being in the publishing industry in New York. You don't ever have to hangout with anybody else.

If I had followed my own rules - if I had eaten my own dog food - I would have created a digital book that is searchable and linkable, that can be corrected and updated and discussed and passed around. But I took my publisher's advance money. Hey, dog's gotta eat. The book publishing industry still works - for now - because it adds value with editing, promotion, sales, and cash.

Publishing magazines costs a lot of money and people don't read magazines anymore, they're all captivated by Instagram. I have to reinvent myself every season to keep the interest of the reader. Twenty-five years later, my mission is the same: Captivating the readers, not flattering the industry.

I've felt pressure to produce long fiction for as long as I've been writing fiction. There's just an incredible bias in the publishing industry toward novels and away from short stories. They're seen as D.O.A. in the marketplace, which seems nuts to me, given that various collections done smashingly and deservedly well in economic terms.

Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.

I sometimes talk to people who think I got published because I was an editor, or because I was an agent, and I have to disabuse them of that notion. It wasn't because of my emplacement within the industry. Actually the writing came first, and the publishing came first as well.

Corporations that are turning over these huge profits can own everything: the media, the universities, the mines, the weapons industry, insurance hospitals, drug companies, non-governmental organisations. They can buy judges, journalists, politicians, publishing houses, television stations, bookshops and even activists. This kind of monopoly, this cross-ownership of businesses, has to stop.

In my long, long years toiling around the publishing industry, I've found that women simply don't stick to the writing with the same fervor that men do.

This is my job, my livelihood: the health and the well-being of the publishing industry. We're all responsible for this.

My belief that the publishing industry is run by prigs and cowards dates back to many years before I even had the idea for the book.

I think that scripts should be published, but they are published, really, because when you're a screenwriter, your stuff ends up in samizdat form on thousands and thousands of desks and shelves across the industry.

The publishing industry is stuck somewhere in the Jurassic era.

I feel like it's a good time to be a writer.

I'm terminally optimistic. It seems like the publishing industry is in the middle of a big transition, and that the rules of the game are still sorting themselves out.

I think the online space can be a free space, in that we are not reliant online on the publishing industry or readers who just don't get it.

I think having power ingrains people with a conservatism.

There's a tendency to hedge one's bets. (Which explains a lot, actually, about why the movie business is the way it is, and why the publishing industry is too.)

I think the publishing industry is dismayingly like the movie business.

It grows more corporate by the day.

People will always tell stories. The publishing industry might vanish, but not stories.

... people in the newspaper industry saw the web as a newspaper. People in TV saw the web as TV, and people in book publishing saw it as a weird kind of potential book. But the web is not just some kind of magic all-absorbing meta-medium. It's its own thing.

It really gets me when the critics say I haven't done enough for the economy.

I mean, look what I've done for the book publishing industry. You've heard some of the titles. 'Big Lies,' 'The Lies of George W. Bush,' 'The Lies and the Lying Liars Who Tell Them.' I'd like to tell you I've read each of these books, but that'd be a lie.

When I went into the publishing industry, many women talked about the difficulty they had in persuading their families to let them go to college. They educated the boys, and the girls had to struggle.

This is what happens when the discourse of publishing, defined and driven by spoken and written language, is talked about in exactly the same vocabulary and syntax as any widgetmaking industry. Books are reformulated as 'product' - like screwdrivers or flea-bombs or soap - and the majority of writers are perceived as typists with bad attitudes.

I make a good living selling hardback books through paper publishers and I have many friends in the industry who will suffer as it changes, so on a personal level the transition to digital isn't something I welcome wholeheartedly.

I think publishing's strength is also its weakness.

It's got such a rich and celebrated history as an industry. For the most part, publishing people are incredibly creative, business is done based on the strength of relationships, and the product being peddled is books.

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