Quotations list about repertory, ballet and choral captions for Instagram citing Gore Vidal, Lewis Thomas and Minnie Maddern Fiske ensemble sayings.
What are the best repertory quotes?
We've gathered this hand-picked list of quotes to show you what is repertory!
Whether a inspirational quote from your favorite celebrity Gore Vidal, Lewis Thomas or an motivational message about giving it your best from a successful business person, we can all benefit from a famous repertory quote.
Each writer is born with a repertory company in his head. Shakespeare has perhaps twenty players, and Tennessee Williams has about five, and Samuel Beckett one - and maybe a clone of that one. I have ten or so, and that's a lot. As you get older, you become more skillful at casting them. — Gore Vidal
The act of smelling something, anything, is remarkably like the act of thinking. Immediately at the moment of perception, you can feel the mind going to work, sending the odor around from place to place, setting off complex repertories through the brain, polling one center after another for signs of re recognition, for old memories and old connection. — Lewis Thomas
This...is an age of specialization, and in such an age the repertory theater is an anachronism, a ludicrous anachronism. — Minnie Maddern Fiske
This is an age of specialization, and in such an age the repertory theater is an anachronism, a ludicrous anachronism. — Minnie Maddern Fiske
Those 25 dancers we worked with for a day, in as highly productive a way as possible - a long class, a period of teaching bits of the repertory - in fact I didn't teach Bank, I've used parts of Oil and Water. — Siobhan Davies
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people. — Rene Auberjonois
I applied to American Repertory School up at Harvard at got in. — Ajay Naidu
Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew. — Ewan McGregor
But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.
I like variety, which is frustrating.
But I've always been picky. I was afraid Pirates would be too much like Twentieth Century, broad comedy. But my agent talked me into it. I was spoiled by the range of a repertory theater.
I grew up in a theater family. My father was a regional theater classical repertory producer. He created Shakespeare festivals. He produced all of Shakespeare's plays, mostly in Shakespeare festivals in Ohio. One of them, the Great Lakes Theater Festival in Cleveland, is still going. So I grew up not wanting to be an actor, not wanting to go into the family business.
I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.
You go through your career and you find people and cast who you love and you go through and keep them and you never want to let them go because you have a great repertory with them.
I was a repertory actor, which meant that I did a play every week.
I was a different character every week; for a year, I was doing 40 or 50 characters.
...consumers do not buy one brand of soap, or coffee, or detergent. They have a repertory of four or five brands, and move from one to another. They almost never buy a brand which has not been admitted to their repertory during its first year on the market.
I grew up in repertory theaters, so it was comedy one night, drama the next.
I'm used to going from one to the other. And I worked for years in television as well. So, I like the interrelationship of it and having a good relationship with a group of artists creating something really where the sum is greater than all of our individual contributions, our parts.
Well oddly enough, I liken the years at MGM, and I was there for about eight years, to doing stock, what we used to call repertory or stock, playing a whole bunch of different roles.
I always keep my repertorial hat on.
Beware 'good' main characters who have a limited repertory of culturally acceptable feelings, while your evil bastards have a full range of vivid, passionate feelings.
Having that college-town atmosphere with a live repertory company available was a real gift. I found myself gravitating toward the theater from about the age of nine. I guess it was the environment that got me started.