I once heard a wise man say there are no perfect men. Only perfect intentions.— Morgan Freeman
Professional Robin Hood quotations
When I played Robin Hood, I knew the great role was Alan Rickman's and it didn't bother me. I always think that leading actors should be called the best supporting actors.
The Border Ballads, for instance, and the Robin Hood Ballads, clearly suppose a state of society which is nothing but a very circumscribed and not very important heroic age.
I loved Laurel and Hardy and TV shows like 'Robin Hood' and 'Rama of the Jungle'.
People look up to Jacques Mesrine as if he were a Robin Hood, stealing from the rich, but he never gave anything back to anybody.
It doth make a man better,' quoth Robin Hood, 'to bear of those noble men so long ago. When one doth list to such tales, his soul doth say, 'put by thy poor little likings and seek to do likewise.' Truly, one may not do as nobly one's self, but in the striving one is better.
A famous man is Robin Hood, The English ballad-singer's joy.
Everyone sniggered because I was going to do a sandal and toga movie.
But I knew exactly how to do it and I know how to make Robin Hood.
I was a gangster when I was young. I had a Robin Hood mentality and tended to always want to support the weak against the strong, but sometimes it was cohesive and I really needed to fall in love with the power of education to find the right venue to express my rage. I still have a righteous indignation at injustice, no matter what form it takes.
If you outlaw half a million people you make martyrs of them.
For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
Maid Marion, who said to Robin Hood, I will not live in a house with a Little John. Never got a dinner!
I remember my first scene with Alan Rickman, and I was anxious because he is a slight 'method' actor; as soon as he is in his cloak, he walks and talks like Snape - it is quite terrifying. But I really wanted to talk to him because 'Robin Hood' was one of my favourite films.
There is no more compassionate and effective way to help poor people in New York City than to give to Robin Hood.
That's it then. Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas.
I'm no robin hood, I enjoy making the money.
I'm certainly not a Robin Hood, I'm not that way.
I don't want to come through, burn everybody for $200 a ticket and then they can't afford to come see me again. Plus, I just don't think it's right. I don't think we need that much money. I just do what seems like the logical thing to do.
My agent asked if I fancied Robin Hood and I thought: 'Yeah, why not?' I hadn't watched it, to be honest, but I'd seen bits and knew it was really popular Saturday family viewing with heaps of action. I thought it would be great fun. I was up for a good old play-fighting and the scripts were terrifically exciting.
Bonnie and Clyde, while one of the best movies ever made, was far more interested in portraying Clyde Barrow and Bonnie Parker as romantic anti-establishment Robin Hoods than what they really were: white-trash spree killers.
Underneath this little stone Lies Robert Earl of Huntington;
No other archer was so good - And people called him Robin Hood. Such outlaws as he and his men Will England never see again.
The idea of a stag hunt evokes chivalry - knights in jerkins and hose, ladies on sidesaddles with wimples and billowing dresses, a white stag symbolizing something-or-other, and Robin Hood getting in the way. An actual stag hunt is more like a horseback meeting of a county planning commission.
I always wanted to be Robin Hood or John the Baptist when I was growing up.
If you open the door and realize things like the fact that Batman is occupying the same narrative space that Robin Hood used to fill 400 years ago, then you have the freedom to ignore the pointless "what is literature" discussion and just talk about stories.
I have tons of rescuing fantasies based on the movies I saw when I was growing up. I wanted to be Robin Hood and the Three Musketeers and the Scarlet Pimpernel.
I did quite a lot of fencing when I was a kid, I was a swimmer, and I played a lot of basketball. I was a fencer for Great Britain, but I only did that because I watched Robin Hood, Star Wars, Highlander and The Three Musketeers, and I wanted to emulate Richard Harris and the great British actors that I grew up watching.
I used to write my own versions of famous tales, such as William Tell or Robin Hood, and illustrate them myself, too. When I entered my teens, I got more into horror and science fiction and wrote a lot of short stories. A literary education complicated things and for many years I wrote nothing but poetry. Then I got back to story-telling.
I was mischievous. I wasn't bad. I stole food so we could eat. My mother didn't know. I used to tell her some man gave me $10 to sweep out the yard. I was like Robin Hood. I took from the rich and gave to the poor. Me.
This is Robin Hood in reverse. These tax cap proposals favor those with the most expensive properties. We are spreading the taxes to those with some of the least expensive property.
The image of the bank robber I had in mind was more in the European tradition where you'd rob banks and give to the poor, like Robin Hood. It was that mythology. But very early on, my whole preoccupation was with art-studying it, examining every piece of work.
Interestingly, this character [Doctor Nash] is probably closer to me than somebody like the evil Sir Godfrey in Robin Hood or Lord Blackwood who wants to take over the world in Sherlock Holmes. This is a character that's English, he's based in London, and so it's closer to me than a lot of stuff I've been doing recently.
I would say [Fed policy] has been in some sense Reverse Robin Hood.
When I was five, a tree was my best friend.
An old peppercorn on Grandpa's little farm. I'd haul myself into its calloused arms and hide from the world in its foliage. Apart from the pleasure of looking down on unsuspecting adults, I could be Robin Hood in a one-tree Sherwood Forest or Johnny Weissmuller in his jungle. I fell out of my friend once while Tarzan-ing. Gashed a large chunk from a leg. Almost 70 years later, there's still a scar.
I would rather portray the hero, if it's a really great film.
All my favorite fictional film characters are heroes, such as in "The Last of the Mohicans" and "Robin Hood."
It is now many years that men have resorted to the forest for fuel and the materials of the arts: the New Englander and the New Hollander, the Parisian and the Celt, the farmer and Robin Hood, Goody Blake and Harry Gill; in most parts of the world, the prince and the peasant, the scholar and the savage, equally require still a few sticks from the forest to warm them and cook their food. Neither could I do without them.
Jesse [James] was known as a kind of Robin Hood character and also it was known that his exploits were somewhat dubious - however, he perpetuated this myth. Our film [The Assassination of Jesse James] really takes place at the end of all that, the last year of his life, at the end of all that celebrity.
Robin Hood is often seen as the hands-on-hips, archetypal, tally-ho hero.
But, realistically, the one calling the shots wouldn't be at the front shouting about it. He'd be the one you don't expect.