You must allow me to tell you how ardently I admire and love you. -Mr. Darcy— Jane Austen
Sentimental Romance Novel quotations
Writing a poem is like having an affair, a one-night stand;
a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
Romance novels are birthday cake and life is often peanut butter and jelly.
I think everyone should have lots of delicious romance novels lying around for those times when the peanut butter of life gets stuck to the roof of your mouth.
Love is a temporary madness. It erupts like an earthquake and then subsides.
Life isn't a romance novel. The truth is, the reason romance novels sell so well ---- the reason why everyone loves them ---- is because no one's life is actually like that. Everyone WANTS their life to be like that.
I loved him, but love isn't enough. All the fairy tales, the romance novels, the soap operas; they're all lies. Love does not conquer all.
Romance and novel paint beauty in colors more charming than nature, and describe a happiness that humans never taste. How deceptive and destructive are those pictures of consummate bliss!
As for the military or service professionals, I have nothing but respect for them, but come on, when it comes to romance novels, we all know it's really about the uniforms and how the guys look in them!
To a man who is uncorrupt and properly constituted, woman always remains something of a mystery and a romance. He never interprets her quite literally. She, on her part, is always striving to remain a poem, and is never weary of bringing out new editions of herself in novel bindings.
Writers of novels and romance in general bring a double loss to their readers;
robbing them of their time and money; representing men, manners, and things, that never have been, or are likely to be.
I'm a feminist, but I think that romance has been taken away a bit for my generation. I think what people connect with in novels is this idea of an overpowering, encompassing love - and it being more important and special than anything and everything else.
In the West audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.
When I was growing up, I always read horror books, while my sister read romance novels.
There is an energy, a romance in writing the first novel that can never be duplicated again. I was entirely absorbed in that world as I wrote the book [The Kite Runner] and to see the final page of that manuscript whir out of the printer was a very special feeling indeed.
My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.
When a writer calls his work a Romance, it need hardly be observed that he wishes to claim a certain latitude, both as to its fashion and material, which he would not have felt himself entitled to assume had he professed to be writing a Novel.
I still read romance, and I read suspense.
I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
I like to believe my suspense novels marry the strong characters from my romance writing past, with the twisty, clever plots of my mystery writing present.
All my life I have been reading romance novels.
Those stupid books ruined me. I've always wanted that fire that every book I ever read talks about.
I have for the first time found what I can truly love- I have found you.
You are my sympathy-my better self-my good angel-I am bound to you with a strong attachment.
One of the less vaunted joys of Austen is that she is one of the greatest writers in the English language who also happened to write witty romance novels. Women enjoy the love stories in Austen the same way men read Hemingway for the hunting and fishing: it provides guiltless pleasure.
A romance novel should leave readers joyous. My books all have happy endings.
There are a lot of snobs out there who disregard these books (romance novels), but they fulfil a need. I am happy and fulfilled in what I am doing and readers love them. And why not? They are harmless and they are fun.
How we glow over these novels of passion, when the story is told with any spark of truth and nature! And what fastens attention, in the intercourse of life, like any passage betraying affection between two parties? Perhaps we never saw them before and never shall meet them again. But we see them exchange a glance or betray a deep emotion, and we are no longer strangers. We understand them and take the warmest interest in the development of the romance. All mankind love a lover.
I don't write romance novels.
I would be rejected if I submitted any of my novels as romance novels.
It seems to me that the basic plot of all historical novels is a romance swept aside by history.
I think it's just a matter of time before everybody realizes that I'm kind of a romance novelist ... that these are all stories about people kind of falling back in love or struggling with relationships. Even Fight Club was just a big romantic ending.
In Italian, the word for novel is romanzo, "the romance.
" The English is "novel" - something new. Both of those elements, experimentation and love, are fundamental to the form.
We think of the romance novel as a lesser form of literature, but I don't think that's true. Love is a very important aspect of human life and worth exploring.
My first book was a historical novel.
I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
Only in romance novels or in thrillers people live outside of a social and political context.
You know how some people will say to writers, "Why don't you just write a romance novel that sells a bunch of copies and then you'll have the money to do the kind of writing you want to do"? I always say that I don't have the skills or knowledge to do that. It would be just as hard for me to do that kind of writing as it would be to learn how to do any number of productive careers that I can't manage to make myself do.
When I have my students do erasures, I'm always amazed by the way their voice comes through, whether they're doing an erasure of a romance novel or an encyclopedia. Your sensibility will out.
If everybody lived as I do, surely the writing of romance novels would never have come into being.