quote by Rob Zombie

Growing up, I had the weird fantasy list: I wanted to be Alice Cooper, Steven Spielberg, and Stan Lee. You have to have almost psychotic drive, because you're going to have years of failure.

— Rob Zombie

Remarkable Spielberg quotations

I would say Steven Spielberg is family to me.

He's a genius. We survived a hurricane together. I ran from half-puppet,half-nothing creatures. It was months of our life as family. It was the wildest film, Jurassic Park, I'd ever worked on that way.

Steven Spielberg's mother, who said to E.

T., I don't care where you're from, you're here and you're gonna get bar mitzvahed! Never got a dinner!

I'm crazy about Steven Spielberg. Another inspiration for me, and I don't know where it came from, is children. If I'm down, I'll take a book with children's pictures and look at it and it will just lift me up. Being around children is magic.

Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.

Scorsese, Spielberg, Tarantino, Peter Jackson - all of you: I'm here, I'm ready.

I can do funny faces, I can sing, I can dance. Hire me!

I'm not surprised that Spielberg was able to capture the heroism of Schindler;

so many of his movies are about the better part of mankind.

I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I'm not laughing anymore, at least about mammoths. This is going to happen. It's just a matter of working out the details.

I'd love to go to school and have a normal life, but I don't see any professor at Yale being able to teach me more than Steven Spielberg.

It's just such an honor to say that I was in something by Steven Spielberg.

I feel so blessed I got to meet such great people, and I got to go to a beautiful place, Vancouver, and I had a great time.

Second, this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films.

[Spielberg] surrounds himself with great crew members who are at the top of their game and know their stuff. He motivates us by liking what we do, and he doesn't get paralyzed by the process or by new ideas. He embraces them and uses them.

Steven Spielberg makes Minority Report with the newest digital technology;

other directors seem to be trying to make their movies from it.

I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.

I loved being in Close Encounters, just to watch Steven Spielberg working was exciting.

I hate tooting my own horn, but after Steven Spielberg saw Yentl, he said: "I wish I could tell you how to fix your picture, but I can't. It's the best film I've seen since Citizen Kane".

Regardless of the business aspect of things, is there a reason that there isn't a female Hitchcock or a female Scorsese or a female Spielberg? I don't know. I think it's a medium that really is built for the male gaze and for a male sensibility.

But I'm more interested in why people are frightened by Jaws and why Jaws was such a hit than saying Spielberg's my main influence.

I think Spielberg is a master. I think 'Jaws' invented a genre.

I can't impress people with the pedigree of obscure French filmmakers that got me into film. It was Robert Zemeckis and Steven Spielberg. I really thought I wanted to make dumb action movies.

I worked with Steven Spielberg on 'AI,' and his level of preparation was extraordinary. He told me there was a time at the beginning when he was a bit more spontaneous and went over budget, and it absolutely wrecked his head. When you look at the power and assuredness of his movies, it makes sense that he works out so much in advance.

The ocean, because of its vastness, can hide secrets for a very long time.

So, Steven Spielberg, eat your heart out.

Spielberg gave us three takes before saying anything to us.

Since then, I do that, three takes, to let the actors find their rhythm.

By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.

I've worked with Steven Spielberg three times.

I'm proud to say that I'm one of those actors that continues to get hired by the same directors.

I like Soderbergh, Spielberg, Lucas. There's a lot of talented guys out there obviously, and if you're a fan of films, you have to look at that stuff and learn from them.

That said, I should also add that I learned a great deal from being allowed in these privileged circles and am grateful for the opportunity to have worked closely with some of the most powerful and successful people in the business including Steven Spielberg and Ted Turner.

Stephen Hawking's been watching too many Hollywood movies.

I think the only kind aliens in Hollywood are the ones created by Steven Spielberg - 'Close Encounters of the Third Kind' and 'E.T.,' for example. All other aliens are trying to suck our brains out.

Spielberg knows his craft so well, he can also improvise, and that is a lot of fun.

The idea of working with Steven Spielberg was very attractive.

He's such a master. He knows the language of the camera and of filmmaking, which gives him a great freedom.

I read Animal House and I said, "I will burn down a house to be in this.

I have to be in this movie." I read 1941 and I went, "Well, if Steven Spielberg likes it..." But it just wasn't on the page. It was a very big, unwieldy thing, and there were so many characters. It was fun to shoot, but I didn't know what the core of it was.

Whenever I study a genre of film-making, Steve Spielberg is the first guy I go to. Even Catch Me If You Can, which is a very lightweight kind of thing, if you just look at the economy of the way he designs his shots and works around actors, the craft is amazing.

Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.

Working with Steven Spielberg, how bad could it be? But "1941" was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.

I'm not accustomed to doing films without seeing the script.

There are certain people that are auteurs, and you accept them regardless of whether you see a script or not. But Spielberg is not an auteur.

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