What Strauss is going through drives you nuts. If you care about your batting - which I'm sure he does - he will feel like jumping off a bridge and committing suicide— Bill Vaughan
Staggering Strauss quotations
During the Gold Rush, most would-be miners lost money, but people who sold them picks, shovels, tents and blue-jeans (Levi Strauss) made a nice profit.
What terrible harm Wagner did by interspersing his pages of genius with harmonic and modulatory outrages to which both young and old are gradually becoming accustomed and which have procreated d'Indy and Richard Strauss.
I've outdone anyone you can name -- Mozart, Beethoven, Bach, Strauss.
Irving Berlin, he wrote 1,001 tunes. I wrote 5,500.
My favorite designers are Levi Strauss and Fruit of the Loom
When I perform Strauss, it is as if the music fits me like a glove.
My voice seems to lie in a happy area in this music, which is lyrical and passionate at the same time.
A hundred years ago, when Richard Strauss, who has already been quoted and already been heard today, and other creative people, laid the foundation stone for the joint assertion of their rights and interests, they had pioneering work ahead of them in Germany.
Lewis Strauss is one of my best friends.
I have enjoyed most particularly reading the correspondence between Gustav Mahler and Richard Strauss. The genuine friendship, competitiveness and support that thread through their communications are life lessons for us all.
I dig Strauss and Wagner, those cats are good...
Claude Levi-Strauss has been a great source of fruitful irritation to my mind.
You cannot imagine the wild enthusiasm that these two men created in Vienna.
Newspapers went into raptures over each new waltz, and innumerable articles appeared about Lanner and Strauss.
My favorite designers are Levi Strauss and Fruit of the Loom.
My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.
Richard Strauss--Old Home Week in Gomorrah
I suffer the anthropological malady diagnosed by Le vi- Strauss inTristes tropiques: I find it much more difficult to suspend value judgments about the society in which I normally reside than I do abroad. It takes physical and cultural distance to gain moral detachment and political noncommitment. Relativism implies a solid measure of indifference.
Leo Strauss's discoveries in the history of political philosophy had the effect of liberating his students from the yoke of contemporary thought.
[On the music of Richard Strauss:] Too many notes!
When my eye rested on an arid height, spirit partook of the barrenness.
- Heartily wish Niebuhr & Strauss to the dogs. The deuce take their penetration & acumen. They have robbed us of the bloom.
I was never revolutionary. The only revolutionary in our time was Strauss!
Strauss admits to being obsessed by his mother's rejection, and with the resultant rents in self-esteem. The Game echoes with disturbingly abusive comments leveled at his adolescent self, a self he feels was unacceptable. With bravado, he expresses regret that he didn't rack up more sexual conquests in his teens; in person, he expresses a truer regret that he was intimidated by life itself.
I admire Johann Strauss a lot. I believe he was a genius of his time.
Here, waltzes are called works! And Strauss and Lanner, who play them for dancing, are called Kapellmeistern. This does not mean that everyone thinks like that; indeed, nearly everyone laughs about it; but only waltzes get printed.
Among the numerous pleasures of Vienna the hotel evenings are famous.
During supper Strauss or Lanner play waltzes...After every waltz they get huge applause; and if they play a Quodlibet, or jumble of opera, song and dance, the hearers are so overjoyed that they don't know what to do with themselves. It shows the corrupt taste of the Viennese public.
As [Gershom] Scholem explains, this [Shabbetaian] doctrine is connected to the idea that 'the elect are fundamentally different from the crowd and not to be judged by its standards. Standing under a new spiritual law and representing as it were a new kind of reality, they are beyond good and evil'. Strauss's philosopher-prophet is a secularized version of the same conceit.
I never imagined when I wrote my first book on Strauss that the unscrupulous elite that he elevates would ever come so close to political power, nor that the ominous tyranny of the wise would ever come so close to being realised in the political life of a great nation like the United States. But fear is the greatest ally of tyranny.
The Truth about Leo Strauss is the most balanced and insightful book yet written about Strauss's thought, students, and political influence. It dispels myths promulgated by both friends and foes and persuasively traces the conflicting paths that American thinkers indebted to Strauss have taken.
To Strauss the composer I take off my hat; to Strauss the man I put it back on again.
Dominique Strauss-Kahn has always had a reputation as a man who cares for women, and even a libertine . . . There is a vast difference between [that] reputation . . . and the charge which he is the object, which is a serious, very serious crime or sex crime. This is something very different.
STRAUSS:Have you ever thought about putting those experiences into a book? RICHIE:I did decide to write about what i experienced in climbing to the top. And finally when I got there, I discovered what was at the top.You know what was there? STRAUSS: No, I don't. RICHIE: Nothing. Not one thing. What was at the top was all the experiences that you had to get there.
Dr. Strauss said I had something that was very good. He said I had a good motor-vation. I never ever knew I had that. I felt proud when he said that not every body with an eye-q of 68 had that thing. I don't know what it is or where I got it but he said Algernon had it too. Algernons motor-vation is the cheese they put in his box. But it can't be that because I didn't eat any cheese last week.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.