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I'm a regular part of the TV audience world, and I know that I like shows that I would watch. And this is a series that I definitely would watch. And some episodes are better than others.
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I'd been offered TV series over the years and never had any interest in doing television. I'm not a TV guy.
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I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
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It's that TV thing. You can be in the biggest film of the year and it will still not have the kind of impact a TV series has. Once you're in people's living rooms, that's it. There's no hiding place.
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I've done a little bit of TV. I'm doing a little mini-series at the moment called 'Scooter.'
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I had a very special family life. My mother and father made sure when we were home, we were part of the family, not a TV star. And the other thing: my father was fully employed while I was doing the series.
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The joke that I make is that there are instances on the TV series that happen to me, - except on Sex and the City they always make it better or worse than real life and I am actually saying that in a joking way.
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I was surprised that the TV series was popular itself, but after that it went on to become more popular over the years and thus it seemed eventually that they would turn it into a movie.
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They all matter to me, whether I'm working on a Sam Jackson film for a week or I'm the star of my own TV series - I take it all very seriously, and I have a healthy respect for the work in general, despite the role.
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I am currently talking to one of the studios about making American Star as a TV series.
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Plays close, movies wrap and TV series eventually get cancelled, and we were cancelled in three season.
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Well, TV series tie you up. You can't do films while you're doing a TV series.
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I am a big fan of the TV series 'Taxi' which combined comedy and pathos better than any other show I've seen.
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At the major studios, you see people wanting to remake a TV series, wanting to make a sequel.
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I would rather do twenty TV series than go through what I went through under that Rank contract I signed a few years ago for which I blame no one but myself.
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I want to get into movies, not just TV series.
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A great number of publications and movies on the history of the 20th century - albeit of uneven quality - are evidence of a growing demand. Quite recently, the state-owned TV channel 'Russia' aired a series based on Varlam Shalamov's works, showing the terrible, cruel truth about Stalin's camps. It was not watered down.
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I've been fascinated with gargoyles since I was a kid.
I took a high school trip to Europe, the 8 countries in 5 weeks kind of trip. Even then I collected postcards of gargoyles. Then I sort of forgot about it. You flash-forward a few years and I'm at Disney, we're looking for an idea to base a show on. I was running series development at the time at Disney TV Animation. And we came up with the Gargoyles comedy series. Which didn't sell!
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If you think about TV series, we make 16 one-hour movies a season.
You don't get any opportunity like that in movies. I mean, I can't say I'll be able to do 16 movies in the next year, and so that's how I see it.
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Even though I've mostly done movies, TV has developed in such a wonderful way over the past few years in the sense that film directors are being involved and some fantastic actors are committing to seasons of series. There are some fantastic writers working in that medium right now.
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What I enjoy the most is portraying villains like a vampire, a serial killer, a supernatural creature, etc... That's when I have the most fun, creating those roles. I also love playing the hero in horror movies, because then I get to really be believable, truthful to feel the terror, the scariness, the horror, and be able to really transmit that to the audiences watching the movie or that TV series.
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The people green-lighting films or TV series often want household names, but the smart ones realize that there are lightning rods who can make things happen, and they aren't necessarily the ones who are celebrated.
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After reaching season two on TV series, having done a film, and receiving acknowledgment in America, I feel like now whatever I do will be on me. My choices will be mine; my disappointments will be mine.
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In order to put it into perspective, as an actor, it's super hard to get on a TV show. If you get on one, it's super hard for that show to be reasonably successful. All of that, on paper, seems pretty special. It's the sum of the parts, really. To roll the dice and come up with this particular show is pretty fortunate. I'm very happy about Silicon Valley series. It's changed everything for me.
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Daniel Handler's a writer, musician and the author of, among other things, the "Series Of Unfortunate Events" books. He also wrote the TV version of the books that is available now on Netflix. As said, I recommend both media for this story.
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When I need to relax, I love to go to the movies or watch a good TV series.
I also practice a lot of sport, mostly tennis and swimming.
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It's going to sound like the easy answer, but I love them both.
I do! I really don't prefer one over the other. With movies, you really dive into a character for two to three months, but then it's gone. With a TV series, you have a constant location you're living in, and you're always working on the same character along with people who are like your own family. I'm lucky to have done both.
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I'm probably always guilty for rooting for a long series.
Not either side - I don't really care who wins the game, but it makes for more compelling TV the more games you go deeper into a series.
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If something great comes off with the potential TV series, I will go straight to an investor this time and put my money in whatever they invest in.
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I was quite interested to do television series and I started exploring an idea of a longer commitment, a new idea, a new TV show that would've meant a longer commitment but I opened my mind up.
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At that time in my career, everything ended up moving so fast, honestly.
Within the first five years of my career, I think I did two TV series and four big movies, and I've never been that hot again in my career.
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And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
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I made a few movies in Holland for a lot of TV series.
I came to Los Angeles and for the last 10 years, I made a lot of feature films - all kinds of low budget action movies for the studios.
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I wrote for television some, animation.
Batman the Animated Series, Superman the Animated Series, Son of Batman, things of that nature were made and I'm happy about that, but now the recent film and TV stuff have validated me, as if that makes any sense.
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I really love watching the 70s live performance TV series "The Midnight Special" and "The Old Grey Whistle Test". Those are the best performances you've ever seen, and they sound incredible.
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