quote by Peter Bart

Though gay lifestyles have certainly moved into the open, there's little evidence that society has become more open in its basic attitudes or that entertainers should feel cozy in emerging from the velvet underground.

— Peter Bart

Promising Velvet Underground quotations

One chord is fine. Two chords are pushing it. Three chords and you're into jazz.

The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band

If you would keep your soul From spotted sight or sound, Live like the velvet mole; Go burrow underground.

I knew about things like Iggy Pop and The Velvet Underground, weirdly, before I knew about David Bowie. I didn't know what David Bowie was, when I was a kid. I thought he was like Visage.

When I was growing up, I fetishised New York City.

It was the land of Lou Reed and the Velvet Underground, it was where Leonard Cohen wrote 'Chelsea Hotel', it was CBGBs and all the punk rock clubs. Artists and musicians lived there, and it was cheap and dangerous.

As a teen, I heard the second Velvet Underground album, 'White Light/White Heat,' and it was too much for my limited scope of appreciation. It was intense, but I didn't get it.

It's depressing when you're still around and your albums are out of print.

I always wanted to move to New York because of the Velvet Underground, because of the picture that they painted of New York City.

I grew up in the '90s. I listened to a lot of The Clash, Velvet Underground and Roxy Music. I wasn't into Boyzone, or anything.

Not many people bought Velvet Underground LPs, but those who did, started a band.

One of the greatest learning experiences I had was hanging out with Maureen Tucker from the Velvet Underground. There's a woman who has no training and has a very simplistic and very tribal drumming style. I don't even know that she can even do a drum roll, but she's probably my favorite rock drummer because she plays every note perfect.

When a band becomes as truly iconic as the Velvet Underground, there will often be a box set released, overburdened with mediocre material that dilutes what was fine left on its own.

It's hard to imagine the whole punk movement without The Velvet Underground.

I toured with them when they did their reunion tour, and no one sounds like that; they are a very unique-sounding band. They have a lot of noise, they have a viola, they have a drummer that's standing up, certainly they have influenced my guitar playing, but hopefully after 12 records you start to sound like yourself.

The best New York in the world is driving down the [Pacific Coast Highway] listening to the Velvet Underground. That's the best time I've ever been to New York.

That's the words: "So I'm back to the velvet underground" - which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff - "back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."

No part of Manhattan these days really has the same vibe I get from a Ramones song or a Velvet Underground song.

Everybody gets a tag. If you listen to a Velvet Underground record, you don't think, 'Godfathers of Punk.' You just think, 'This sounds great.' The tags are there in order to help try to sell something by giving it a name that's going to stick in somebody's memory. But it doesn't describe it. So 'depressing' isn't a word I would use to describe my music. But there is some sadness in it -- there has to be, so that the happiness in it will matter.