quote by Giuseppe Verdi

A man like Verdi must write like Verdi.

— Giuseppe Verdi

Tremendous Verdi quotations

I am an arrogant and impatient listener, but in the case of a few composers, a very few, when I hear a work I do not like, I am convinced that it is my own fault. Verdi is one of those composers.

A whole new world of Italian music was springing up, and [Giuseppe] Verdi was seen as old. Boito got Verdi all excited about the possibility of doing another opera, another kind of opera. In fact, Verdi composed his two best operas, Otello and Falstaff, in his eighties.

Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel.

Even Stravinsky does not evoke the same public affection as Verdi.

I want you to know how I feel about my Italian heritage, so I'd like to say a few words in Italian: Verdi, Pavarotti, DiMaggio, Valentino, De Niro, Giuliani. . .

I love music, especially classical like Verdi; it's a great way to relax.

Perhaps dirt is the necessary condition of beauty.

... Perhaps hygiene and art can never be bedfellows. No Verdi, after all, without spitting into trumpets. No Duse without a crowd of malodorous bourgeois giving one another their coryzas. And think of the inexpugnable retreats for microbes prepared by Michelangelo in the curls of Moses' beard!

Opera once was an important social instrument -- especially in Italy.

With Rossini and Verdi people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.

It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is - like Verdi said - working with a file, every day, little by little, until the orchestra's collective qualities emerge.

I always had a feeling, for example, that there should be something from Verdi's "Requiem" in the film. You hear it when you see the lava flow in Iceland. That turned out to be a very easy choice.

I thought that if I were going into old age I would want to do what [Giuseppe] Verdi did, which is to write extraordinary things, and to really find myself.

I had been reading a fabulous book [The Man Verdi, by Frank Walker] about [Giuseppe] Verdi, whom I adore.

My greatest experiences in the theatre and the most religious experiences in my life - of which going to the opera is one for me - have been with the Romantic composers' repertoire: it's Wagner, it's Strauss, Verdi, Puccini. That era gets me every time.

I like to sing to Verdi, I like singing to Sibelius, and Mahler maybe.

It heartens me to think of Verdi who composed thundering operas in his eighties;

Michelangelo who did fine work in his ninetieth year, and Titian, who painted better than ever in his one hundredth.

I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.

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