quote by Clint Eastwood

You see, in this world, there's two kinds of people, my friend - those with loaded guns, and those who dig. You dig.

— Clint Eastwood

Almighty Western Films quotations

Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.

Western films quote I'm not interested in a realistic look - not at all, not ever. Every film should
I'm not interested in a realistic look - not at all, not ever. Every film should look the way I feel.

Western films don't do very well in India.

Western films quote Great moments are born from great opportunities.
Great moments are born from great opportunities.
Meaningful Western films quotes
Visualise all those meaningful western films quotes

It's a hell of a thing, killing a man. You take away all he's got and all he's ever gonna have.

Ever notice how you come across somebody once in a while you shouldn't have messed with? That's me.

Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.

Western films quote To make a great film need three things - the script, the script and the script.
To make a great film need three things - the script, the script and the script.

The area of teenage life is not necessarily rarefied;

we've all gone through that period. It's not as rarefied as a western or a space adventure or a gangster film, but it has its own dynamic.

I think that my films are westerns only in their exterior aspects.

Within them are some of my truths, which happily, I see, belong to lots of parts of the world. Not just America.

Well, if you're waitin' for a woman to make up her mind, you may have a a long wait.

I'd like to do a number of films. Westerns. Genre pieces. Maybe another film about Italian Americans where they're not gangsters, just to prove that not all Italians are gangsters.

A man's got to know his limitations.

Every man has got to know his limitations.

Wanting to be in a Western film won't get me very far.

Unless the opportunity arose, it doesn't matter how much I want to be in one. But if an opportunity did arise, no actor would pass it up.

The reason why I always wanted to make an American film was because of the Western genre. It is something that I would very much like to make in the future, because it's very uniquely American, and I can't make a Western film in Korean.

Second, this epic tale allows the audience to actually listen to the Native Americans and receive their wisdom. Spielberg conveys the respect for Native Americans that is normally lacking in Western films.

I did 10 years of comedies and 10 years of Westerns.

I really like to stay away from car chases. I prefer the more intimate film. You have a much more direct association with the emotions.

So, thanks God, our films, our first films were suddenly being appreciated by the Western media; especially France was very good, and Switzerland was very good.

I've grown up watching a lot of Western genre films on TV, and America is not just a country, but it's one of the most important countries in the world, and examining the process of how this nation came to be, it's an important thing, even for outsiders.

Suddenly, Westerns, which were our action films and what the working man went to see to blow off steam and have a good time, became boring to most people growing up from the Eighties on, because they're kind of pastoral.

There's a level where the themes of a film are very relevant to me and also the idea of finding out how relevant one genre is to another. I think that westerns and samurai films and superhero films have a lot in common. It's just that the scale of the visuals in tentpole films can sometimes overwhelm the drama.

Western civilization shapes the content of my films, provides me with subjects that haven't been used before.

When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.

I was in love with this character of Ray Krebbs.

I wanted the part badly. I had done several Western films in my career at that point and there wasn't much opportunity then to play Western roles on television at that time.

It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.

My first feature film was a movie called 'A Gunfight,' with Kirk Douglas, Johnny Cash, Karen Black, Jane Alexander, Raf Vallone... It was shot in Santa Fe, Mexico, in 1970, and it was directed by Lamont Johnson. It was the first gig I did when I got to California from having done 'Hair' in New York on Broadway for a year. It was a Western, though! But that film was not a successful release.

47 Ronin is a very special movie for me.

Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.

What Bollywood lacks is scripts. A lot of the films are copies of western films.

I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.

I was always a fan of the great old spaghetti Westerns, the Sergio Leone films.

But the one that always sticks with me, that I just thought was brilliant and perfect is "Cat Ballou." Lee Marvin in "Cat Ballou."

I'm drawn to a good story, really, as I hope most people are.

For me, it's the story that's going to stay with you eventually, not necessarily the genre. I go to watch a film because of the story, not because it was a Western or a comedy.

I go by the role pretty much. And I think the only genre I haven't gotten to do but I'd love to is a western, but no one has ever asked me to do that. Unfortunately they are very few and far between these days, but that is one type of film I'd love to do.

When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.

If you consider film an art form, as some people do, then the Western would be a truly American art form, much as jazz is.

People want to classify and say, 'OK, this is a gangster film.

' 'This is a Western.' 'This is a... ' You know? It's easy to classify and it makes people feel comfortable, but it doesn't matter, it doesn't really matter.

You have to go with your instincts. I remember when I was about to make "Fistful of Dollars" a big article came out that said, "Italian Westerns are finished." I said, "Swell." Then, of course, the film came out, and it did something. I'm so glad for the dozens of times I haven't listened along the way.